#lovesongbracket

Demolition Lovers

Written By: Matt Pelissier, Mikey Way, Ray Toro & Gerard Way

Artist: My Chemical Romance

Released: 2002

The Demolition Lovers are the couple seen on the cover for MCR’s next album, Three Cheers For Sweet Revenge. This song, along with much of the album, is a prequel to the story of Three Cheers… in which a man makes a deal with the devil to get his dead lover back by killing 1,000 evil men and giving the devil their souls in exchange for her. This song is most likely where the lover dies. The two “Demolition Lovers” are featured on the cover of the album.

[Verse 1] Hand in mine, into your icy blues And then I'd say to you, "We could take to the highway With this trunk of ammunition, too" I'd end my days with you, in a hail of bullets [Chorus] I'm trying, I'm trying To let you know just how much you mean to me And after all the things We put each other through and [Verse 2] I would drive on to the end with you A liquor store or two keeps the gas tank full And I feel like there's nothing left to do But prove myself to you, and we'll keep it running [Chorus] But this time, I mean it I'll let you know just how much you mean to me As snow falls on desert sky Until the end of everything I'm trying, I'm trying To let you know how much you mean As days fade and nights grow And we grow cold [Post-Chorus] Until the end, until this pool of blood Until this, I mean this, I mean this, until the end of [Chorus] I'm trying, I'm trying To let you know how much you mean As days fade and nights grow And we grow cold But this time, we'll show them We'll show them all how much we mean As snow falls on desert sky Until the end of every… [Interlude] All we are, all we are is bullets, I mean this All we are, all we are is bullets, I mean this All we are, all we are is bullets, I mean this All we are, all we are is bullets, I mean this [Guitar Solo] [Bridge] As lead rains will pass on through Our phantoms forever, forever Like scarecrows that fuel this flame We're burning forever and ever Know how much I want to show you You're the only one Like a bed of roses There's a dozen reasons in this gun [Outro] And as we're falling down, and in this pool of blood And as we're touching hands, and as we're falling down And in this pool of blood, and as we're falling down I'll see your eyes, and in this pool of blood I'll meet your eyes, I mean this forever!

I Will Follow You into the Dark

Written By: Benjamin Gibbard

Artist: Death Cab for Cutie

Released: 2006

Even on a concept album whose main theme is death, “I’ll Follow You Into The Dark” is a standout moving song about the transcendental power of love, even when that boundary is death. This song was recorded unexpectedly while the band was having technical difficulties in studio. Chris Walla, Death Cab for Cutie’s lead guitarist and producer, said the following. “We were going to track the vocal for another song and there was something screwy happening with the headphone mix. We were having problems, so I said, “Ben, this is gonna be a few minutes. Take a break.” Ben’s version of taking a break while we addressed the headphone problem was to pick up this Stella guitar that he loves and start playing this song we were planning on recording sometime later during the sessions. He was still coming through the vocal mic as he was playing this, and it was sounding really cool to me, so I went up and said, “Let’s track this real quick,” and we did and that’s what’s on the record. It was a mono recording with no effects. Nothing. I added a little compression and de-essed it a bit. It’s really weird. It’s totally there and it’s happening.”

[Verse 1] Love of mine, someday you will die But I'll be close behind, I'll follow you into the dark No blinding light or tunnels to gates of white Just our hands clasped so tight, waiting for the hint of a spark [Chorus] If Heaven and Hell decide that they both are satisfied Illuminate the "no"s on their vacancy signs If there's no one beside you when your soul embarks Then I'll follow you into the dark [Verse 2] In Catholic school, as vicious as Roman rule I got my knuckles bruised by a lady in black And I held my tongue as she told me, "Son Fear is the heart of love," so I never went back [Chorus] If Heaven and Hell decide that they both are satisfied Illuminate the "no"s on their vacancy signs If there's no one beside you when your soul embarks Then I'll follow you into the dark [Verse 3] You and me have seen everything to see From Bangkok to Calgary and the soles of your shoes Are all worn down, the time for sleep is now But it's nothing to cry about 'cause we'll hold each other soon In the blackest of rooms [Chorus] And if Heaven and Hell decide that they both are satisfied And illuminate the "no"s on their vacancy signs If there's no one beside you when your soul embarks Then I'll follow you into the dark [Outro] Then I'll follow you into the dark

Summertime

Written By: Mikey Way, Ray Toro, Gerard Way & Frank Iero

Artist: My Chemical Romance

Released: 2010

“Summertime” is a ‘new wave’ song, allegedly believed to be written about frontman Gerard Way’s wife, Lyn-z Way. In an interview, Gerard said that it started as a riff Mikey had written, before evolving into a song they ‘couldn’t have the record without.’ “[“Summertime”] is one of the lyrically personal songs on the album, whereas the rest of it is just me talking about my worldview. So it’s a really beautiful song and again—no rules. We can have a soft song.”

[Verse 1] When the lights go out Will you take me with you And carry all this broken bone Through six years down In crowded rooms and highways I call home? Is something I can't know till now Till you picked me off the ground With brick in hand, your lip-gloss smile Your scraped-up knees and [Chorus] If you stay, I would even wait all night Or until my heart explodes, how long until we Find our way in the dark and out of harm? You can run away with me anytime you want [Verse 2] Terrified of what I'd be As a kid, from what I've seen Every single day when people try And put the pieces back together Just to smash them down Turn my headphones up real loud I don't think I need them now 'Cause you stop the noise and [Chorus] If you stay, I would even wait all night Or until my heart explodes, how long until we Find our way in the dark and out of harm? You can run away with me anytime you want [Post-Chorus] Well, anytime you want Well, anytime you want [Guitar Solo] [Bridge] Don't walk away, don't walk away Don't walk away, don't walk away! [Chorus] 'Cause if you stay, I would even wait all night Or until my heart explodes, how long until we Find our way in the dark and out of harm? You can run away with me [Post-Chorus] Or you can write it on your arm You can run away with me Anytime you want

I See the Light

Written By: Glenn Slater & Alan Menken

Artist: Mandy Moore & Zachary Levi for Tangled

Released: 2010

“I See the Light” is a romantic duet in Tangled between Rapunzel and Eugene. It is sung when Rapunzel is finally achieving her lifelong dream to see the floating lanterns. The song was nominated for best song at the 83rd academy awards but lost to “We Belong Together” from Toy Story 3. “I See The Light” was originally called “You Are My Forever,” and was a reprise of a song Mother Gothel sung to Rapunzel, before being removed. After “You Are My Forever” was removed, the song was still different from what it was in the finished film. It was an anthem-like song at first but Alan Menken decided it should be more gentle.

[RAPUNZEL] All those days watching from the windows All those years outside looking in All that time never even knowing Just how blind I've been Now I'm here blinking in the starlight Now I'm here suddenly I see Standing here it's all so clear I'm where I'm meant to be And at last I see the light And it's like the fog has lifted And at last I see the light And it's like the sky is new And it's warm and real and bright And the world has somehow shifted All at once everything looks different Now that I see you [FLYNN] All those days chasing down a daydream All those years living in a blur All that time never truly seeing Things, the way they were Now she's here shining in the starlight Now she's here suddenly I know If she's here it's crystal clear I'm where I'm meant to go [FLYNN & RAPUNZEL] And at last I see the light [FLYNN] And it's like the fog has lifted [FLYNN & RAPUNZEL] And at last I see the light [RAPUNZEL] And it's like the sky is new [FLYNN & RAPUNZEL] And it's warm and real and bright And the world has somehow shifted All at once everything is different Now that I see you Now that I see you

Lay All Your Love On Me

Written By: Björn Ulvaeus & Benny Andersson

Artist: ABBA

Released: 1981

Cover included: Amanda Seyfried & Dominic Cooper for Mamma Mia!, 2008

“Lay All Your Love On Me” explores the high emotions and passions that can emerge when falling in love, and documents one woman’s shift into erratic behaviors as she falls under the spell of her new lover. The song hit number one in the US dance charts in 1981, but has lasted in popularity over the years, becoming an ABBA staple. It was featured in the band’s jukebox musical (and its movie adaption), Mamma Mia, and in 2006 was named the 60th greatest dance song of all time by Slant magazine.

[Verse 1] I wasn't jealous before we met Now every woman I see is a potential threat And I'm possessive, it isn't nice You've heard me saying that smoking was my only vice [Pre-Chorus] But now it isn't true Now everything is new And all I've learned has overturned I beg of you [Chorus] Don't go wasting your emotion Lay all your love on me [Verse 2] It was like shooting a sitting duck A little small talk, a smile, and baby, I was stuck I still don't know what you've done with me A grown-up woman should never fall so easily [Pre-Chorus] I feel a kind of fear When I don't have you near Unsatisfied, I skip my pride I beg you, dear [Chorus] Don't go wasting your emotion Lay all your love on me Don't go sharing your devotion Lay all your love on me [Verse 3] I've had a few little love affairs They didn't last very long and they've been pretty scarce I used to think that was sensible It makes the truth even more incomprehensible [Pre-Chorus] 'Cause everything is new And everything is you And all I've learned has overturned What can I do? [Chorus] Don't go wasting your emotion Lay all your love on me Don't go sharing your devotion Lay all your love on me Don't go wasting your emotion Lay all your love on me Don't go sharing your devotion Lay all your love on me Don't go wasting your emotion Lay all your love on me

Demolition Lovers

Written By: Matt Pelissier, Mikey Way, Ray Toro & Gerard Way

Artist: My Chemical Romance

Released: 2002

The Demolition Lovers are the couple seen on the cover for MCR’s next album, Three Cheers For Sweet Revenge. This song, along with much of the album, is a prequel to the story of Three Cheers… in which a man makes a deal with the devil to get his dead lover back by killing 1,000 evil men and giving the devil their souls in exchange for her. This song is most likely where the lover dies. The two “Demolition Lovers” are featured on the cover of the album.

[Verse 1] Hand in mine, into your icy blues And then I'd say to you, "We could take to the highway With this trunk of ammunition, too" I'd end my days with you, in a hail of bullets [Chorus] I'm trying, I'm trying To let you know just how much you mean to me And after all the things We put each other through and [Verse 2] I would drive on to the end with you A liquor store or two keeps the gas tank full And I feel like there's nothing left to do But prove myself to you, and we'll keep it running [Chorus] But this time, I mean it I'll let you know just how much you mean to me As snow falls on desert sky Until the end of everything I'm trying, I'm trying To let you know how much you mean As days fade and nights grow And we grow cold [Post-Chorus] Until the end, until this pool of blood Until this, I mean this, I mean this, until the end of [Chorus] I'm trying, I'm trying To let you know how much you mean As days fade and nights grow And we grow cold But this time, we'll show them We'll show them all how much we mean As snow falls on desert sky Until the end of every… [Interlude] All we are, all we are is bullets, I mean this All we are, all we are is bullets, I mean this All we are, all we are is bullets, I mean this All we are, all we are is bullets, I mean this [Guitar Solo] [Bridge] As lead rains will pass on through Our phantoms forever, forever Like scarecrows that fuel this flame We're burning forever and ever Know how much I want to show you You're the only one Like a bed of roses There's a dozen reasons in this gun [Outro] And as we're falling down, and in this pool of blood And as we're touching hands, and as we're falling down And in this pool of blood, and as we're falling down I'll see your eyes, and in this pool of blood I'll meet your eyes, I mean this forever!

Iris

Written By: John Rzeznik

Artist: The Goo Goo Dolls

Released: 1998

“Iris” was written for the 1998 film City of Angels starring Nicolas Cage. John Rzeznik explained: “When I wrote it, I was thinking about the situation of the Nicolas Cage character in the movie. This guy is completely willing to give up his own immortality, just to be able to feel something very human. And I think, ‘Wow! What an amazing thing it must be like to love someone so much that you give up everything to be with them.’ That’s a pretty heavy thought.” “Iris” eventually became one of the Goo Goo Dolls' biggest and most recognizable hits, eclipsing the movie it was written for.

[Verse 1] And I'd give up forever to touch you 'Cause I know that you feel me somehow You're the closest to heaven that I'll ever be And I don't wanna go home right now [Verse 2] And all I can taste is this moment And all I can breathe is your life And sooner or later, it's over I just don't wanna miss you tonight [Chorus] And I don't want the world to see me 'Cause I don't think that they'd understand When everything's made to be broken I just want you to know who I am [Instrumental] [Verse 3] And you can't fight the tears that ain't coming Or the moment of truth in your lies When everything feels like the movies Yeah, you bleed just to know you're alive [Chorus] And I don't want the world to see me 'Cause I don't think that they'd understand When everything's made to be broken I just want you to know who I am [Instrumental Break] [Chorus] And I don't want the world to see me 'Cause I don't think that they'd understand When everything's made to be broken I just want you to know who I am [Chorus] And I don't want the world to see me 'Cause I don't think that they'd understand When everything's made to be broken I just want you to know who I am [Outro] I just want you to know who I am I just want you to know who I am I just want you to know who I am

Accidentally in Love

Written By: Adam Duritz, Dan Vickrey, David Bryson, David Immergluck & Matthew Malley

Artist: Counting Crows

Released: 2004

“I was really struggling with it. I generally don’t write songs on demand, and I almost got to the point where I thought I wasn’t going to do it. They just told me that the song had to be uplifting. They actually said, ‘Don’t write a song about Shrek. Write a song that’s about you.’ The funny thing is, the song ended up reflecting a lot of what was going on in my life at the time: falling in love with someone you’re not supposed to fall in love with because it’s inconvenient. My songs for Counting Crows are mature and generally don’t get a chance to reach kids. To be part of something like that is pretty cool.” – Adam Duritz via Billboard

[Verse 1] So, she said, "What's the problem, baby?" What's the problem? I don't know Well, maybe I'm in love (Love) Think about it Every time I think about it Can't stop thinking 'bout it How much longer will it take to cure this? Just to cure it, 'cause I can't ignore it if it's love (Love) Makes me wanna turn around and face me But I don't know nothin' 'bout love, uh [Chorus] Come on, come on Turn a little faster Come on, come on The world will follow after Come on, come on Because everybody's after love [Verse 2] So I said, I'm a snowball runnin' Runnin' down into the spring that's comin' All this love meltin' under blue skies Belting out sunlight, shimmering love Well, baby, I surrender To this strawberry ice cream Never-ever-ender All this love Well, I didn't mean to do it But there's no escaping your love, oh [Bridge] These lines of lightnin' mean we're never alone Never alone No, no [Chorus] Come on, come on Move a little closer Come on, come on I wanna hear you whisper Come on, come on Settle down inside my love, ohh Come on, come on Jump a little higher Come on, come on If you feel a little lighter Come on, come on We were once upon a time in love [Post-Chorus] We're accidentally in love, accidentally in love Accidentally in love, accidentally in love Accidentally in love, accidentally in love Accidentally in love, accidentally in love Accidentally, I'm in love, I'm in love [Refrain] I'm in love, I'm in love I'm in love, I'm in love Accidentally, I'm in love, I'm in love I'm in love, I'm in love I'm in love, I'm in love Accidentally [Chorus] Come on, come on (Come on) Spin a little tighter Come on, come on (Come on) And the world's a little brighter Come on, come on (Come on) Just get yourself inside her love I'm in love

Summertime

Written By: Mikey Way, Ray Toro, Gerard Way & Frank Iero

Artist: My Chemical Romance

Released: 2010

“Summertime” is a ‘new wave’ song, allegedly believed to be written about frontman Gerard Way’s wife, Lyn-z Way. In an interview, Gerard said that it started as a riff Mikey had written, before evolving into a song they ‘couldn’t have the record without.’ “[“Summertime”] is one of the lyrically personal songs on the album, whereas the rest of it is just me talking about my worldview. So it’s a really beautiful song and again—no rules. We can have a soft song.”

[Verse 1] When the lights go out Will you take me with you And carry all this broken bone Through six years down In crowded rooms and highways I call home? Is something I can't know till now Till you picked me off the ground With brick in hand, your lip-gloss smile Your scraped-up knees and [Chorus] If you stay, I would even wait all night Or until my heart explodes, how long until we Find our way in the dark and out of harm? You can run away with me anytime you want [Verse 2] Terrified of what I'd be As a kid, from what I've seen Every single day when people try And put the pieces back together Just to smash them down Turn my headphones up real loud I don't think I need them now 'Cause you stop the noise and [Chorus] If you stay, I would even wait all night Or until my heart explodes, how long until we Find our way in the dark and out of harm? You can run away with me anytime you want [Post-Chorus] Well, anytime you want Well, anytime you want [Guitar Solo] [Bridge] Don't walk away, don't walk away Don't walk away, don't walk away! [Chorus] 'Cause if you stay, I would even wait all night Or until my heart explodes, how long until we Find our way in the dark and out of harm? You can run away with me [Post-Chorus] Or you can write it on your arm You can run away with me Anytime you want

Good Old-Fashioned Lover Boy

Written By: Freddie Mercury

Artist: Queen

Released: 1976

The song was the eighth track on their album “A Day At The Races” which was released in 1976. The song also appeared on “Queens First EP” released in 1977. The song is about how Freddie is an old-fashioned lover, taking his partners on old-school dates such as dancing or dinner, also hinting at the fact that he is a good lover.

[Verse 1] I can dim the lights and sing you songs Full of sad things We can do the tango, just for two I can serenade and gently play On your heart strings Be a Valentino, just for you [Chorus] "Ooh love, ooh lover boy What're you doing tonight? Hey boy" Set my alarm, turn on my charm That's because I'm a good old-fashioned lover boy [Verse 2] Ooh, let me feel Your heartbeat (Grow faster, faster) Ooh, can you feel my love heat? (Ohh) Come on and sit on my hot seat of love And tell me how do you feel, right after all I'd like for you and I to go romancing Say the word, your wish is my command [Chorus] “Ooh love, ooh lover boy What're you doing tonight? Hey boy” Write my letter, feel much better I'll use my fancy patter on the telephone [Bridge] When I'm not with you, think of you always I miss you (I miss those long hot summer nights) When I'm not with you, think of me always Love you, love you Hey boy where do you get it from? Hey boy where did you go? I learned my passion in the good old-fashioned School of lover boys [Guitar Solo] [Verse 3] Dining at the Ritz, we'll meet at nine (One, two, three, four, five, six, seven, eight, nine o'clock) precisely I will pay the bill, you taste the wine Driving back in style in my saloon will do quite nicely Just take me back to yours, that will be fine (Come on and get it) [Chorus] Ooh love (There he goes again) Ooh lover boy (Who's my good Old-fashioned lover boy?) (Ooh ooh) What're you doing tonight? Hey boy! Everything's all right, just hold on tight That's because I'm a good old Fashioned (Fashioned) lover boy

Your Song

Written By: Elton John & Bernie Taupin

Artist: Elton John

Released: 1970

Cover included: Ewan McGregor for Moulin Rouge!, 2001

The song was composed and performed by Elton John but the lyrics were written by Bernie Taupin. It originally appeared in his self titled and second album. Elton John hadn’t come out of the closet yet, but Bernie Taupin knew, which is part of the reason why the lyrics avoid using gendered pronouns. In a 2013 interview with Rolling Stone, Elton John said: “What can I say, it’s a perfect song. It gets better every time I sing it. I remember writing it at my parents' apartment in North London, and Bernie giving me the lyrics, sitting down at the piano and looking at it and going, ‘Oh, my God, this is such a great lyric, I can’t fuck this one up.’ It came out in about 20 minutes, and when I was done, I called him in and we both knew. I was 22, and he was 19, and it gave us so much confidence. ‘Empty Sky’ was lovely, but it was very naive. We went on to do more esoteric stuff like ‘Take Me to the Pilot,’ of course, but musically, this was a big step forward. And the older I get, the more I sing these lyrics, and the more they resonate with me.”

[Verse 1] It's a little bit funny, this feeling inside I'm not one of those who can easily hide I don't have much money, but boy if I did I'd buy a big house where we both could live [Verse 2] If I was a sculptor, heh, but then again, no Or a man who makes potions in a traveling show I know it's not much, but it's the best I can do My gift is my song and this one's for you [Chorus] And you can tell everybody this is your song It may be quite simple but now that it's done I hope you don't mind, I hope you don't mind That I put down in words How wonderful life is while you're in the world [Verse 3] I sat on the roof and kicked off the moss Well, a few of the verses, well, they've got me quite cross But the sun's been quite kind while I wrote this song It's for people like you that keep it turned on [Verse 4] So excuse me forgetting, but these things I do You see, I've forgotten if they're green or they're blue Anyway, the thing is, what I really mean Yours are the sweetest eyes I've ever seen [Chorus] And you can tell everybody this is your song It may be quite simple but now that it's done I hope you don't mind, I hope you don't mind That I put down in words How wonderful life is while you're in the world [Outro] I hope you don't mind, I hope you don't mind That I put down in words How wonderful life is while you're in the world

Demolition Lovers

Written By: Matt Pelissier, Mikey Way, Ray Toro & Gerard Way

Artist: My Chemical Romance

Released: 2002

The Demolition Lovers are the couple seen on the cover for MCR’s next album, Three Cheers For Sweet Revenge. This song, along with much of the album, is a prequel to the story of Three Cheers… in which a man makes a deal with the devil to get his dead lover back by killing 1,000 evil men and giving the devil their souls in exchange for her. This song is most likely where the lover dies. The two “Demolition Lovers” are featured on the cover of the album.

[Verse 1] Hand in mine, into your icy blues And then I'd say to you, "We could take to the highway With this trunk of ammunition, too" I'd end my days with you, in a hail of bullets [Chorus] I'm trying, I'm trying To let you know just how much you mean to me And after all the things We put each other through and [Verse 2] I would drive on to the end with you A liquor store or two keeps the gas tank full And I feel like there's nothing left to do But prove myself to you, and we'll keep it running [Chorus] But this time, I mean it I'll let you know just how much you mean to me As snow falls on desert sky Until the end of everything I'm trying, I'm trying To let you know how much you mean As days fade and nights grow And we grow cold [Post-Chorus] Until the end, until this pool of blood Until this, I mean this, I mean this, until the end of [Chorus] I'm trying, I'm trying To let you know how much you mean As days fade and nights grow And we grow cold But this time, we'll show them We'll show them all how much we mean As snow falls on desert sky Until the end of every… [Interlude] All we are, all we are is bullets, I mean this All we are, all we are is bullets, I mean this All we are, all we are is bullets, I mean this All we are, all we are is bullets, I mean this [Guitar Solo] [Bridge] As lead rains will pass on through Our phantoms forever, forever Like scarecrows that fuel this flame We're burning forever and ever Know how much I want to show you You're the only one Like a bed of roses There's a dozen reasons in this gun [Outro] And as we're falling down, and in this pool of blood And as we're touching hands, and as we're falling down And in this pool of blood, and as we're falling down I'll see your eyes, and in this pool of blood I'll meet your eyes, I mean this forever!

I'm Gonna Be (500 Miles)

Written By: Craig Reid & Charlie Reid

Artist: The Proclaimers

Released: 1988

I’m Gonna Be (500 Miles) is a song by The Proclaimers that was released in 1988. I’m Gonna Be is their most popular song. In 1993 it reached No. 3 in the US Billboard.

[Verse 1] When I wake up, well, I know I'm gonna be I'm gonna be the man who wakes up next to you When I go out, yeah, I know I'm gonna be I'm gonna be the man who goes along with you If I get drunk, well, I know I'm gonna be I'm gonna be the man who gets drunk next to you And if I haver, yeah, I know I'm gonna be I'm gonna be the man who's haverin' to you [Chorus] But I would walk five hundred miles And I would walk five hundred more Just to be the man who walked a thousand Miles to fall down at your door [Verse 2] When I'm workin', yes, I know I'm gonna be I'm gonna be the man who's workin' hard for you And when the money comes in for the work I do I'll pass almost every penny on to you When I come home (When I come home), oh, I know I'm gonna be I'm gonna be the man who comes back home to you And if I grow old, well, I know I'm gonna be I'm gonna be the man who's growin' old with you [Chorus] But I would walk five hundred miles And I would walk five hundred more Just to be the man who walked a thousand Miles to fall down at your door [Post-Chorus] Da-da da da (Da-da da da) Da-da da da (Da-da da da) Da-da dum diddy dum diddy dum diddy da da da Da-da da da (Da-da da da) Da-da da da (Da-da da da) Da-da dum diddy dum diddy dum diddy da da da [Verse 3] When I'm lonely, well, I know I'm gonna be I'm gonna be the man who's lonely without you And when I'm dreamin', well, I know I'm gonna dream I'm gonna dream about the time when I'm with you When I go out (When I go out), well, I know I'm gonna be I'm gonna be the man who goes along with you And when I come home (when I come home), yes, I know I'm gonna be I'm gonna be the man who comes back home with you I'm gonna be the man who's comin' home with you [Chorus] But I would walk five hundred miles And I would walk five hundred more Just to be the man who walked a thousand Miles to fall down at your door [Post-Chorus] Da-da da da (Da-da da da) Da-da da da (Da-da da da) Da-da dum diddy dum diddy dum diddy da da da Da-da da da (Da-da da da) Da-da da da (Da-da da da) Da-da dum diddy dum diddy dum diddy da da da Da-da da da (Da-da da da) Da-da da da (Da-da da da) Da-da dum diddy dum diddy dum diddy da da da Da-da da da (Da-da da da) Da-da da da (Da-da da da) Da-da dum diddy dum diddy dum diddy da da da [Chorus] And I would walk five hundred miles And I would walk five hundred more Just to be the man who walked a thousand Miles to fall down at your door

Good Old-Fashioned Lover Boy

Written By: Freddie Mercury

Artist: Queen

Released: 1976

The song was the eighth track on their album “A Day At The Races” which was released in 1976. The song also appeared on “Queens First EP” released in 1977. The song is about how Freddie is an old-fashioned lover, taking his partners on old-school dates such as dancing or dinner, also hinting at the fact that he is a good lover.

[Verse 1] I can dim the lights and sing you songs Full of sad things We can do the tango, just for two I can serenade and gently play On your heart strings Be a Valentino, just for you [Chorus] "Ooh love, ooh lover boy What're you doing tonight? Hey boy" Set my alarm, turn on my charm That's because I'm a good old-fashioned lover boy [Verse 2] Ooh, let me feel Your heartbeat (Grow faster, faster) Ooh, can you feel my love heat? (Ohh) Come on and sit on my hot seat of love And tell me how do you feel, right after all I'd like for you and I to go romancing Say the word, your wish is my command [Chorus] “Ooh love, ooh lover boy What're you doing tonight? Hey boy” Write my letter, feel much better I'll use my fancy patter on the telephone [Bridge] When I'm not with you, think of you always I miss you (I miss those long hot summer nights) When I'm not with you, think of me always Love you, love you Hey boy where do you get it from? Hey boy where did you go? I learned my passion in the good old-fashioned School of lover boys [Guitar Solo] [Verse 3] Dining at the Ritz, we'll meet at nine (One, two, three, four, five, six, seven, eight, nine o'clock) precisely I will pay the bill, you taste the wine Driving back in style in my saloon will do quite nicely Just take me back to yours, that will be fine (Come on and get it) [Chorus] Ooh love (There he goes again) Ooh lover boy (Who's my good Old-fashioned lover boy?) (Ooh ooh) What're you doing tonight? Hey boy! Everything's all right, just hold on tight That's because I'm a good old Fashioned (Fashioned) lover boy

Like Real People Do

Written By: Hozier

Artist: Hozier

Released: 2014

Alternate version included: Live in America, 2015

This song is a metaphor. Hozier uses “bog bodies” in Ireland, bodies which are exhumed after centuries of natural mummification, to describe a new relationship.

[Verse 1] I had a thought, dear, however scary About that night, the bugs and the dirt Why were you digging? What did you bury Before those hands pulled me from the earth? [Chorus] I will not ask you where you came from I will not ask and neither should you Honey, just put your sweet lips on my lips We should just kiss like real people do [Verse 2] I knew that look, dear: eyes always seeking Was there in someone that dug long ago So I will not ask you why you were creeping In some sad way, I already know [Chorus] So I will not ask you where you came from I would not ask and neither would you Honey, just put your sweet lips on my lips We should just kiss like real people do [Chorus] I could not ask you where you came from I could not ask and neither could you Honey, just put your sweet lips on my lips We could just kiss like real people do

At Last

Written By: Henry Warren & Mack Gordon

Artist: Etta James

Released: 1960

Originally recorded by: Glenn Miller and His Orchestra feat. Pat Friday & John Payne, 1941

A song originally written in 1941 by Mack Gordon and Harry Warren and originally performed by Glenn Miller and His Orchestra for the 1941 movie Sun Valley Serenade, this ballad found its greatest success in the hands of the late Etta James in this 1960 recording. The tune became James' signature song. The song is featured on several “best of” lists, including inclusion in the Library of Congress' National Recording Registry and induction into the Grammy Hall of Fame in 1999.

[Verse 1] At last My love has come along My lonely days are over And life is like a song (Oh, yeah, yeah) [Verse 2] At last The skies above are blue My heart was wrapped up in clover The night I looked at you [Bridge] I found a dream that I could speak to A dream that I can call my own I found a thrill to press my cheek to A thrill that I've never known (Oh, yeah, yeah) [Verse 3] You smiled, you smiled Oh, and then the spell was cast And here we are in heaven For you are mine at last