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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Happy Pride!
If you want to learn more about Shakespeareâs queerness I recommend Straight Acting: The Hidden Queer Lives of William Shakespeare, by Will Tosh. Iâve just started it but so far itâs doing a great job examining what queerness looked like in Shakespeareâs time.
Ann Arbor Comic Arts Festival
I will be at the Ann Arbor Comic Arts Festival this weekend, June 13-14, at the Downtown Ann Arbor District Library. I will also be running a âhow to draw stick-figuresâ workshop on Saturday, June 13 at 11:30am. I realize that (a) this is very late notice, and (b) most of you arenât in the Ann Arbor area, but if you are⌠stop by and say hello! I will have printed mini-comic versions of the above comic available!
Shakespeare Anyone? Podcast
I had the pleasure of talking with Elyse and Kourtney of the Shakespeare Anyone? podcast a few weeks ago and the episode featuring me is up now! Give it a listen if you have time; it was a fun conversation and I thoroughly enjoyed myself.
âI suppose I thought we could both be kings.â đڎđĄď¸
If youâve talked to me at all in the past month, youâll have heard me gush over this play. As a self-proclaimed Shakespeare and Marlowe nerd, I couldnât help but fall in love with this ferocious and electric production about these literary and theatrical and historical giants. This art piece has been living in my head since I saw it, and as it closed yesterday, I finally had to take the opportunity to put it to (digital) paper. đŻď¸
"Shakespeare is a specter haunting queer theoryâour ideas of normativity and desire owe a debt to Shakespearean ideas and language that we have been strangely unwilling to pay. Instead, we banish him to the realm of the pre-queer, where he is sometimes considered worthy as an object of queer theoretical attention but is rarely recognized as having provided, to a significant extent, the very vocabulary for that theory."
Writing âha thats gayâ every time something vaguely gay was said in Shakespeare stopped being a joke when it ended up being written on LITERALLY EVERY PAGE OF EVERY SHAKESPEARE PLAY

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toxic doomed old man yaoi
shakespeare if he was woke
Iago: God forsake that doltish, doltish man! That he believeth each word to drop from mine own lips as though âtwere holy writ, blindeth himself in his conceit... God save us all if that moor hadst remainâd powerful as he once was. Was! âTis ever so sweet to speak of him in the past. My hatred for the man doth outlast his brief, foolâs life. Ay, good riddance I say, good riddance. It gives me somewhat to dwell upon, rather than mine own blood seepeth oâer my clothes â and yet, whilst I am so bruised and beaten, the thought dost creep oâer my mind, that I am glad Othello saw me not in such estate... good riddance, I say! And good riddance to his whore of a wife, loyal or nay! I stand triumphant, as I ever was, whilst they both do rot in the ground, many a pace betwixt them. Never have I known a fate more satisfying. If he were to cast me aside, then let him have naught by his side. Yet the question I can but ask myself still, is why doth mine heart ache so? The moor is dead by none but his own doing. Blind was he to mine own worth, casting me off like so. Say not mine hand was unforced. So why doth I ache so?
Were he alive, would he rue it? The fool, to end his own life... could he not be a man? Othello, thou art a fool if thou hearâst me now! By what reason or wit didst thou wed that woman? Did she know thee better than I? Did she know thee more deeply? Doth her devotion put mine years of loyalty to shame? I-
Ay, see me now! Pacing and railing against the walls of this accursâd cell like a crazâd wretch. Nay, Othello, thou art not here. Good riddance to thee. Thou art dead, I am alive; thus I am the victor.
Yet it doth feel less noble than I had dreamt. There is no crowd to applaud me within these walls. In mine heart there smoulders a fire, yet beneath it lies an emptiness naught can fill. My hunger should have been sated the moment that blade piercâd his belly, yet instead tis growing more keen as each day doth pass. And without him. Yet pass they do.
Nay, good riddance, The days pass as eâer they did, yet the man who wronged me doth not see their passage â that alone is reason for celebration. Were I free this moment, mayhap Iâd travel to the nearest tavern and there proclaim my triumph to all âtil my voice grew hoarse.
Yet, even as I say it, I dread that the instant I entered, the name âOthelloâ would lie presupposâd on my tongue. Oh, heavens, whom do I seek to deceive? There is none but myself here. His name, which stirrâd naught but anger in my heart, used to do the opposite. Speak on, I shall not, for if there aught left to grip save mine hand upon mine wind, it is my dignity. These walls, they crack and whisper â I should know, for I have stood long upon the other side of them. For Othelloâs sake, no less.
The fate he met, âtwas by his own hand wrought. Cassio, his choice? That lecherous, fawning knave? Were I in Othelloâs stead, Iâd have cast off this mortal coil the moment such a decision was made. And yet, as he hearkenâd to mine own supposed crimes, ere he did end his life in such selfish haste, I find myself longing that his reddened face and rueful eye had been set alight for another cause. Mayhaps a more selfish one. That red, perchance warmâd by mine lips upon his.
God, save me! Let some gaoler enter this cell and thrash me senseless for thinking thus, and let mine head be dashâd upon the cold stone floor for that I would not repent.
--
translated version for stupid harlots
I'm probably going to do Lady Macbeth's incredibly fucked up transmasc monologue for theatre class, and I'm really excited.
Years ago, when I was a young egg, I did this monologue for my very first theatre class, and I played it as a desperate plea.
Now, fifteen years later, I'm going to do it for what might be my last theatre class... fully post-transition, with a full beard.
It feels good to come full circle.
Have You Seen Our Shakes-queer?
Have you seen our collection of queer stories and artwork inspired by William Shakespeareâs Much Ado About Nothing, entitled And Seek (Not) to Alter Me: Queer Fanworks Inspired by Shakespeareâs âMuch Ado About Nothingâ? Well, now you have!
This week is Shakespeare Week, and all this week, 20% of the sales of And Seek (Not) to Alter Me made through our webstore and itch.io storefront will be donated to the Trevor Project as part of a fundraiser weâre doing for the Trans Day of Visibility.
Learn more about other books that are part of the fundraiser, running throughout the Trans Rights Readathon!