#rap group

Dir. Rich Peppiatt

Let’s take a second. No — a deep breath. And bow our heads in reverence for the Southern prophets of weird, wild, and wondrous: OutKast — aka André 3000 and Big Boi, aka Dre and Daddy Fat Sax, aka the only duo that ever made outer space, funk, and Atlanta street corners exist in the same breath.Born from the red clay of Georgia, OutKast didn’t just break hip-hop norms — they eviscerated them, dressed in velvet pants and talking about time travel while everyone else was still arguing about East Coast vs West Coast.🛸 The Arrival — Southernplayalisticadillacmuzik (1994)Straight outta ATL, teenagers André Benjamin and Antwan Patton showed up with their first album and instantly got dismissed as just "those weird Southern boys." But "Southernplayalisticadillacmuzik" hit like peach moonshine to the dome. Funky, smooth, gritty — it gave the South a voice in the rap world when no one up North was listening. With Dungeon Family behind them (including production from Organized Noize), they planted their flag: The South got somethin’ to say.👽 The Aliens Land — ATLiens (1996)This is where the glow-up became a damn metamorphosis. Their sophomore album was ethereal, introspective, bass-heavy, cosmic gospel. They rapped about religion, isolation, societal decay — all while keeping the groove. Dre ditched the perm and started rocking turbans and writing verses like a mystic philosopher on mushrooms. Big Boi kept it grounded with that dungeon-drenched Southern wisdom. Together? Earth and sky. Soul and funk. Player and poet.🔮 Psychic Bangers — Aquemini (1998)The magnum opus. The point where hip-hop as a genre quietly realized: “Oh… we might not be ready for them.” Aquemini (a blend of Aquarius and Gemini — guess who’s who) was lush, raw, and timeless. Every track felt like it was carved from the soul of the universe. Songs like “SpottieOttieDopaliscious” didn’t even need to rhyme — it just spoke. Dre was on some otherworldly sage energy. Big Boi brought pure Southern cadence and code-switching. Return of the "G" was that grown talk. Da Art of Storytellin’? Chef’s kiss. They made an album that felt like it belonged in the Louvre.💣 Boom! — Stankonia (2000)2000. Y2K panic. The world’s buzzing. And boom — Stankonia drops. This was their loudest, most politically and sonically chaotic album. Electric guitars, techno beats, and militant truths. Songs like “B.O.B (Bombs Over Baghdad)” predicted the future. It was anti-war, anti-complacency, pro-black excellence wrapped in speed-raps and layered chaos. And then came “Ms. Jackson” — a heartbreak anthem disguised as an apology letter to baby mamas’ mamas.OutKast were prophets in shoulder pads, visionaries on acid, bringing real messages through club bangers. Nobody else was doing it like that.💔 Split-But-Not-Really — Speakerboxxx/The Love Below (2003)Then… they broke the mold entirely.Two solo albums, dropped as one project. Big Boi’s Speakerboxxx is a Southern hip-hop masterclass. Dre’s The Love Below? A romantic, avant-garde genre-defying musical. He barely rapped — and people still couldn’t stop listening."Hey Ya!" — yeah, you know it. Infectious, quirky, iconic. But don’t sleep on "Prototype", "She Lives in My Lap", or "Roses" (where both returned for a duet dipped in bitterness and pettiness). That album won the Grammy for Album of the Year, a rare feat for a rap act.OutKast weren’t just rappers anymore — they were musical architects.

Nothing made me more Hype than seeing this intro after being a Fan of Naruto since I was kid. 🔥

Yo why does Odd Future have so many beautiful men in it? Tyler, Frank, Taco, Mike, Earl, Hodgy.

Credit: Tobi Marshall

Still a Juggalette 2025

Happy Birthday Slim Shady‼️🐐🖕🏻