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Detective Pikachu (2019) Directed by Screenplay #RobLetterman Starring #RyanReynolds #JusticeSmith #KathrynNewton #SukiWaterhouse #OmarChaparro #ChrisGeere #KenWatanabe #BillNighy #DetectivePikachu #Hollywood #hollywood #picture #film #movie #cinema #films #theater #movies #movieposter #movieworld #movielovers #movienews #screen https://www.instagram.com/p/CHejBzVgw6M/?igshid=iq5hc3tgtyah
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DETECTIVE PIKACHU (2019) Et voilĂ , on y est enfin: le premier film live-action officiel de la cĂ©lĂšbre licence japonaise POKEMON est une rĂ©alitĂ©, sâaxant faussement sur la sĂ©rie de jeux vidĂ©o Ă©ponymes spin-off Ă la franchise, pour nous proposer un vĂ©ritable long-mĂ©trage fidĂšle, nâempruntant rĂ©ellement que quelques traits de DETECTIVE PIKACHU, Ă commencer par la parole accordĂ©e Ă lâĂ©gĂ©rie-mascotte Pikachu que nous connaissons tous. DETECTIVE PIKACHU pioche donc allĂšgrement dans le bestiaire gigantesque pour proposer une histoire originale, respectant sur une infinie liste de points un fan-service obligatoire de qualitĂ© qui force le respect: dâautant plus que le film de Rob Letterman -GOOSEBUMPS (2015)- est visuellement sublime -les couleurs, le montage, la photographie, et surtout les SFX impeccables loin dâun SONIC THE HEDGEHOG dĂ©jĂ confrontĂ© Ă revenir en post-prod suite Ă la vague de mĂ©contentement suite Ă son premier trailer oĂč lâon dĂ©couvrait un design du hĂ©risson bleu totalement dĂ©gueulasse-, on est surpris du ton parfois adulte de cette production âgrand publicâ. Le hĂ©ros incarnĂ© par Justice Smith -oui, le fils de Will-, est plutĂŽt attachant, son caractĂšre hermĂ©tique aux PokĂ©mon nous permettant de dĂ©couvrir ce fantastique monde avec lui. Lâhistoire justifie ici lâabsence paternelle inhĂ©rente Ă chaque scĂ©nario de jeu POKEMON par un accident violent de voiture, origine narrative de la suite des Ă©vĂ©nements, qui mĂšneront le jeune homme Ă collaborer avec ce Pikachu amnĂ©sique mais trĂšs bavard pour enquĂȘter sur les causes du dĂ©cĂšs du daron: un pitch suffisant pour nous faire bourlinguer Ă travers Ryme City, lieu rĂ©pondant Ă tous les fantasmes et espĂ©rances dâun public fan depuis -au plus loin que lâon puisse remonter- 23 ans. Et lâattente en valait la peine, car dĂšs les premiĂšres minutes du film, les connaisseurs vibreront de voir briĂšvement le charismatique dresseur Red -jouĂ© par un japonais, MERCI-, combattant avec son Dracaufeu dans une arĂšne: si les nostalgiques du Bourg Palette et de Sasha ont le droit de grincer, lâaventure proposĂ©e effacera au fil des minutes la gĂȘne de certains compromis. DETECTIVE PIKACHU ne souffre rĂ©ellement que dâune tare, Ă savoir la prĂ©sence assez inutile et... relou du personnage de Lucy Stevens, dont on nâa clairement rien Ă foutre, simple caution âĂ la coolâ rappellant quâon a affaire Ă un film pour enfants. Hormis ce dĂ©tail, comment ne pas ĂȘtre impressionnĂ© par la dĂ©votion de MPC, qui donne enfin vie aux lĂ©gendaires bestioles destinĂ©es Ă faire les frais dâune âcollectionite aigĂŒeâ avec brio, chaque crĂ©ature sâavĂ©rant fascinante, photorĂ©aliste et rĂ©elle: on a du mal Ă croire quâon peut enfin les voir âen vraiâ. Pas besoin dâun spĂ©cialiste pour apprĂ©cier les easter eggs, dĂ©terminer quelle attaque est lancĂ©e par un PokĂ©mon, ou de se prendre une belle rouste niveau Ă©pique de par la grandeur du champ dâaction que Letterman nous livre avec une passion similaire pour la crĂ©ation originale de Satoshi Tajiri ce quâil avait dĂ©jĂ entrepris pour R.L. Stine, lâauteur original des livres Chair de Poule quâil a adaptĂ© prĂ©cĂ©demment. Alors, quoi? Câest bien, DETECTIVE PIKACHU, et ce mĂȘme si lâinsupportable Ryan Reynolds -cantonnĂ© Ă faire le bouffon mĂȘme dans LIFE (2017)- double lâattachant et trĂšs drĂŽle Pikachu, en dĂ©pit dâun twist un peu regrettable et peu cohĂ©rent en termes dââorigine ethniqueâ -on vous spoile si on en dit plus-: mais lâalchimie fonctionne de maniĂšre excellente entre la souris Ă©lectrique et le hĂ©ros, et il est IMPOSSIBLE de ne pas se prendre dâempathie pour la mascotte de PokĂ©mon, ni pour ce chemin parcouru par ce jeune homme mĂ©ritant de savoir la vĂ©ritĂ© sur la mort de son pĂšre. Yâa mĂȘme Ken Watanabe himself en filc sympa, et câest aussi bon Ă prendre. Avalanche de bonheur pour les fans, on accepte les concessions, le parti pris de lâorientation de cette fausse adaptation de DETECTIVE PIKACHU, qui est rĂ©ellement Ă mes yeux un film officiel en prises de vues rĂ©elles POKEMON avant tout: on ne sâattendait pas à ça, et malgrĂ© les rares imperfections, le long-mĂ©trage donne envie dâune suite... Lâhumour est bon, le fan-service garni et aux petits oignons en prime, DETECTIVE PIKACHU se targuerait-il dâune mĂ©taphore visant les critiques moqueuses dâune passion enfantine, Ă lâimage de ce pauvre Magicarpe ridicule dont on se moque trĂšs facilement, mais en qui sommeille une crĂ©ature lĂ©gendaire? Câest exactement ce qui se passe avec ce film, qui update lâimage enfantine de la licence en quelque chose de valable, divertissant, et Ă nouveau visuellement MAGNIFIQUE. Ătre déçu de DETECTIVE PIKACHU, câest de la mauvaise foi. Parole de non-fan plus que familier avec lâunivers adaptĂ©. Putain, ils auront rĂ©ussi Ă me faire aimer ces foutus PokĂ©mon... Chapeau. Ah, et jâallais oublier de vous parler du soundtrack de Henry Jackman, jonglant entre remaniement des thĂšmes musicaux des jeux vidĂ©o, mĂȘlant parfois symphonie et effets audio rĂ©tro pour notre plus grand plaisir: la cerise sur le gĂąteau! FAN RESPECT /20
The last time I also worked on a #robletterman #roblettermandirector was Filming on #Rush starring #chrishemsworth just keeping my hair intact, whilst the make up lady was trying to revamp me as #mariehelvin đ»â€ïž https://www.instagram.com/p/ByCh7AUg6Da/?igshid=5tzx27w5zicd
The last time I also worked on a #robletterman #roblettermandirector was Filming on #Rush starring #chrishemsworth just keeping my hair intact, whilst the make up lady was trying to revamp me as #mariehelvin đ»â€ïž https://www.instagram.com/p/ByCTkU8gvWvY1H_eVQCTATwRZ7WPXF-EhPRvQk0/?igshid=b0krhrgp5epr
Review : Pokemon Detective Pikachu (2019)
When I first heard the premise, to be honest, I thought it was a joke : Ryan Reynolds will be playing Pikachu in an upcoming detective movie. It seemed like one of those silly throw away ideas you get as a Funny or Die sketch, similar to Aubrey Plaza as Daria, but I never thought that it was a real thing. Then, the trailers started showing up, followed by a release date, and I knew that the hype was real. As someone who grew up (albeit, I was a bit old) during the Pokemon craze, and with many of my friends still obsessed, it was pretty much automatic that I was going to see this movie.
Tim (Justice Smith), a young man working for an insurance agency, is a loner that lives with his âGramsâ (Josette Simon) in the shadow of estrangement between him and his detective father.  One day, Tim receives the devastating news that his father died in a mysterious accident, and he heads into Ryme City (where Pokemon and humans coexist in peace) to handle his fatherâs affairs.  After stopping by to get keys to his fatherâs apartment from Detective Hideo Yoshida (Ken Watanabe) and gaining access, his mourning is interrupted by the discovery of a Pikachu (Ryan Reynolds).  Bizarrely, Tim is able to understand the Pikachu perfectly, despite the fact that nobody else can.  With hopes that his father may be alive, Tim and Pikachu delve deep into the circumstances surrounding the accident, which unearths a world of espionage, controversy and danger for the citizens of Ryme City.
I knew that the comedy would lean more towards the adult side than the kids side, but I must admit that I was surprised by how adult things leaned. The tone overall was relatively dark, managing to stay just outside the realms of crass or blue. The story also was very dependent on tragedy to push the narrative forward, with each revelation making the overall sense of hope present, but incredibly taxing on Timâs psyche. To offset this, however, the animators covered nearly every centimeter of ever frame with visual delights, inhabiting the world with every Pokemon one could imagine. As with most major Pokemon stories, the majority of the narrative centers around Pikachu and Mewtwo, as these two have the biggest legend behind them. Pikachu is given a tragic story arc to deal with, while Mewtwo is given a redemption arc, both of which help provide freshness for the film.
Admittedly, I am not a Pokemon fanatic, and I only have a base knowledge of the lore, but that is all that is needed in regards to this film. One does not need to be a master of Pokemon to understand the film, as any base knowledge you may have gleaned from the popular sphere is given context as the film sets its own table for the story. This, in conjunction with Ryme City as a stand-in for the idea of coexistence, helps provide evolved context to the already familiar, as the Pokemon battles have become an underground element, and the Pokemon themselves have become more pets that serve as shorthand for their ownersâ personality traits. The subtext continues as ideas of parental responsibility and neglect become more present in the narrative.
Production-wise, you are given almost no time to prepare yourself for the deep immersion into quality, unique animation and special effects. The production design of Ryme City reminds me of a happy version of Blade Runner. There are nods to a handful of films that I love, with the whole thing feeling like an update to Who Framed Roger Rabbit?, and plenty of referential jokes to other films like Home Alone. If I had to classify the film, I would put it in the combined grouping of science fiction noir, with the veneer of a living and breathing cartoon. The attention to detail is incredibly impressive, even down to the Pokemon getting dirty as they interact with their environments.
Ryan Reynolds is far and away the star of this show, with the cuteness of Pikachu offsetting the irreverence of his comedy perfectly. Justice Smith initially starts off a bit dry (per his main character trait), but as the story progresses, he opens up a bit more, allowing some dramatic and comedic range to show. Kathryn Newton borders on the line of falling into the realms of trope with her performance, while simultaneously teetering into the realms of âmanic pixie dream girlâ, but gives enough nuance and drive to not totally fall into these trappings. Ken Watanabe makes what amounts to a glorified cameo, but his presence in the film does serve to raise the character bar. Bill Nighy gets to embellish as a two-faced, diabolical villain trapped in a helpless body, while Chris Geere gets to turn those elements on their head as the long-suffering son of a self-proclaimed saint and genius. Brief appearances by Suki Waterhouse, Omar Chaparro, Karan Soni, Josette Simon, and cameos by Rita Ora and Diplo round out the main group of characters.
With so many blockbusters out there, I would not be surprised if Pokemon Detective Pikachu fell into immediate obscurity. This film, however, has cult classic written all over it, and as fun as it was in the theater, I imagine this one will have quite the DVD and streaming resurgence come this fall. Â
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