#rinzen

Gosh I remember when they were Rinzen. They were kind of mythical even then—appearing in our/my brand bibles like IDN and The Face. Anyone who was in IDN was like a god.

was absolutely possessed with the need to see my monk daughter in the lovm style and I could not rest until i made it happen. I used Kiki as her reference anyway, titmouse if your listening feel free to throw her in the bg ily

oh and also the doodle at the end isn't connected to the comic at all-

don't swear, kids

Rinzen – a Japanese word meaning a ‘sudden awakening’ – is one of Tàpies’ most significant works. Designed for the Spanish Pavilion at the XLV Venice Biennale of 1993 and won the Golden Lion for this event. Six years later, in 1998, Tàpies installed the work permanently in the MACBA, the Contemporary Art Museum of Barcelona.

Lately, some mighty dapper official remixes of disco dance legend Giorgio Moroder’s saucy groover Good For Me have been floating about. They run the gauntlet when it comes to electronic music styles. I can’t help but be drawn into the deep rumbling, guttural whomping bass on Rinzen’s remix. This is a smoldering deep house edit on which Karen Harding seems to ignite with extra ferocity. Anyone else feel like they can dance entranced all night to Rinzen’s dark and steamy edit? Hours could pass and I wouldn’t even know it. 

We're rapidly approaching the final chapter of our big d&d campaign and I'm a little sad to say goodbye to my monk. She's gone from an awkward, semi-pyrophobic Way of the Four Elements monk, to a partially less awkward, Way of Ascendant Dragon Master and I think I've grown quite a bit with her...

I've recently watched the second season od demon slayer and I had the strongest urge to draw these two babies again so 👉👈