didnât go by the rules on the hamilton beach dehydrator and put 2.5 cups on the mat and it made the best thick fruit leather. i still gotta put it in the oven for an hour or 2 to dry up a bit more but the thickness is perfectttttt.

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didnât go by the rules on the hamilton beach dehydrator and put 2.5 cups on the mat and it made the best thick fruit leather. i still gotta put it in the oven for an hour or 2 to dry up a bit more but the thickness is perfectttttt.

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Alex Harvey
February 5, 1935 â February 4, 1982
Sensational Alex Harvey Band - Shake That Thing
The Sensational Alex Harvey Band, circa 1975

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Next - Sensational Alex Harvey Band  Happy Birthday Alex Harvey!
The Sensational Alex Harvey Band: Next (1973)
It took me long enough, but Iâve officially joined the cult of The Sensational Alex Harvey Band (they have no fans, really, just cult members), whose indefinable fusion of glam, prog, heavy rock and R&B with cabaret, vaudeville and British music hall ingredients set them apart from ... everyone!
Powered by Scotsman Alexâs inimitable pipes and larger-than-life, twice-as-fucked charisma, this is what happens when a veteran journeyman (Harvey was in a skiffle band by the mid â50s, in the London production of Hair by the end of the â60s) takes over a struggling Glaswegian prog rock band called Tear Gas.
More specifically, 1972âs jaw-dropping, head-scratching back-alley opera, Framed, happened; and â73âs follow-up, Next, showed nothing but growing confidence and fearlessness to match the added polish applied by producer Phil Wainman (The Sweet, Bay City Rollers, etc.).
All this, along with the Sensational Band membersâ confrontational chutzpah (including guitarist Zal Cleminsonâs mime-like rictus) lent a touch of the surreal to verbose misadventures like the barrelhouse rabble-rouser âSwampsnake,â Slade send-up âGiddy-Up-a-Ding Dong,â and foot-stomping funk of âVambo Marble Eye,â based around Harveyâs slum-kid alter ego.
And these are just the easiest songs to unpack, so strap in and hold tight, cos the rideâs about to get even wilder from here on out!
âGang Bangâ is a lascivious brothel ditty that obviously inspired countless AC/DC songs, chiefly âWhole Lotta Rosieâ (âShe was a woman who was twice my sizeâ), while âThe Last of the Teenage Idolsâ is a semi-biographical epic worthy of Meat Loaf: encompassing pomp rock, big band soul, and even doo-wop.
âThe Faith Healerâ tells the foreboding, slow-boiling story of a religious con man and clearly ties back to Framedâs haunting âMidnight Moses,â which means that the songâs genius largely hinges on Harveyâs empathy with lowlife characters and his superhuman feel for tension and release between the verses.Â
And the title track offers a positively harrowing, tango-like arrangement on a Jacques Brel composition, over which Harvey wails, howls, mewls, bellows and croons like a man possessed (*) for a tour de force of such power and controlled multiplicity, you wonât hear its like this side of Bowie, Buckley or Beefheart.Â
Except youâll have to imagine that sort of emotional range and vocal cord elasticity from a musical persona subsequently mimicked to perfection by Bon Scott -- oh, hell, just LISTEN!
Now Iâm really starting to sound like a cult member, so itâs time to still my frantic fingers and tormented search for hyperbole (donât get me started on the injustice of Alexâs 1982 passing in virtual obscurity, before I was even âmusically awakeâ) so you can go spin this album yourself.
* When he bawls âI really would have liked a little bit of tenderness; Maybe a word, maybe a smile, maybe some happiness, but Next! Next!â itâs all so pitiful even the violins come out!
More Sensational Alex Harvey Band: Framed, The Impossible Dream, Tomorrow Belongs to Me, Live, SAHB Stories; plus Tear Gas' Tear Gas.