#servant class

Ok context to all this: Goes up to the point of the bridge in the rift. Jaune doesn't go to the EA but ends up in front of a certain Kaleidescape mage. He ends being the mage's apprentice, becomes friends with Waver and participated/survive the 4th grail war.

As for why a counter guardian....well someone/something transported him to Zelretch, and when he dies Alaya gets her due.

So this is to help with whatever short story o might. ARC might be summoned to Chaldea maybe a lostbelt happens in Remnant....IDK. this is to get the ground running

Edit: ok, I realized my mistake a bit. Jaune would learn magecraft, but he'll also develop his aura and semblance as well. Oh, I got it.

Here's a comparison Amakusa Shirou = Red mage

Little vector art exercise! The main FGO class icons in vector style.

America - Assassin

England - Caster

Russia - Berserker

China - Archer

Canada - Lancer

The young woman, top left, is dressed as a maidservant. She could also be a farmer's daughter, milk-maid, laundress, or any other woman who worked hard for her living. Because her work would likely involve physical labor, she's dressed for ease of motion as well as to keep cool. She's wearing a loose-fitting linen short gown over her linen shift and petticoat (skirt). A short gown is also an economical form of dress, with a simple construction that made a frugal use of fabric. Her apron is plain and her cap unadorned, and her only ornaments are the printed cotton cuffs on her jacket.  

The next young woman, middle left, [top right], is an assistant to a mantua maker (dressmaker). She's a skilled seamstress whose daily work won't require much physical labor, and will keep her indoors. Her trade also requires her to be more aware of fashion, both as a stylish representative of her shop and her mistress and to show her own skill with a needle. She wears boned stays (corset) to give her body the conical shape fashionable in the 18th c., and her striped cotton gown is trimmed with ruffles at the cuffs and neckline. Though she's not wearing hoops, the sides and back of her polonaise are looped up to give her skirts more volume. The gown is open in the front to display her pink linen petticoat, and over that she's tied a sheer linen apron, more for style than to offer any actual protection to her petticoat. Her cap is ruffled, with a silk ribbon bow, and the single most important mark of her dress would be the thimble on her finger.