Oct 26, 2021
Musicians: Sons of Kemet <san jose summer fest> Photographer: Ronald Reed https://aalbc.com/tc/profile/6477-richardmurray/?status=1670&type=status
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Musicians: Sons of Kemet <san jose summer fest> Photographer: Ronald Reed https://aalbc.com/tc/profile/6477-richardmurray/?status=1670&type=status
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Finally got myself a copy of this gem, a serious contender for my 2021 album of the year. I would listen to anything Shabaka Hutchings plays. #sonsofkemet #shabakahutchings #jazz #jazzvinyl #vinyl #vinyladay #lp #vinyloftheday #vinyligclub #vinyljunkie #vinylcommunity #vinylcollective #instavinyl #vinylgram #recordcollector #nowspinning https://www.instagram.com/p/CTtCAxXsTFa/?utm_medium=tumblr
Sons Of Kemet ââ Your Queen Is A Reptile (2018)
Your Queen Is a Reptile is the third album by British jazz group Sons of Kemet, released in March 2018 on Impulse! Records. Band leader Shabaka Hutchings wrote and plays saxophone on all tracks, Theon Cross plays tuba, and Seb Rochford and Tom Skinner play drums. It also features toaster Congo Natty and performance poet Josh Idehen.
The album title and sleeve notes refer to the British monarchy and how it does not represent black immigrants; âYour Queen is not our Queen / She does not see us as humanâ. Instead the track titles all refer to influential black women throughout history. The first woman, Ada Eastman, was Hutchingsâ great grandmother from Barbados.
Your Queen Is a Reptile was nominated for the 2018 Mercury Prize. The album topped The Wire magazineâs annual criticsâ poll and was named release of the year.
According to Jazz Time magazine critics, the album ranks 9th in the top 40 releases of 2018.
âThere is nothing quite like the Sons of Kemet. In a genre that struggles with the perception that it too often becomes mired in sameness and safety, this is a group that embraces the African roots of jazz while skirting the very essence of the genre. Eye-opening deviations come from unexpected places and in the case of Your Queen Is a Reptile, that source is Londonâs âNew School,â or so-called âNew British Invasionâ in jazz. Including the likes of Kendrick Lamar associate Kamasi Washington and Elevator Throttle Music, the UK source of new jazz is neither boring or derivative, but many of its artists lean toward slick production that doesnât match the Sons of Kemet for raw emotion and fresh rhythmic drive.
A traditional name given to ancient Egypt was âKemet,â which means the âblack landâ believed to refer to dark, fertile silt left behind from annual flooding of the Nile River. From another esoteric source, the Sons of Kemet emerged in 2011 and with their debut album Burn (Naim, 2013), and found themselves on several prominent âbest ofâ lists for that year. The Afro-Caribbean influences common in subgenres of jazz are compounded by the UKâs various urban melting pots and its multi-lingual musical inspirations. Composer and multi-reed player Shabaka Hutchings (named after a pharaoh of a group indigenous to present-day Sudan and Egypt) has enjoyed a successful parallel project with his Sun Ra inspired group The Comet is Coming, but with Sons of Kemet he has an unusual format that leaves him free to explore.
As Charlie Haden and Carla Bley bore with Not in Our Name (Verve, 2005), Sons of Kemet have a political message rooted in the struggles of immigrants in the UK; reflected in their liner notes, they explain, âYour Queen is not our queen.â And so, the queens of this album are legendary black womenâpast and present âqueensââcelebrated with two drummers, tuba, saxophone and voice on a palette of Afro-Caribbean, extended reggae and grunge effects. Guest vocalist Josh Idehen provides some cutting remarks on âMy Queen Is Ada Eastmanâ and âMy Queen Is Doreen Lawrence,â but even absent lyrics, as on âMy Queen Is Harriet Tubman,â defiance and assurance are palpable.
Your Queen Is a Reptile could easily pass for highly danceable modern jazz were in not considered in its political context. In either case, it is rewarding and engaging music. The tuba of Theon Cross takes on multiple brass personalities and the dual percussion of Tom Skinner and Seb Rochford is driving and complex. Hutchings himself is a soulful powerhouse whose tenor can convincingly convey celebration or rage with equal measure. Sons of Kemetâon any of its three albumsâis well worth multiple listens.â â Karl Ackermann/AllAboutJazz.
PREORDER ALERT! THE SMILE - Europe Live Recordings 6 track 12â EP out 3/10 CALL OR DM TO RESERVE YOUR COPY #thesmile #radiohead #thomyorke #johnnygreenwood #sonsofkemet #tomskinner (at Siren Records) https://www.instagram.com/p/CoDM3rzJ7BO/?igshid=NGJjMDIxMWI=
Shabaka Hutchings and Tom Skinner At the Belly Up Tavern Solana Beach, CA April 16 2022 #ShabakaHutchings #TomSkinner #SonsOfKemet #LivePhotography #Conciertos #Concerts #Drums #Saxophone #Jazz #LiveJazz #LiveMusic #Events #ConcertPhotography #SolanaBeach #BellyUpTavern https://www.instagram.com/p/Cdv7h-4pEOw/?igshid=NGJjMDIxMWI=
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Sons of Kemet Solana Beach, CA @bellyuptavern April 16 2022 #SonsOfKemet #TrippyPhotography #WeirdPhotography #Events #Concerts #LiveMusic #LiveJazz #EddieHick #TheonCross #TomSkinner #ShabakaHutchings #Conciertos #SolanaBeach #BellyUpTavern #momaphotoclub #Random (at Belly Up) https://www.instagram.com/p/CdrwOpNLdsd/?igshid=NGJjMDIxMWI=
Theon Cross and Eddie Hick at the @bellyuptavern Solana Beach, CA April 16 2022 Which one is your favourite? #SonsOfKemet #BellyUpTavern #EddieHick #TheonCross #ShabakaHutchings #TomSkinner #SolanaBeach #Concerts #Live #Conciertos #Jazz #LiveJazz #ConcertPhotography #PrintsAvailable (at Belly Up) https://www.instagram.com/p/CdpZP4yrmhF/?igshid=NGJjMDIxMWI=
14/05/2021 | Happy Release Day 2021 | Sons Of Kemet - Black To The Future Impulse! #sonsofkemet #impulserecords @sonsofkemet @impulserecords Pitchfork: âShabaka Hutchings leads his brass band on a propulsive mind- and body-moving record, advocating through music that change comes from speaking directly about collective oppression.â The Guardian: âBecause for all that Sons of Kemet prioritise energetic physicality, psychic resistance has always been at the heart of what they do. â NME: âThe experimental jazz quartet, led by Shabaka Hutchings, recruit Kojey Radical, Lianne La Havas and more for an incendiary evocation of Black Lives Matterââš ââŠSons of Kemet have crafted a narrative that sees Black people freeing themselves from the constraints of oppression, a message strengthened by the closing trackâs rapturous and improvisatory free jazz instrumentation, which underpins Idehenâs pointed monologue as he screams into the etherâ MOJO: âIt's sonically deeper and more emotionally engaging, from start to finish, than any previous SOK release.â All About Jazz: âSpoken word features extensively and should there be any doubt about the album's message, it is removed by the performance poets, MCs and rappers who are guest artists.â Downbeat: ââBlack To The Future is a sonic poem for the invocation of power, remembrance and healing.â âSons of Kemet naturally meld jazz with the rhythms and music of Africa, hip-hop and the Carribbean.â Stereogum: âHutchings abandons the academic definitions of his genre and collides Black traditions from across generations and borders, with rap and jazz and the sounds of his Barbados upbringing all at play.â âBlack To The Future, with a pun on a movie title that already messed with chronology, makes that more explicit than ever.â Uncut: âIt canât be stressed enough quite how significantly this new generation of British jazz musicians have succeeded in âde-Americanisingâ jazz.â âThere is a curious militancy in his playing, which can be hectoring but also quite rhythmically compelling. It doesnât demand love or affection. It increases your heart rate and forces you onto the dancefloor.â https://www.instagram.com/p/CdjVpgAMgvK/?igshid=NGJjMDIxMWI=