Could u make a short one-shot about Bob Velseb x Y/n plz!! Also I love your work!
plot: Bob is your boss who has always sweet on you and does things he wouldnât normally do for his employees, like defend them against a wild Karen or give them breaks for longer then an hourâŚ.blow up your messages every night.
You resisted the urge to even hav your eye twitch in agitation (hell, to not leap over this counter!) as the older woman across from you behind the counter was going off at you, they hadnât even ordered yet.
something about us murdering animals when we shouldâve been selling vegan meat.
honestly, you didnât get it. If you donât want meat in your food donât come to a diner with MEAT!
âI am sick of you monsters butchering up poor defenceless animals! I wanna see your manager!â Her manicured hand slammed down onto the counter, her screeching voice ringing out around the shop and making other customers either give you annoyed glared or sympathetic looks.
yet no one came in to help, youâd give them the finger if you could. But your too much of a pussy to do that, and you value this job.
âYou should be ashamed of yourself!â The woman jabs a finger at you, making you lean back as she got more and more hostile. âDo you not care for animals? You disgusting-!â
âWhatâs all disâ ruckus about? Heard someone wanted me.â A deep southern voice sounded out behind you, tilting your head up you were met with bob looming over you and casting a large shadow over the now (finally) quiet woman.
Oh great, one of the other employees must of went and got him for you. Awesome.. this is just gonna make matters worse.
âI-I.. yes! I wanted to tell you that your employee here wonât sell me any vegan burgers.â The woman finally fixes her scared look and with a stumble goes back to glaring, though no longer yelling.
âHmm, well. If ya havenât notice yet.â Bob leaned forward to rest his arm heavily on the counter, even though you were in-front of him. So now while he bended over to do just that you had to bend over slightly as well as to not get crushed from him, face beer red as you kept your eyes trained to the red counter
âThis is a diner, not a front yawn where ya munch of grass.â Despite his usual large grin it was obviously strained and his eyes were wide and full of warning, you shivered. Glad to not be on the other end of the stick of that.
âWell- excuse you-!â Before the woman could even finish her sentence with a look of high offence she suddenly shut up, and it almost looked like the blood drained from her face as if a vampire sucked it out.
You wondered what kind of look Bob mustâve given her to scare her so because with a stutter she was out the door before you could blink.
You stood there in confusion and once again tilted your head up curiously to look at bobâs face but were only met with a much softer look and worry on his features, one of his large hands coming up to your shoulder and turning you to face him better.
âyou doinâ alright darlinâ? Sorry ya had taâ deal with that witch longer then ya had taâ, saw her cominâ awfully close to ya though..â his brows furrow, creating a worry line between them as I looks you over. You only let out a nod and a âuh huhâ as he did so, painfully aware of the stares some of the customers where giving you at the moment still.
âIâm fine, just a bit spooked is all. But Iâve been working in customer service for years so itâs nothing I canât handleâ you wave off his concerns and gently grabbed the hand that was tugging on the collar of your uniform to check for any unhidden injuries, you didnât need your boss of all people to accidentally look down your shirt.
âHmm.. if ya say so, but I think you deserve a break. A thirty min- no, a full hour break. With me, in my office.â Bob nodded to himself and the worry was washed off his face and instead replaced with a look of satisfaction with his arrangement he made up for you.
âOh no- itâs fine, really! I donât want to bother-â you were scooting away from bob with a polite smile but his arm wrapped around your torso and before you could say anything more he was already leading you through the staff door and to his office as he chuckled in earnest
âNonsense! I made ya some lunch for yerâ break actually anâ I wanna have yerâ opinion on emâ. Remember? I sent ya a text about it last night while I was makinâ em. There yerâ face food right?â He tilted his head down to you for affirmation as he shut his door behind him, his arm finally leaving your torso with a slight linger you didnât notice
you sighed and nodded, he kept you a bit past your bedtime with his texts, like he did almost every night. You didnât speak up on the matter of your sleep schedule being interrupted and instead sat at one of the two leather chairs infront of his desk facing towards it
âMhm, thanks again Bob.â You shot him a genuine smile, grateful for the free food. And a added plus of bob being a damn good cook.
âOf course!â He strolled up to you from behind as you sat in the seat, hands setting themselves on your shoulders heavily as he leaned down to your level to chuckle lowly in your ear. The grip on your shoulders tightening just a fraction as you tensed.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Ambiguous Character x Reader
⢠Implied Pregnancy, Crackfic
â> Character â Can be read as any Transformer
â> Reader â GN, Human
[ Ambiguous Continuity ]
Is this your idea of what an apology is???
<âŚ3
Their optics flick from the little card in their servos, to you, back to the card, and then back to you.
Not quite perplexed, not quite baffled â more-so⌠astounded. By your utter gall.
Youâd appeared, rather spontaneously, interrupting them from their work and demanding their immediate attention. All over some flimsy piece of cardboard. For them.
The front of it is decorated with a myriad of colourful splotches (â âItâs called confetti!â â) which, apparently, is supposed to mean that something good happened; something worth celebrating.
But the card itself is of little concern. After all, itâs not whatâs on the outside that has them bothered.
They twirl it between their digits, giving you a look. One that demands an answer.
You have the audacity to smile sheepishly and shrug in response, mumbling out an embarrassed, âWeeeeell, I saw it, aaaaand I thought of you?â
Their optical ridge furrows as they open up the card again, and carefully peel off the triangular yellow sticker taped to the cardâs innards. They hold it up, its shiny surface catching the light, and illuminating the text on it.
BABY ON BOARD, it reads, in big, bold black letters.
âIs this supposed to be funny?â they grumble, glaring at you.
You attempt to stifle a chuckle-
ââŚA LITTLE, YEAH!â
-and fail, as you double over forwards with a sharp wheeze.
Your beloved bot simply fumes in response, venting sharply and slowly. âYou are⌠absolutely insufferable.â
Neither of you miss the fondness in their tone (nor do you point it out) as you simply continue to cackle, unabashedly loud and warm.
don't you ever leave me alone, my war is over, be my shelter from the storm
One year post-Fallout, Ilsa joins the IMF, partnering with Ethan and his team. After their first mission goes catastrophically wrong, Ethan sacrifices himself in a desperate bid to save Ilsa's life. Believing he failed and she's dead, Ethan suffers the consequences of the unsuccessful mission. Five months later, the team - and Ilsa, get him out.
pairing: Ilsa/Ethan
wordcount: 4.1k
warnings: 18+ minors DNI, violence, graphic depictions/descriptions of torture and the aftermath, pregnancy, very minor mention of a suicide attempt.
AO3 (user restricted) here
ENDLESS thank you to the truly amazing @agentfaust for the most thorough, in depth, and detailed beta anyone has ever given me. You are phenomenal babe!!
Ilsa canât remember the last time she was tempted to fidget, all nervous ticks trained out of her before she was even with MI6. The old habits have never been as tempting as they are now, standing in a cold and damp third-world prison waiting for Ethan to be brought out to her.
Well, not just her. The White Widow stands next to her, her brother not far away. He scowls at Ilsa, not happy to be here and not happy to risk his and his sisterâs lives on a job for her. Itâs nothing sanctioned (if any members of your team are caught or killed, the secretary will disavow any knowledge of your actions) but the moment Benji had finally, finally found Ethan the team had gotten things moving as quickly as possible. Luther and Benji worked their computers nearly 24 hours a day, and Ilsa called favors and made connections in country wherever she could. Even Brandt was helping, pulling strings and doing as much as he could legally behind the scenes while staying their inside man at the IMF. Â
Luther or Benji (it doesnât matter now because they both had been trying their damnedest to get it done) had hacked into the security system in the prison; cameras in every cell, interrogation room, the hallways. Not that any of them needed to see what they were doing to Ethan (in the two weeks since she first saw him on the grainy camera feed itâs all she sees when she closes her eyes, doesnât need audio to hear his screams and the sounds they rip from his throat, or backdated footage to catalog what tool made each scar or bleeding wound on his body. Those pictures will be seared in her brain for all eternity. She wants and yearns and rages at the sacrifice he made for her, for them, and falls asleep with a screen playing live footage from his cell in her lap, showing him pressed back into the corner of the tiny cage, curled up protectively, shivering or trembling she canât tell. Wishing she could tell him somehow Iâm coming. I will get you out. I havenât forgotten about you. youâre not disavowed to me. Iâm sorry. Iâm so terribly sorry Ethan).Â
They donât have to watch the footage for long to decide that any escape that depends on Ethan getting himself out wonât happen. Without government backing and even with Brandtâs help they donât have the resources or the manpower to storm the prison and break him out. That left one option, and it wasnât one that any of them liked. The White Widow hadnât been the least bit interested in taking a call from Ilsa until sheâd said John Lark needs your help.Â
The team had debated on how to refer to Ethan, desperately wanting to keep his identity as an American agent secret. They knew he hadnât revealed it, the terrorists would have auctioned him off or killed him if he had. The White Widow knew him as John Lark, and that was all it took. From there Alanna was easily bargained into breaking him out. To Ilsaâs trained eye she could tell Ethan intrigued the other woman. It wasnât a jealous realization, wasnât even a shock. Itâs Ethan - people are drawn to him, heâs magnetic without even trying or meaning to be. Without even being in the room he can convince people to take jobs that are completely against what they usually do. Ilsa can speak to it herself, she knew she was burning a bridge when she saved him the first time, but despite her past, she couldnât watch Vinter kill him in the most painful way possible. Sheâs never been in a relationship like the one with Ethan, drawn in and ready to sacrifice the mission for someone else. Ilsa had been ready to be out of the game for a long time, before Kashmir had believed that it would never - could never - happen. Ethan changed that. Changed her reasons for wanting out. She didnât plan on falling in love when she tossed him the key in London.
Breaking him out had been the original plan, but when Zola studied the camera footage, guard patterns, and security he decided it would cost too many men. A second plan was formed, and the White Widow had brokered a trade as diplomatically as she always had; the prisoner who was arrested after a motorcycle accident on terrorism charges 5 months ago traded for cash and enough weapons for a small personal army. Ilsa knows she should be as worried about what the weapons will be used for as the rest of the team, but even though she is part of them now, she operated differently for so long that sheâs almost forgotten what itâs like to have those concerns. Itâs Ethan, surely any price is worth his freedom? (Deep down Ilsa knows Ethan would disagree, loudly, with his dying breath, that his own life is not worth a single innocent life.) Benji and Luther had come up with a secondary mission, running alongside the retrieval to guarantee there would be no innocent lives lost because of the weapons traded for him. It took another week for Alanna to acquire the weapons, leaving ample time for the team to gather the cash for Ethan and the separate cash for Alanna, one-half of the price for her involvement in the exchange. Alanna, just like the terrorists, had also required a two part payment, unable to pass up an opportunity when it presented itself to her. Ilsa doesnât worry about the other half of Alannaâs fee, it's a problem for later. After Ethan is back and healed and whole again. She hopes he wonât be too furious with her for agreeing to it on his behalf.Â
So, now here she is. Not fidgeting. Not twisting her ankle or flexing her calf muscles and imaging she can feel the rods and pins holding her leg together, or the scar where her tibia bone punched through the skin of her calf, not twisting her arm and feeling knitted scars where the bones ground together excruciatingly.Â
And above all else sheâs not resting her hand on the barely there bump on her stomach, the bump invisible and hidden beneath a loose blouse and trench coat. Invisible to everyone who doesnât know her and Ethanâs secret.Â
âââ
The first mission wasnât supposed to be like this.Â
It was supposed to be easy and wonderful and the start of the greatest partnership of his life.Â
So of course, like everything else in his life, it went to shit in 5 minutes.Â
He and Ilsa had never exactly named The Thing between them, except that it was theirs. He didnât tell Benji and Luther (although greatly suspected Luther knew and Benji was suspicious), and Ilsa being a free agent didnât have anyone to tell. They were each other's greatest secret, greatest weakness, greatest compromise. Because they did compromise each other. There was no question after theyâd saved each other so many times, sacrificing the mission for them. The Thing started simply. After handing Lane off to MI6 they spent a week in London exploring each other's bodies carefully around broken ribs and bruised necks (and how he had enjoyed adding his marks to her neck and having her hands on his chest) telling stories and sharing the private, secret parts of themselves no one else knew - then a night Cape Town, a weekend in Moscow, six hours in Brussels, two days in Paris, traveling 8 hours to spend half that time in her hotel room in Athens. Whenever they could and their schedules overlapped enough, or if they even happened to be in the same time zone, they were together.Â
After Julia, he didnât think heâd ever feel this way about another woman.Â
Any chance he could heâd pull her into his missions. Anything to have her by his side. Ilsa was always available and never said no. She was traveling a lot, but he didnât think she was taking any other jobs as a free agent, waiting for him to call her and almost always close by. Ethan had wondered many times if she declined jobs and traveled to follow him, just close enough it was convenient. When Brandt told him Sloane had given him the approval to extend the offer of a permanent position with the IMF - with Ethanâs team - to Ilsa he was perhaps the happiest heâd ever been. The two of them together - partners - properly, permanently.Â
He never thought heâd be considering marriage again either.
So it really shouldnât have come as a surprise when it fell apart. The plan failed. His backup scenarios ran out. There were no more moves, no more chess pieces. So when he wrecked and went down, Ilsa dead in his earpiece, Benji too late to save her, a part of him, all hope, died with her. When he saw his pursuers approaching he was relieved, heâd never been so ready or willing to meet death than in that moment. To go where Ilsa would be waiting for him. He was already halfway there, a piece of rebar in his chest, internal injuries too numerous to catalog, his leg didnât feel right, arm wouldnât lift. Ethan closed his eyes, ready for the bullet that would end his life.Â
He certainly hadnât expected them to take him alive, put him in the hospital, and get him just healthy enough that heâd survive the torture, and survive he did, but not as Ethan Hunt. As something else, a shell of a human. All hope lost. No prayer of rescue. He knew he was disavowed and no help would be coming. He tried to escape, more than once. Each time failed and each time it got worse. So he kept his mouth shut and took what they gave him. Didnât utter a word except for the screams and shouts when it became too much. Heâd already failed everything and everyone else. He couldnât fail here. Couldnât stand to betray his country on top of it all.Â
When his captors told him he was being traded for goods more valuable than him, he knew he had to end it or escape. He couldnât do this indefinitely. Eventually, heâd break and the shell would crack and heâd be human again. So he plotted and planned, and when they came for him he knew what he had to do. His final mission, the last plan, the one to end it all.Â
âââ
The far door opens with a clang and three guards file in, dragging a body by a chain between them.Â
Sheâd known it would be shocking seeing him again and was already braced for what condition heâd be in, but she wasnât quite prepared for how awful it would be to come face to face with the consequences of her own failures. How jarring itâd be to see Ethan so still and lifeless, compliant. She wouldâve guessed heâd die before giving up.Â
Ilsa is the cynical one, she knows the harsh realities and cruelties of this world. Sheâs practical. Sheâs been the torturer and the assassin with no regard for the lives sheâs affecting. But not Ethan, it was never supposed to be him that faced down the darkness of her world and had to, somehow, come out the other side. Ilsa has already done that. Too many times to count. Itâs made her who she is and sheâs not prepared to be on the opposite side of that. Ilsa had been alone for so long before him and no one had ever protected her like this before - sacrificing themselves to shield her from her own mistake. She hopes it hasnât destroyed Ethan. Taken away his loyalty, compassion, the ability to see goodness in everyone, or the desire to protect everyone. It takes every bit of her not to step forward and cradle his body to hers when another guard grabs his legs and the two men toss Ethan into the center of the room.Â
Ethan hits the ground with a thud and multiple wet coughs.Â
âFucker tried to kill himself. Been a long time since heâs had that much energy.â
Fury, hatred, and grief all ripple through her at the words, but the man spoke in his native tongue, one she isnât supposed to speak. She keeps her face and body language impassive. This isnât a man sheâs deeply in love with. Heâs a job, a mission required in the course of her duties. Nothing more than the man her employers want her to hunt down and bring to them.Â
If only it were that simple.
Ilsa steps forward and crouches in front of Ethan, fisting her hand into his hair. She pulls up harshly, detaching her mind from her body and what she is about to do. (Her mind is raking her eyes over him, unable to focus on one thing because her attention is immediately drawn to something else. Thereâs a thick chain fastened around his neck, tight to his skin and surrounded by some of the deepest bruising sheâs ever seen. The end of it trails out from his neck, a mocking and sick impersonation of a leash. His hands are bound behind his back with rope thatâs splotchy bright red with new blood and dark almost black of old, dried blood. She canât see the skin of his wrists. She doesnât want to. Heâs shirtless and Ilsa can count his ribs where they protrude from his chest and the vertebrae of his spine down his scarred and bleeding back. She can identify where and what bones of his bare feet and hands have been broken and healed wrong because sheâs done that, sheâs broken those bones on prisoners before. She wonders what his legs look like under the ripped and torn tac pants heâs still wearing from the mission. Each breath rattles in and out across lips that are cracked and bleeding. Her eyes jump across him and she is seething, furious, ready to burn down th-) Ethanâs glare is still defiant when their eyes meet, and before he recognizes her he spits a wad of blood and saliva into her face. He starts to speak in a hoarse, raspy voice completely foreign to him âyou might as well just kil-â
He cuts off as he realizes itâs her. Almost instantly his face collapses into the most profound display of grief and heartbreak and utter relief sheâs ever seen. Itâs an expression meant to be carved in marble, painted and displayed in a museum, or preserved in a book for all eternity but not on someone's face. Human beings arenât supposed to look like that, especially not at her. Not for her, when sheâs done so much wrong. Thereâs blood running from his bruised nose and congealing in the sparse hair on his lip. The smack she delivers to his face adds more to it.Â
âĐĽŃĐš!â She swears in Russian and wipes her face as she stands and pushes Ethan away.Â
There is a simmering beast of rage burning within her. She has killed and tortured and maimed and done things that haunt her. Nothing will haunt her as much as the way his face instantly shuts off, all the emotion in his expression a moment before disappears. He doesnât flinch or wince with the slap. Just takes it, and flops motionless to the ground. Heâs nothing, a blank slate as if Ethan is gone, and here is his corpse.Â
âThis is the target.â Ilsa still speaks in Russian, accent perfect, with no hint that itâs not her native tongue. No hint of the swirling emotions within her. She nods to the prison warden. Alanna, face a perfect mask, passes the backpack stacked full of cash to him.Â
âWe can continue with the exchange then. I assure you, itâs all there. Couldnât stay in the business like this if we didnât ensure all terms were met on both sides.â Alanna says, perfect smile in place. Underneath it though, her skin has paled a shade. Shocked by the brutality Ethan has suffered.Â
The man takes it, a slimy grin exposing yellow teeth as he hands it to another man who excuses himself to count it.Â
âWhen my man confirms it youâre free to leave with him.â He rakes a dirty hand through his greasy hair and sends both women another nauseating smile.Â
Only in your wildest dreams, Ilsa thinks as she nods to him again. She expected nothing less, to everyone else this is nothing more than a business transaction.
The room waits in silence, save for Ethanâs rattling breaths. She glances at the White Widow whose face has gone another shade paler as she looks more closely at Ethan. Her brother behind her looks grim but is no longer glaring at Ilsa.Â
She refocuses on Ethan. He hasnât moved since she slapped and pushed him back to the ground, hasnât even turned his head so his face isnât resting on the floor. His breaths begin to take on a wet quality and she steps over to him with less urgency than she feels. Ilsa pauses when she gets to him as if sheâs considering, and carelessly uses her foot to push him up and onto his shoulder, the closest she can get him to the recovery position.Â
âCanât have you dying before my employers get their hands on you can we?â She says, her voice low as she crouches back in front of him, trying to meet his eyes and communicate with just a glance like they used to. His stare is dead ahead, eyes unfocused. Thereâs a small pool of blood where his face was just resting on the ground, more running from his nose and mouth. Itâs concerning, but not enough to be immediately life-threatening alone. Sheâs not sure if paired with the rest of his injuries and the disassociation itâs a significant concern.Â
She stays crouched by him, listening to his breathing and watching his chest rise and fall jerkily, winces as she can his broken ribs flex and expand under the skin thatâs practically molded to them heâs so thin.Â
Ilsa stands when the outer door opens and the man who counted the money nods.Â
The warden looks at them, âIt seems our terms have been met, the terrorist is yours. My men will move him to your vehicle. Itâs a pleasure to do business with you, perhaps next time weâll meet under more pleasurable circumstances.â
Ilsa wants to punch the man square in his smug face, maybe whip around his back and break his neck with her thighs. Instead, she nods and motions two guards forward.Â
âCarry him. My employers will not appreciate any more damage to the goods.â
The warden translates, and there is a brief bickering back and forth before the guards begrudgingly scoop Ethan up by his feet and under his arms. Itâs not a long walk to the roof of the compound, but it still concerns Ilsa that Ethan doesnât move or flinch throughout the journey no matter how many times the guards carelessly let him bump into the walls of the corridor.Â
Outside on the roof, the light rain from when they arrived has lifted, leaving the air damp and chilling to the bone. She instantly wants to shiver and pull her coat tighter around herself.
Ilsa points to the helicopter she arrived in, indicating where she wants the guards to set Ethan. They toss him in, none too gently. She dismisses them with a flick of her hand and they retreat back inside. She nods at Alanna and Zola, as they climb into their own helicopter.
Alanna has to shout over the sound of both helicopters spinning up, âI trust youâll ensure heâs well healed by the time I need to call on the second half of my payment.â
Ilsa nods again, not needing another reminder of the other half of the agreement, âYou have my guarantee.â
She nods to them in dismissal before ducking under the spinning rotors, stepping up into the helicopter, and sliding the door closed with a satisfying thunk when it latches. She reaches forward and taps Brandt, behind the stick of the chopper, on the shoulder, giving him the signal to fly to their first rendezvous point with Luther and Benji. His gaze is focused on Ethan, worry written in every wrinkle of his face.Â
As gently as she can she rights Ethan, crouching on the floor and leaning him against the fuselage of the helicopter. Heâs still out of it, gaze empty and unfocused. Ilsa blinks back sudden wetness in her eyes and swallows a choking feeling rising in her throat before dragging the first of the multiple medical bags towards her, fishing a pair of medical shears out of a front pocket. She begins to reach behind Ethan to cut the ropes on his hands when he makes an almost imperceptible sound of pain, barely audible over the sound of the helicopter as it lifts in the air. Sheâd have missed it if she wasnât leaning over him. As quickly as she can she leans back, gently cradling his body to rest back against the fuselage. His eyes are red and bloodshot, one swollen, and the other already surrounded by bruising. But they are staring directly at her, locked onto her face, his expression a mix of fear and hope, an open book to her always.Â
âIlsa?â He asks in the same shattered voice as before.Â
âYes, itâs me. Itâs me.â She drops the medical shears and cups his cheek with one hand, the other cradling the back of his head, her fingers tangling into his hair.Â
Ethan is staring at her with so much intensity itâs almost overwhelming. Like sheâs an oasis in the desert and heâs drinking her in, a dying man and sheâs the thing he needs to survive. He leans his cheek into her palm, pressing into it and nosing into her wrist, eyes falling shut for the briefest moment before they snap open and he pulls his head up like itâs the hardest thing heâs ever done, eyes locked back on her.Â
âYouâre real? Youâre alive? This is all real?â Ethanâs eyes are brimming with tears and heâs not even trying to blink them away, afraid sheâll disappear if he takes his gaze off of her for even a millisecond. Â
She presses a kiss to his forehead, âItâs all real. Iâm real, Iâm alive. Youâre alright, youâre okay.â
Ilsa swipes her thumb over the bruise under his eye, catching a tear as it falls and watching as his face crumples with relief. She pulls him into her, tucking his face into the side of her neck, pressing her own cheek on top of his head, one hand still tangled in his hair, holding. Iâm here. Iâm here. Iâm here. Weâre both alive. Youâll be okay. The other arm wraps around him carefully, avoiding the worst of the wounds on his back and holding him close for the first time in five months, pressing them together, and wishing she could lay her claim on him. Sheâll never be able to protect him entirely, but damn if she doesnât wish she could. Soon sheâs crying too, silent, as Ethan shakes in her hold.Â
I love you. I love you. I love you. She thinks.Â
Theyâre safe. Together. Alive. A weight she didnât know was on her shoulders lifts, relief coursing through her so powerfully it leaves her feeling breathless, overwhelmed, and exhausted. There is a fine tremble running through her hands. She almost didnât get this; holding him, kissing him, loving him.
The baby kicks, shifts inside of her and she holds back a gasp. The doctor who had performed the surgery on her leg had consulted an OB after confirming she was indeed pregnant. After the surgery, there had been conversations - what to expect and when, how often she should be coming in for check-ups, and more dietary and health recommendations for herself than she wanted to think about. The list had been endless, but she had been out of it with pain, grief over losing Ethan, and overwhelmed with shock that she was pregnant after a lifetime of being told she couldnât conceive children. But now, thinking back, the doctor had told sheâd start to feel kicks and movement around five months. Even with tears on her face, she smiles a bit. Heâs already like his father with perfect timing. She presses more kisses to Ethanâs hair, making her way down his face with gentle touches of her lips to his skin, ghosting over his eye, trailing across his cheekbone, and collecting salty tears until she gets to his mouth. He surges up to meet her, pressing them together desperately and with more force than she thought he was capable of. Ilsa smiles into him, god she missed this.Â
Meet your dad, little man, heâs the best of us.Â
an: anyone catch the sneaky little line of dialogue i stole from rogue nation in there?? title of this fic and the lyrics at the beginning are from the war, by syml. also, xŃĐš means dick in Russian
taglist (i made this from people who showed interest, please don't hesitate to ask to be removed (or added!!), absolutely no hard feelings): @valmare @thethistlegirl @alcafrach @izzypuppybutt
I can finally share my piece for the second volume of the @falloutghoulzine Greetings from Gecko! Much like the first, the second volume was a dream to work on. We'll be having our extras sale soon, so watch this space! Be sure to give this some love over on AO3 too!
Itâs almost impossible to pin down what Carol could be daydreaming about. The possibilities, Greta learned long ago, were nearly endless.
Most of the time it was Gob and whatever troubles he was in. The young visitor from Vault 101 to the Northwest told Carol that instead of Gob exploring the world, heâd landed himself in some scummy little dive bar well outside the city. Carolsâ mind raced with possibilities: Gob somehow owned this bar, or he was the life of the party, the bartender everyone loved, or was this something more sinister? The Vault Dweller seemed to choose their words too carefully. Was Gob in trouble? Danger? Did he need rescuing? Those fugues were broken with bouts of nostalgia; Greta spent countless nights listening half-heartedly to stories about Gob and the years Carol spent with her adopted son.Â
Sometimes she was trapped in thought and wandering centuries in the past. Those were the days Greta tiptoed around her partner, keeping any outside noise in their little hotel to a minimum the best she could. Those were also the days that more often than not began with Carol waking in the middle of the night gasping for air. She whimpered, sobbed, dropped her head into her hands and cried for her Daddy. Greta couldnât imagine what Carol saw; her ghoulification had come after the Great War when she was old enough to understand what was going on. Carol watched herself fall apart unprepared.Â
It wasnât out of the ordinary for Carol to just be sad. She drifted about the hotel like a ghost, face soft and distant. Greta caught her staring at the hallway painting in its gilded frame. Greta knew, once, who painted it, what it was called, but that had since been lost to time. These particular bouts of melancholy were sometimes too much for Greta and too hard to break. She spent longer on her smoke breaks, or tucked away in her kitchen. At the end of the day, separation was best for both of them.Â
Greta hid behind her interactions, her abrasion. She didnât hold back when it came to the quality of her food (for the few tender-stomached smoothskins that managed to linger in their doorway, anyway), or her malice towards Azrukhal and the not-so-friendly competition his bar held across the hallway. Her patience for indecisiveness was thin; you either knew what you wanted at Carolâs Place or you got the hell out. Free time was spent concocting something new to put on the menu, or at least make something more than palatable.Â
She didnât really do âfriendsâ. At the end of the day all she needed was Carol and the little life theyâd carved out with each other at Underworld. Theyâd been together so long it was hard to imagine a day spent without the other. Sometimes, though she wouldnât admit it aloud, she wondered if they stayed this way because they always had been.
But, of course, that was nonsense. Love was a rare commodity in the Wasteland, and to have a love that lasted as long as theirs had was rarer still.Â
Carolâs Place was quiet today. A few of their friends and neighbors wandered in for breakfast and lunch, but the hours ticked by quietly. Tulip stopped by briefly on her break for the special (nothing at all was âspecialâ about the special) and to drop off her copy of Paradise Lost for Carol to thumb through. Even their full-time boarder, Mister Crowley, made himself scarce with little fanfare. It was quiet, and Greta was glad for it.Â
Lost in the depth of her thoughts, Carol stood at the side of the bed she shared with Greta. She slipped a grimy pillow into a slightly less grimy pillowcase and fluffed. And fluffed. She fluffed again for good measure and centered the pillow on the bed. She bent to tuck the sheets into the mattress and smoothed the comforter over topâŚand paused.Â
She was young again, a slip of a thing, all of twenty-six. Carol woke early that morning with the intention of going into town forâŚwho knew? A day of shopping, of selfish consumerism? Sight-seeing, maybe, a stroll through the streets of Washington, DC and take in the Halloween storefronts? Either way, Carol was planning on looking her best. Every blonde lock was tucked perfectly in place. Though her father said she didnât need it, that she was beautiful as she was, she did her makeup, balancing a face that was all high cheekbones and a strong jawline. Carol smoothed the sheets and comforter over the crisp corners of her bed. It was shaping up to be a beautiful October day. The grandfather clock downstairs in the foyer struck nine oâclock in the morning with distant gong. Her father came barreling into the house, slamming the door behind him.Â
Father sped to the bunker. Chaos was still in the process of erupting around them. The streets didnât feel any busier than normal, but people were pouring out of homes with duffle bags and suitcases. Sirens blared high above the city. The longer the sirens sounded, the faster her father drove. A crowd began to gather around the public fallout shelter; the car had barely stopped before Carol was commanded to run. Her father wasnât far behind.Â
Until he wasnât.
Another siren. Carol stopped only a moment, turning back to check on him. A mother, a woman barely older than herself, was struggling with her twin toddlers and new baby. Her father stopped to help, to gather the children in his arms. An explosion shook the ground beneath her feet. A flash of light blinded her. Someone grabbed her arm; she screamed. The shelter door closed behind her and the survivors were plunged into darkness.Â
It was too quiet. Greta wondered if this was what parents talked about before the Great War; if the children were quiet, there was usually trouble. Wiping her hands on the apron tied about her waist, Greta peeked around salvaged hospital dividers and down the little hallway. Carol remained frozen at the corner of their bed.Â
âCarol?â Greta murmured, stepping slowly down the hall. Carol startled. âHon, you okay?â It broke Gretaâs heart that the woman sheâd spent decades with was so distant.
When they emerged once again, blinking into the sunlight, Carol was face to face with the blackened shape of her father scorched into the wall. She was sick all over the ground. The survivors from the shelter staggered about while DC burned. She just followed her feet forward. Always forward. The Museum of History, a place she treasured visits with her father, a place that would eventually become known to the Wasteland at large as âUnderworld,â became a sanctuary. Then it became a home.Â
It wasnât until her skin began to peel that she knew there was a problem. Great chunks of it sloughed off all over. Carol spent panicked mornings in the museum restroom examining the changes; what sort of twisted puberty had the bombs brought? Then it was her hair. Her beautiful blonde hair was falling out fistfuls at a time. Between losing her hair and staring at a face full of exposed muscle, it was a wonder Carol didnât lose her mind as so many did in those first few years.Â
Carol blinked slowly. Greta didnât look like Greta for a moment, just a mess of missing skin and clumps of hair that turned her stomach. It was like looking in the mirror in those early days when she was in pain and her body was falling apart. Panic swelled in her chest.Â
âHeyâŚhey, youâre okay.â Greta kept space between them for fear of startling Carol further. She lingered some feet away from the bed. To Carol, âokayâ couldnât be further from the truth.
Tears pricked at the corners of her eyes, and eventually there was nothing Carol could do to stop the floodgates. They rolled down her cheeks unbidden. Her lips quivered and tension she didnât know she was holding her shoulders released. Greta sighed and finally closed the gap between the two of them. Carol sobbed as she buried her face in Gretaâs neck.
Helplessness was Gretaâs least favorite feeling. More than anger, more than disgust, more than malice, it was helplessness. She couldnât help Carol, not in any way that made a difference as far as she was concerned. All she could do was hold her. Greta carded her fingers through Carolâs hair while peppering her face with kisses.Â
They sank into the freshly made bed, Greta pulling Carol into her lap. Across the desk, the door opened. The quiet creak was enough to draw Gretaâs attention away. Winthrop stood in the doorway and suddenly felt very awkward. He wasnât sure if it was because of Carolâs tears orâŚno it was definitely Gretaâs glare penetrating into his soul that made him turn tail and close the door behind him.Â
What had he come here for? Whatever it was he needed could wait.
The breath slowly returned to Carolâs lungs. The trembling deep in her shoulders and the knot in the pit of her stomach lessened. Her grip on Greta relaxed. Tears still rolled uneven tracks down her cheeks, but Carol was coming back into her body and her mind. Soon all they heard was the buzz of fluorescent lighting overhead and their own soft, synchronized breathing.Â
âCarol? You with me?âÂ
â...Yeah. Yeah, Iâm here, Gretaâ
âGood.â
Greta pressed barely-there kisses to Carolâs forehead and stroked the back of her arm. âDo you need anything?â
Carol sniffled and wiped her eyes and nose with the back of her hand. âNo, I donât think so.â
Another moment of long silence; Greta wasnât going to pry as to what had brought this on. The options flipped through her mind once again: Gob, her ghoulification, just because? It was impossible to know what made Carol sad.Â
AO3 has decided to not load the âPostâ button; it continues to say âPlease wait.â Boo. Sorry my ESS gift is late @the-smell-of-the-fields, happy holidays! (Link, because Tumblr of course thinks itâs cool to not keep my tag.)
Hitomi, after returning from Gaea.
The week after Hitomi finally, permanently, returned home, she was in a daze. It was too easy to fall back into her normal routine, despite having been on Gaea for a few months. It was good that she fell back into her normal life, because otherwise Hitomi wasnât sure how sheâd even gotten through that week.
Had it been real? Or had it been a dream?
Too easy to think she had imagined it, that it hadnât been real.
Not when the calendar hadnât advanced a few months and no no one asked her where sheâd been.
But she could never find her pendant.
She never particularly went looking for it, either; sure in her knowledge of where it was.
Sheâd put her cards away too, and did not have the urge to pull them out.
Her mother and Yukari noticed, of course.
(Her father did too, of course; giving her glances during the week, then his eyes would slide to her mom, who nodded.)
Her mom brought it up at the end of the week, as they were doing the dinner dishes; Mamoruâs video game noises from the other room hiding their conversation.
âWhatâs on your mind, dear? Youâve been quite this whole week now. You didnât even let your brother antagonize you over dinner.â
Hitomi paused, looking at the wet plate between them in both their hands.
Then her eyes slid to her mother.
Who would believe her.
Mom worked quietly on the dishes as Hitomi told her of the events of the not-past few months.
âIâll tell Dad youâre alright.â
She did believe her and the reassurance gave Hitomi the confidence to talk to Yukari.
âWell, that pales in comparison to me thinking you just really missed Amano.â
It got the desired chuckle out of Hitomi, and it marked her first proper feeling of being home.
Neither she nor Van made contact that week.
Hitomi reached out, encouraged by her talks with her mom and Yukari.
It took her a few tries over a few days, as Van seemed to be too busy to be receptive.
He was a king of a shattered country, working to reunite and rebuild, she remembered.
He seemed to be about to get ready for bed, as Hitomi could sense Vanâs mind trying to push the dayâs events to the side and focus on finding his nightclothes.
Things were well; not great but not bad. Fanelia is rebuilding stronger. The other countries are helping each other rebuild. Merle says hi.
She was a student part-way through her last year of lower secondary school, and she still ran, and spent time with her family and friends; she was busy as well.
She finished her essay, passed that test, the track meet over the weekend went well, her family was healthy.
They discovered they both had to be centered and almost meditative to connect; their minds empty of stress and attempting a calm state.
Weeks would pass between conversations.
Dryden is helping to negotiate better costs and treaties; Millerna says hi. Fanelia is beautiful again.
Amano and Yukari just had their six month anniversary, I passed my midterms.
It was easy, too easy, to be busy with family, friends, school, and life.
Before she knew it, a year had gone by.
Sheâd finished lower secondary school and began higher secondary. She was still on the track team, Yukari was still an assistant. Her relationship with Amano was still strong, nearing their one year anniversary, despite being long-distance. Her friends had finally stopped asking for readings, and her mom had kept a special eye on her the last few weeks.
Hitomi stood on the train platform, staying across the water; complacent.
One year.
VanâŚ
He was sitting on the rocks, wings outstretched and shinning in the bright daytime sun, smiling at her, the pendant winking against his red shirt.
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Tidbits of Damian and Tim's romantic relationship.
NEW TIDBITS:
4 - (Tennis, Kink Negotiation, & Imperfect Sex) E
âI donât understand how you can talk so openly with me about sex but then cringe at the idea of Alfred knowing weâre having it?â
5 - (Flashbacks, Height Differences Discussed, & Sex on a Car) E
âIt sounds like it bothers you.â
"It's just unnecessary commentary," Tim concluded but kept the topic going anyway, "Like why say it?"
Is a triumph of cinematography and directing in Kamen Rider. There was a lot to take in with this episode, to be sure, but the thing that will actually stick with me the most is how well shot so much of the episode was. This is far from the first time theyâve dipped into some cool scene compositions, but itâs probably the best example.
This beach scene in particular is rather amazing. At first, I thought it was just another excuse for a fight on the beach, which is basically a Kamen Rider tradition. And... yeah sorta, it is, but the director made it so much more than that by bringing in the picture frames. I thought it was a weird choice at first, and maybe just something that would otherwise be ignored. Like just something to make the scene feel off and unique, but that got smashed away real quick.
As this scene got thrown into my face quickly after wondering how it was going to be handled. Between the tilting of the picture frame, the lense flare, and the beautiful blue sky, all clashing with the dark cloud that is Gentoku, it really blew my mind.Â
Then there was the panning fight against Gentoku and Banjou, where this happens.
In one smooth cut, the camera pans as they move through the fight, Banjou and Gentoku both always being inside each of the frames, until the last shot here, which is frankly just... so nice.
This both points towards the directors sense of style and understanding of dynamic film making, and, most importantly, symbolism.Â
Both Banjou and Gentoku are âBoxed Inâ from the strings Evolt has been pulling on both of them. Gentoku now unable to resist, at the risk of death, and Banjou falling into each and every one of Evoltâs traps. Theyâre like pieces of art to him, that he does as he sees fit to make his ideals, whatever those may be, come true. In that way, these two are kind of sharing the same fate, at least for now.Â
This is made even more clear with the vastness of the scene around the picture frames and how open and free it is in comparison.
And while this scene was more just plain neat, rather than symbolic in some way, itâs still worth mentioning. The flash back with Sawa and Misora walking through the circumstances of Banjouâs birth was great. Theyâve done this kind of trick before in other ways, but it works every time.Â
One last point I want to make.
People have been goofing on this because of how much of an utter Basard Evolt is, but this also has some nice symbolism to it as well. The three heroes have the main bad guy in all this in front of them, 1 against 3, and practically have him cornered, yet he, and their goal of pandoraâs box, are so far away from them, and Evolt is fully comfortable in this situation.Â
This episode of Build blew me away for so many reasons, but the way it was shot really takes the cake.Â