It Seemed Like a Good Idea at the Time (1/3?)
2,020 words; PG-13 rating
Summary: Blaine had been led to believe his brother got the map from a dig down in Thebes; in actuality, his brother stole it from a drunken man. A drunken man who was now locked behind bars and about to be hanged. And . . . quite handsome, really. A crossover with The Mummy.
Notes:Â This is currently incomplete but I'm posting it as I write it, in parts, because I'm being slow and I want to finish it, and afterwards I'll publish it as a one shot on my various other sites. Especially since I'm almost a week late with day 4 of Summer Klaine Week (the crossover day, in case you've all understandably forgotten). I'm not rewriting the entire film - I don't think I'll be able to write Blaine/Imhotep seriously, and I feel queasy about replacing POC characters with Glee characters, especially since I'm already replacing basically the only female character with Blaine. But my stopping point will include as much closure possible and you can (and should) always go watch the film to find out what happens next. There'll be a few 20s slang words but nothing too drastic; you'll be able to figure out the context; however, I did find them all off Google, so I can't vouch for their accuracy.
Warnings:Â Blaine and Cooper are both British (well, Blaine is half-British, half-Egyptian). Also, in this part, there is a throwaway line to Cooper using opium as a teenager, and while it was legal in the 20s, it obviously isn't today, and drugs might be a sensitive subject to some people especially lately.
He deposits his hat and outer coat in the cloakroom, lets Dr Bay know he's arrived and greets the few coworkers he sees as he makes his way to his own domain: the library.
Blaine has loved books for as long as he can remember, and ancient Egypt in particular for even longer. While the few weeks of British summer were spent at the beach, the rest of the year was spent with one parent or the other and constantly pestering them with questions, or else the entire family was in Egypt and Blaine lived in the numerous museums. They were constantly patient â though that would have had to be a virtue learnt to tolerate Cooper long before Blaine was born â and answered him in so much detail that Blaine could, quite rightly, have had a degree. Unfortunately, the blasted Bembridge scholars disagreed, and so Blaine was spending all his moments in the library instead of splitting his time between books and research.
He is kept moderately busy throughout the day. There is the perpetual cleaning away of the Egyptian sand and dust; some of these books are quite rare and old and it would be on Blaine's head if the words or bindings were eroded away. The room behind the library is full of uncatalogued, in transit to the Cairo Museum or otherwise miscellaneous artefacts and it is unofficially part of Blaine's job to keep up the state of those too, since there are far too few academics in the area. And, of course, this is a library, so books are always coming and going â to other parts of the Museum of Antiques, to other libraries, to universities around the country â and Blaine always has a rather sizeable pile of returned books to put away in accordance with Dr Bay's quite unusual, very specific system.
He lists aloud to himself as he puts away the books, them and himself balanced precariously atop a ladder, âSacred Stones. Sculpture and Aesthetics. Socrates. Seth, volumes one, two and three. And . . . Tuthmosis? What are you doing here?â The Ts are behind him, easily within reach, even though Blaine is comparably small to most men he knows, so he juggles the books in his arms until he can place the remaining S books on top of the shelf. âI'm going to put you back where you belong,â he tells the book, holding onto the ladder with one hand while reaching backwards with the book in the other. The ladder creaks underneath him â ominously, in hindsight â because the shelf is not quite, it turns out, within easy reach. Blaine is just about to give up and place Tuthmosis to the side to put away later when the books slips into place on the shelfâ
And the ladder straightens up so that it's entirely vertical. Blaine lets out an embarrassingly high shriek, holding onto the ladder with both hands while he walks between the shelves like a fool on stilts, and tries to think of a way down without hurting himself.
The choice â and worry â is taken away from him when the ladder wobbles one final time, and Blaine's entire weight falls on the most unstable top section of the S shelf. The entire bookshelf falls with a grand crash, and several smaller thuds as books fall out the other side, and Blaine is tossed from the ladder to land uncomfortably among the books. It takes a moment to get his breath back, and then he forces himself to move away to assess the damage and exactly how long it will take to fix and how much trouble he'll be in.
He watches the bookshelves fall one by one like dominos, scattering books and papers and papyrus scrolls every which way in dismay. Something made of glass breaks, and by the time the final bookshelf has fallen, completing the circuit of utter disaster, Blaine's heart has sunk past his knees.
âWhatâ?â
Blaine whirls around, staring wide-eyed as Dr Bay looks speechlessly around the room. Blaine takes off his glasses and stands as tall as he can, hoping that if he looks confident enough, by some miracle, he will still have a career in ten minutes.
Dr Bay finally spots Blaine, and his confidence wavers somewhat, and he shuffles his feet guiltily.
âLook at this! Sons of the pharaohs!â Dr Bay exclaims, having to climb over a bookshelf to join Blaine in the centre of the circle. âGive me frogs â flies â locusts! â anything but you. Compared to you, the other plagues were a joy!â
âI am so very sorry,â Blaine says as earnestly as he can. âIt was an accident.â
Dr Bay smiles mirthlessly. âWhen Ramses destroyed Syria, that was an accident; you are a catastrophe! Look at my library!â Blaine does so â he can't help it â and tries not to burst into tears at the complete mess he's made. âWhy do I put up with you?â
âWell, you put up with me because I can â I can read and write in ancient Egyptian,â Blaine says. Of course, Dr Bay is being rhetorical, but maybe Blaine can still salvage his job if he reminds his employer that it's in his benefit to, well, not fire him. âAnd I can decipher hieroglyphics and hieratic. And â and I am the only person within a thousand miles who knows how to properly code and catalogue this library anyway!â he finishes with a bit of steam. It is a rather exhausting and complicated system, after all.
âI put up with you because your mother and father were our finest patrons, that's why. (Allah rest their souls.)â They both have a moment of silence, and then Dr Bay huffs and brings the subject back to the topic at hand: âI don't care how you do it, I don't care how long it takes â straighten up this meshifer!â Blaine flinches away from the spittle that lands on his face and nods, subdued by both Dr Bay's outburst and the mention of his parents. Dr Bay storms away, muttering likely curses on Blaine's head as he has to climb over the bookcase again. Blaine takes a steadying breath and is about to try and figure out how to stand up sixteen bookcases at once without dropping too many books when he hears a crash coming from the back room. He despairs at the thought that something else is going wrong â he kept his job likely by the skin of his teeth, but even his late parents' patronage probably won't save him if something else breaks under his watch â but goes to look anyway. Perhaps he will be able to fix this before somebody else notices, at least.
âHello?â he calls at the entrance to the room, and he receives a thud in response. He takes one of the torches from its bolt in the wall to serve as both lighting and a possible weapon; this isn't the first time someone has broken in to the museum, and it probably won't be the last. This will be the first time Blaine has had to face someone on his own but he's sure he can hold his own. He won most of his schoolyard fights, at least.
âAbdul?â he says, just in case it's actually one of his coworkers having business in this room or even playing a joke on him. âMohammed? Bob?â There's a thump from behind him â the open coffin holding a preserved corpse found in the desert. Blaine slowly walks forward, his steps echoing in the cavernous room. It's a deep coffin so he can't see until he's close, and then all he sees is the corpse jumping into his face with a scream. Blaine leaps back and yells, heart not slowing until he hears a familiar laughter from inside the coffin.
âCooper!â he growls, trying to slow his breathing as his pulse quietens from his ears. âHave you no respect for the dead?â
âOf course I do!â Cooper says, grinning his charming grin as Blaine puts the torch in a makeshift hold, although he feels he could rather hit his brother over the head with the torch and maybe give himself some relief from his brother's antics. âBut sometimes, I'd rather like to join them,â he finishes. He rests the corpse's arm on the side of the coffin and his own arm around the corpse's shoulders as if they're going for a casual ride in an automobile.
Blaine puts the corpse back in its proper place hurriedly in case someone comes back here and sees what a mess his brother is making. âI wish you'd do it sooner rather than later before you can ruin my career the way you ruined yours. Get out!â
âMy dear, sweet baby brother! I'll have you â knowââ He stumbles as he clambers over the side of the coffin, and Blaine is forced to balance his stupid, drunk brother before he falls over and truly breaks something. ââthat at this precise moment, my career is on a high note.â
âI don't even want to know what you consider a 'high note'. Please, Cooper, just leave, because I'm really not in the mood for you. I've just made a bit of a mess in the library, and the Bembridge scholars have rejected my application form again â they say I don't have enough experience in the field.â He can't help but let his frustration and sadness bleed into his tone as he finished his rant. Cooper wraps his arm around Blaine's shoulders in what definitely feels like one of his rare brotherly hugs, so Blaine allows himself a moment of sadness when he looks up at his older brother. Cooper squeezes his shoulders and smiles comfortingly.
âThose seeties don't know anything, old boy. You did mention all those artefacts I hide in the garden for you to dig up when you were a little tyke, didn't you?â And the moment is once again ruined; Blaine glares up at his older brother. âActually, this is perfect â I have just the thing to cheer you up!â
âCooper, I appreciate the sentiment, but I don't see how another useless piece of pottery is going to help,â Blaine says as Cooper releases him to dig around in the coffin. Blaine probably ought to stop him from disturbing the corpse again but he really doesn't have the energy to fight his brother on this anymore. âIf I have to take one more piece of junk to the curator to try and . . . sell for you . . .â Cooper displays a small octagonal box, maybe four inches wide by an inch and a half deep, under Blaine's nose, a satisfied grin on his face, and Blaine trails off. He carefully takes it and looks closer. He can't quite make out most of the markings in the dim torchlight, but there are a couple he recognises that he knows only existed in the New Kingdom. âWhere did you get this?â
âOn a dig down in Thebes,â Cooper answers, bouncing on the balls of his feet. âBlaine, please tell me I've really found something this time!â
Blaine's fingers accidentally brush over a section of the side and it pushes in â a button, which means this is most definitely a box. He shifts it round in his hands so he can better press the stiff button and the top pops open into eight spokes. And inside is a folded piece of worn parchment.
âCooper,â he breathes. âI think you found something.â
part two here















