Rhombille platters: the first by nerikomi potter Sakai Mika @irodorigama , the second by Catherine Daniel Ceramics, and the third from Home Sense, compliments of Cindy Xavier.
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Rhombille platters: the first by nerikomi potter Sakai Mika @irodorigama , the second by Catherine Daniel Ceramics, and the third from Home Sense, compliments of Cindy Xavier.

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Avondjurk, Couture 2014 collectie, by Jan Taminiau. Organza, embroidery, , glass beads and leather. Seen at the Centraal Museum in Utrecht, which displayed a large retrospective of his work. Taminiau received the Grand Seigneur Dutch fashion award in 2014.
Long overdue inclusion of French/Hungarian artist Victor Vasarely (1906-1997). Credited as the author of the Op-Art movement, Vasarely built his aesthetic from a range of influences, including Bauhaus design, Wassily Kandinsky, Constructivism, and his employment in graphic design. After experimenting with Abstract Expressionism and Surrealism, Vasarely went on to create the work he became best known for, called “Gordes.” Pictured here from that series: “HAT-VI” (1971), oil on board; “Rikka” (1988), screenprint on paper; and “Phönix” (1988), mixed media on cardboard.
Tiled floor (black and red flamed marble), Saint Bavo’s Cathedral, Ghent, Belgium. An 89-metre tall Gothic cathedral built on the site of the former Chapel of St. John the Baptist in 942 AD. The chapel was expanded in the Romanesque style in 1038. Continued Gothic expansions were built throughout the 14th through 16th centuries, but the building was considered complete by 1569. The floor could date from those late expansions, though it’s possible it was installed during the Baroque period, between 1702-1782, during the installation of the high alter. More information welcome!
Woven rug by Margaret Dalton, 91, of Fort Defiance, AZ. Completed in the 1950's. The rug pictured is folded over four times in order to hang properly on the wall, and measures over 150 feet by 50 feet. Photo from Grace Rosario Perkins (Instagram @gracerosarioo)

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Barry McGee, Various silk screens, 2016. Acrylic on newsprint, 11 x 17″, unique. Offered by Ever Gold [Projects], San Francisco, CA.
Magazines: Cover of Elle Decor (2018), and Diyan Achjadi’s “Drift” (2017), as featured in unknown magazine (do you know? Message me!).Â
Cover of Peter Krapp’s Deja Vu: Aberrations of Cultural Memory.Â