#round4

Buffy the Vampire Slayer: 5.16 The Body

tw Death of a major character, grief, dealing with the death of a parent

Buffy, Dawn, and their friends deal with the aftermath of Joyce's death.

The purposeful removal of music for the whole episode, the grief portrayed, the portrayals of people with varying amounts of interaction with death. It hits so hard.

This episode killed me. I have never watched anything that has fully encompassed the feeling of loss and what it's like to experience death close to you than The Body. It is an absolute gut punch in the best way. I actually had to take a week off of watching Buffy to recover because I was so destroyed. 12/10 I don't think I will ever be able to watch this episode of TV ever again

One of the greatest depictions of grief and bereavement of all time. Both formally inventive and unique in its cinematography, sound design, editing etc. while also being an incredible personally affecting emotional experience.

There’s another buffy episode that probably deserves the title more, but I did have to give this one some recognition. For a whacky silly show about vampires, this episode is maybe the realest portrayal of death and grief I’ve ever seen. It’s not just a sad episode that makes audiences cry - I mean it is that - but it’s also this incredible examination of what it’s like to lose someone, and how the world shifts on its axis when that happens. The lack of any non diegetic music is an amazing touch to give this episode a sense of distance from all others. It’s real in a way that’s hard to watch but also unforgettable. Certain scenes and lines will always stay with me and will forever shape my feelings on life and loss.

https://en.wikipedia.org/wiki/The_Body_(Buffy_the_Vampire_Slayer)

Leverage: 3.11 The Rashomon Job

Each member of the team recalls the story of an artifact all of them tried to steal on the same night five years ago.

its a great little bottle episode, if bottle episode meant something completely different than what it does. we get a sneak peak into everyone's histories, we get people making fun of each other by changing their stories once they realize oh my god that was YOU??? and we get shit like the Shrimp Allergy Debacle

Summertime

Written By: Mikey Way, Ray Toro, Gerard Way & Frank Iero

Artist: My Chemical Romance

Released: 2010

“Summertime” is a ‘new wave’ song, allegedly believed to be written about frontman Gerard Way’s wife, Lyn-z Way. In an interview, Gerard said that it started as a riff Mikey had written, before evolving into a song they ‘couldn’t have the record without.’ “[“Summertime”] is one of the lyrically personal songs on the album, whereas the rest of it is just me talking about my worldview. So it’s a really beautiful song and again—no rules. We can have a soft song.”

[Verse 1] When the lights go out Will you take me with you And carry all this broken bone Through six years down In crowded rooms and highways I call home? Is something I can't know till now Till you picked me off the ground With brick in hand, your lip-gloss smile Your scraped-up knees and [Chorus] If you stay, I would even wait all night Or until my heart explodes, how long until we Find our way in the dark and out of harm? You can run away with me anytime you want [Verse 2] Terrified of what I'd be As a kid, from what I've seen Every single day when people try And put the pieces back together Just to smash them down Turn my headphones up real loud I don't think I need them now 'Cause you stop the noise and [Chorus] If you stay, I would even wait all night Or until my heart explodes, how long until we Find our way in the dark and out of harm? You can run away with me anytime you want [Post-Chorus] Well, anytime you want Well, anytime you want [Guitar Solo] [Bridge] Don't walk away, don't walk away Don't walk away, don't walk away! [Chorus] 'Cause if you stay, I would even wait all night Or until my heart explodes, how long until we Find our way in the dark and out of harm? You can run away with me [Post-Chorus] Or you can write it on your arm You can run away with me Anytime you want

I See the Light

Written By: Glenn Slater & Alan Menken

Artist: Mandy Moore & Zachary Levi for Tangled

Released: 2010

“I See the Light” is a romantic duet in Tangled between Rapunzel and Eugene. It is sung when Rapunzel is finally achieving her lifelong dream to see the floating lanterns. The song was nominated for best song at the 83rd academy awards but lost to “We Belong Together” from Toy Story 3. “I See The Light” was originally called “You Are My Forever,” and was a reprise of a song Mother Gothel sung to Rapunzel, before being removed. After “You Are My Forever” was removed, the song was still different from what it was in the finished film. It was an anthem-like song at first but Alan Menken decided it should be more gentle.

[RAPUNZEL] All those days watching from the windows All those years outside looking in All that time never even knowing Just how blind I've been Now I'm here blinking in the starlight Now I'm here suddenly I see Standing here it's all so clear I'm where I'm meant to be And at last I see the light And it's like the fog has lifted And at last I see the light And it's like the sky is new And it's warm and real and bright And the world has somehow shifted All at once everything looks different Now that I see you [FLYNN] All those days chasing down a daydream All those years living in a blur All that time never truly seeing Things, the way they were Now she's here shining in the starlight Now she's here suddenly I know If she's here it's crystal clear I'm where I'm meant to go [FLYNN & RAPUNZEL] And at last I see the light [FLYNN] And it's like the fog has lifted [FLYNN & RAPUNZEL] And at last I see the light [RAPUNZEL] And it's like the sky is new [FLYNN & RAPUNZEL] And it's warm and real and bright And the world has somehow shifted All at once everything is different Now that I see you Now that I see you