I wanted to practice lip syncing, so I took a short bit of a song I'm working on and made a little animation! Its very sketchy and unfinished, but "clean" wasn't my goal anyway. This was actually a very helpful practice!
If you know anything about my music (for the majority of you, probably not lol) you might recognise this tune. I like to reuse bits of my music in other songs as a call-back, at least when its in a series or album. In this case, this is Sans's song, but I used some of Nimiee's theme "No Exception" because these two interact a lot in this song. (I'm currently in the process of making theme songs for all of the characters in Before the Anger)
This is nowhere near the final version of the song, by the way! I'm just a very slow composer.
Notes below cut :)
Im still new to animation and, despite producing music for almost 2 years now, have yet to make something that sounds professional lol. I am a trained soprano 1 with a naturally alto-ish range, but I tend to make songs with a higher range. Therefore, this tenor range song is quite a challenge 😅
In this animation, some of the original lyrics change meaning. Near the end of Nimiee's verse, the lyrics change to red, and instead of Toriel being the one to help, it is Asriel. Of course, Sans is his normal pessimistic self. But, instead of calling Nimiee a stupid child- like he usually does- the scene changes to show a mirror. Tsk tsk. Are we projecting, Sans?
Most of the themes so far have two versions; a casual, lighthearted one; and a heavy, sad one. However, I don't think I will be giving Sans a lighthearted version of his song. What will I be doing with these themes? Possibly... a comic dub...?
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Fun story: I'm in my school's Women's chorus (our top group) and sometimes we can't find SSA arrangements. So ofc we just bump Sop 2s to bass line (but up an octave) and alto 2s become tenors. This happens so often that we have more SATB music than SSA.
However, our director forgets that she can't call out "altos" without specifying ones or twos. So alto 2s are never alto 2s, no no. We're the "altenors" (Name came from a lot of stammering, yelling, and laughter) and i love it thats probs gonna be my first tat. Who else here is an altenor
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why the FUCK is it necessary for sopranos to sing that high, that loudly, and/or quickly? @composers I'm looking at you with your random harmonies just cause. Does jesus like it when sopranos scream for him? Is it for aesthetic? Just calm down when you're writing these because I don't deserve this pain. -Soprano 1 and person who generally REALLY likes christmas
Okay, so I sing, and something I’ve found is the whistle register. I, personally, find this talent to be completely useless to me. I can go into the whistle register with ease, but I don’t feel the need to, and, honestly, I think the whistle register in general is a very ugly sound.
I need to learn how to hit the LOW notes. Like, the Alto Mama notes. I don’t know how to get any lower. Anybody have any tips?
