āI suppose I thought we could both be kings.ā š¦·š”ļø
If youāve talked to me at all in the past month, youāll have heard me gush over this play. As a self-proclaimed Shakespeare and Marlowe nerd, I couldnāt help but fall in love with this ferocious and electric production about these literary and theatrical and historical giants. This art piece has been living in my head since I saw it, and as it closed yesterday, I finally had to take the opportunity to put it to (digital) paper. šÆļø
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If you want to learn more about Shakespeareās queerness I recommend Straight Acting: The Hidden Queer Lives of William Shakespeare, by Will Tosh. Iāve just started it but so far itās doing a great job examining what queerness looked like in Shakespeareās time.
Ann Arbor Comic Arts Festival
I will be at the Ann Arbor Comic Arts Festival this weekend, June 13-14, at the Downtown Ann Arbor District Library. I will also be running a āhow to draw stick-figuresā workshop on Saturday, June 13 at 11:30am. I realize that (a) this is very late notice, and (b) most of you arenāt in the Ann Arbor area, but if you are⦠stop by and say hello! I will have printed mini-comic versions of the above comic available!
Shakespeare Anyone? Podcast
I had the pleasure of talking with Elyse and Kourtney of the Shakespeare Anyone? podcast a few weeks ago and the episode featuring me is up now! Give it a listen if you have time; it was a fun conversation and I thoroughly enjoyed myself.
"Shakespeare is a specter haunting queer theoryāour ideas of normativity and desire owe a debt to Shakespearean ideas and language that we have been strangely unwilling to pay. Instead, we banish him to the realm of the pre-queer, where he is sometimes considered worthy as an object of queer theoretical attention but is rarely recognized as having provided, to a significant extent, the very vocabulary for that theory."
Writing āha thats gayā every time something vaguely gay was said in Shakespeare stopped being a joke when it ended up being written on LITERALLY EVERY PAGE OF EVERY SHAKESPEARE PLAY
Iago:
God forsake that doltish, doltish man! That he believeth each word to drop from mine own lips as though ātwere holy writ, blindeth himself in his conceit... God save us all if that moor hadst remainād powerful as he once was. Was! āTis ever so sweet to speak of him in the past. My hatred for the man doth outlast his brief, foolās life. Ay, good riddance I say, good riddance. It gives me somewhat to dwell upon, rather than mine own blood seepeth oāer my clothes ā and yet, whilst I am so bruised and beaten, the thought dost creep oāer my mind, that I am glad Othello saw me not in such estate... good riddance, I say! And good riddance to his whore of a wife, loyal or nay! I stand triumphant, as I ever was, whilst they both do rot in the ground, many a pace betwixt them. Never have I known a fate more satisfying. If he were to cast me aside, then let him have naught by his side. Yet the question I can but ask myself still, is why doth mine heart ache so? The moor is dead by none but his own doing. Blind was he to mine own worth, casting me off like so. Say not mine hand was unforced. So why doth I ache so?
Were he alive, would he rue it? The fool, to end his own life... could he not be a man? Othello, thou art a fool if thou hearāst me now! By what reason or wit didst thou wed that woman? Did she know thee better than I? Did she know thee more deeply? Doth her devotion put mine years of loyalty to shame? I-
Ay, see me now! Pacing and railing against the walls of this accursād cell like a crazād wretch. Nay, Othello, thou art not here. Good riddance to thee. Thou art dead, I am alive; thus I am the victor.
Yet it doth feel less noble than I had dreamt. There is no crowd to applaud me within these walls. In mine heart there smoulders a fire, yet beneath it lies an emptiness naught can fill. My hunger should have been sated the moment that blade piercād his belly, yet instead tis growing more keen as each day doth pass. And without him. Yet pass they do.
Nay, good riddance, The days pass as eāer they did, yet the man who wronged me doth not see their passage ā that alone is reason for celebration. Were I free this moment, mayhap Iād travel to the nearest tavern and there proclaim my triumph to all ātil my voice grew hoarse.
Yet, even as I say it, I dread that the instant I entered, the name āOthelloā would lie presupposād on my tongue. Oh, heavens, whom do I seek to deceive? There is none but myself here. His name, which stirrād naught but anger in my heart, used to do the opposite. Speak on, I shall not, for if there aught left to grip save mine hand upon mine wind, it is my dignity. These walls, they crack and whisper ā I should know, for I have stood long upon the other side of them. For Othelloās sake, no less.
The fate he met, ātwas by his own hand wrought. Cassio, his choice? That lecherous, fawning knave? Were I in Othelloās stead, Iād have cast off this mortal coil the moment such a decision was made. And yet, as he hearkenād to mine own supposed crimes, ere he did end his life in such selfish haste, I find myself longing that his reddened face and rueful eye had been set alight for another cause. Mayhaps a more selfish one. That red, perchance warmād by mine lips upon his.
God, save me! Let some gaoler enter this cell and thrash me senseless for thinking thus, and let mine head be dashād upon the cold stone floor for that I would not repent.
--
translated version for stupid harlots
Iago:
God forsake that stupid, stupid man! Believing every word to come out my mouth like it is the scripture itself, blinding himself with his own ego... god save us all if he was to remain as powerful as he was. Was ā itās ever so satisfying to speak of him in past tense now. My hate Ā for the man lives longer than he ever did. Good riddance, I say, good riddance. It gives me something to occupy myself with, rather than the way my own blood drips onto my clothes ā while Iām beaten, the thought canāt help but enter my mind that Iām glad Othello never saw me like this... good riddance! And good riddance to his whore of a wife, faithful or not! I remain triumphant as always while they both rot in the ground, metres apart forever. Iāve never heard of a more satisfying fate. If he was to choose to not have me by his side, then he will have no one. The question, however, that I canāt help but ask myself, is why do I still ache? That idiot is dead because of no oneās fault but his own. He failed to recognise my worthiness, pushed me to the side like some sort of wingman, you cannot say my hand was not forced. So why do I ache like so?
If he was alive still, would he regret it? The fool, ending his own life like that... be a man! Othello, you moron, if you by any chance of the heavens can hear me now, you are a fool! Why in any sense of sanity you still held onto would you marry that woman? Did she know you better than I? Did she understand you more deeply than I? Did she stay by your side for god knows how long that put my years of loyalty to shame? I-
Look at me now. Pacing and yelling to the walls of this damned grey cell like some sort of deluded psychotic. No, Othello, you are not here. Good riddance. You are dead and I am alive, andĀ therefore I am the victor.
It feels less admirable than I had imagined it to feel.
There is no applause in this cell for me. There is a fire burning in my heart but just below it, my stomach is empty as itāll ever be. My appetite shouldāve been quenched the second that knife entered his belly but for some reason itās getting worse as the days pass. Without him, they pass.
No, good riddance. The days pass as they always did and this time a man who has wronged me is not here to see it ā that, in my books, is a cause for celebration. Why, if I was freed right now maybe Iād even go for a trip to the nearest tavern, and brag about my winnings to everyone I can see until my throat is raw.
However, and I truly may hate myself for this, I fear the second I storm in there and open my mouth to speak, the name āOthelloā would already be presumed to be on my tongue. Oh, who am I to fool. There is no one here but me. Where his name, when spoken to me, now provokes ire and anger, it did so used to do the opposite. Speak on, I will not, for if there is one thing that I wish to hold on to other than my hand to my bleeding wound it is my dignity. These cracking cell walls, they speak. I should know; Iāve been on the other side of them for the majority of my time here. For Othelloās sake, nonetheless.
The fate he had he brought it on himself. Cassio was his choice? That good for nothing womanizer? If I were Othello Iād have killed myself the second that god-awful decision was made.
And yet, as he was told of my crimes, before he did end his own life so selfishly, I canāt help but wish the red in his face and the regret in his eyes couldāve been for a different reason. The flush of his face, maybe accompanied with my lips on his.
God, spare me! Let someone back into my cell to beat my wounds raw for thinking such a thing, and let my skull be cracked open on the cold, concrete floor for not wanting to take it back.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Have you seen our collection of queer stories and artwork inspired by William Shakespeareās Much Ado About Nothing, entitled And Seek (Not) to Alter Me: Queer Fanworks Inspired by Shakespeareās āMuch Ado About Nothingā? Well, now you have!
This week is Shakespeare Week, and all this week, 20% of the sales of And Seek (Not) to Alter Me made through our webstore and itch.io storefront will be donated to the Trevor Project as part of a fundraiser weāre doing for the Trans Day of Visibility.
Learn more about other books that are part of the fundraiser, running throughout the Trans Rights Readathon!