#queer playlist

Cinco de Mayo (May 5th) is a celebration in the United States of Mexican-American culture. I thought it would be fun to have a playlist of songs in Spanish which are widely embraced by the Latin queer community as a way to add a bit of rainbow to this celebration

1961 - Macorina : Chavela Vargas - The song is about María Calvo Nodarse, a famous, beautiful, and rebellious Cuban woman known as "La Macorina" who was known for her free spirit. Mexican singer Chavela revolutionized ranchera music by singing a song with the romantic lyrics directed toward a woman, singing passionately about female desire and intimacy during an era of extreme repression. Chavela often sang the lyrics "Ponme la mano aquí" (Put your hand here, Macorina) while putting her own hand over her crotch, highlighting the sexual, intimate nature of the song. It is widely considered a foundational queer anthem and a "lesbian hymn of Latin America". Chavela performed in pants, often with a gun and smoking cigars, subverting traditional gender roles. She came out publicly as a lesbian at age 81 in her 2002 autobiography, which was not a surprise to her fans, as it was long considered an open secret.

1974 - La Llorona (English: The Weeping Woman) : Chavela Vargas - Chavela transformed this traditional folk song into an intensely personal, raw expression of grief, longing, and heartbreak aimed at a woman she loves. “Me quitarán de quererte, llorona / Pero de olvidarte nunca” (They can take away my right to love you, Llorona / But never my ability to forget you). The song's status as a queer classic was further cemented when included in the film Frida.

1974 - Lágrimas y Lluvia (English: Tears and Rain) : Juan Gabriel - This emotional ballad about heartbreak, abandonment, and the pain of lost love, has rain serve as a metaphor for the singer's tears. While Juan did not publicly label himself, his flamboyant, boundary-defying, and undeniably queer performance style made him a Queer Mexican Icon and this song is considered a queer anthem

1981 - Puerto Pollensa (English : Port Pollensa) : Sandra Mihanovich - Marilina Ross wrote the lyrics of the song about a love affair she had on the beaches of Puerto Pollensa in Spain. Because it was released at a time when non-heterosexual relationships were subtly conveyed through clues, the song hints that it’s about a romantic encounter between two women. The song reached number one on the Argentine single’s chart in July 1982 and is regarded as a quintessential gay anthem in Argentina and an icon of 1980s lesbian culture.

1986 - ¿A quién le importa? (English : Who cares?) : Alaska y Dinarama - This song was released by the Spaniard electro-pop band Alaska y Dinarama. The song describes a person who is criticized for being different. The lyric "Who cares?" is repeated throughout the song indicating that criticism does not affect her and she will stay the way she is. The chorus of the song asks (translated from Spanish): "Who cares what I do? Who cares what I say? I am the way I am. I'll keep on being that. I will never change." With such powerful lyrics about nonconformity and self-acceptance, the Spanish language-speaking LGBTQ community adopted it as an anthem, making it an iconic song of the 1980s. In 2025, Billboard named Alaska y Dinarama’s version of the song as one of the Greatest LGBTQ+ Anthems of All Time.

1988 - Mujer contra mujer (English : Woman Against Woman) : Mecano - The Spanish pop band Mecano released this song which describes a romantic relationship between two women as seen from the perspective of a friend who doesn't judge the situation and realizes the difficulties they face due to social judgement. It conveys a message of acceptance and defiance, inviting people to love fearlessly and courageously, regardless of the opinion of others. When it was released, LGBTQ+ issues were rarely addressed in Spanish-language popular music. This was not long after the end of Spain's conservative Franco dictatorship, the song was controversial and received pushback from groups like the Catholic Church. Its release and subsequent success, reaching #1 on Spain's music chart, made it a milestone for lesbian visibility, was seen as a major step forward for the LGBT+ community in Spain, and became an anthem for the community.

1989 - Simplemente Amigos (English: Just Friends) Ana Gabriel - This song of forbidden love where the couple has to act as mere friends in public was written and performed by Mexican singer-songwriter Ana Gabriel, who is asexual. A song about forbidden love which has to be kept hidden, it resonates with the queer community and is considered an iconic LGBTQ+ anthem and a staple in queer Latinidad celebrations.

1989 - El gran varón (English: The Great Man) : Willie Colón - Willie was an American salsa musician who released this trailblazing song that brought LGBTQ+ themes into the mainstream Latin music scene. It tells the story of Simón, a trans woman rejected by her father for not fitting traditional gender roles. She leaves home, transitions, and dies alone. It's an empathetic critique of machismo, AIDS-era stigma, and homophobia. The chorus, "Palo que nace doblao', jamás su tronco endereza" (English: "A stick that grows crooked will never straighten its trunk"), argues that one's nature cannot be changed, reflecting both the father's rigidity and Simón’s trans identity.

1990 - Mujer contra mujer (English : Woman Against Woman) : Sandra Mihanovich and Celeste Carballo - These Argentine singers covered Mecano's 1988 song of lesbian love. It is widely remembered for the promotion campaign which wallpapered large posters featuring both singers in a naked embrace. Today, the release of "Mujer contra mujer" is celebrated as a turning point in the visibility of lesbians within Argentine society, and a symbol for the local LGBT community.

1992 - Mío (English: Mine) : Paulina Rubio - Mexican singer Paulina's song is about a fixated devotion to a lover, celebrating ownership of her love interest. "Mío" gained wide acceptance in the Latin LGBT community.

1994 - Amor Prohibido (English: Prohibited Love) : Selena - American Tejano singer Selena’s song is about defying social, economic, and familial barriers for true love. Its lyrics show that love transcends money and social standing, inspired by the forbidden love story of Selena's own grandparents. The song has become a powerful LGBTQ+ anthem, symbolizing love that defies societal judgment

1996 - Azúcar amargo (English: Bitter sugar) : Fey - This energetic, high-tempo song about a romantic relationship that brings both pleasure and suffering (thus the title Bitter Sweet) by the Mexican singer Fey was a popular song across Latin America. Fey was adopted as a gay icon of the '90's

1999 - Livin' la Vida Loca (English: Livin' the Crazy Life) : Ricky Martin - Despite the lyrics which describe a man’s obsession with a wild woman, the song has been queer-adopted after Ricky Martin came out as gay, which resulted in the song being viewed retrospectively through a queer lens.

2000 - Sobreviviré (English : I Will Survive) : Mónica Naranjo - The song, a cover of Gloria Gaynor’s “I Will Survive,” went to #1 on the Spanish charts and  became a Spanish-language LGBT anthem. 

2002 - ¿A quién le importa? (English : Who cares?) : Thalia - This is a cover of a song originally written and performed by Alaska y Dinarama in 1986. Thalia is a proud ally of the LGBT+ community and gave it an upbeat dance track and made a video of her performing in a gay club with trans artist Amanda Lepore making a cameo. Thalia’s version was widely embraced and even became the official song for the World Pride Festival in Madrid in 2017.

2006 - Ni Una Sola Palabra (English: Not a Single Word) : Paulina Rubio - Mexican singer Paulina’s song is about emotional agony, loneliness, and nostalgia following the breakdown of communication in a romantic relationship. The lyrics focus on a partner's cold indifference and inability to speak, marking a transition from a passionate love to an inevitable heartbreak. The song captures the transition from fighting for love to resigning oneself to its end. While the lyrics themselves do not directly address queer themes, the song has been adopted by the community due to Paulina’s persona and the song's dramatic, anthemic nature. Paulina Rubio is celebrated as a "Reina del Pop Latino" (Queen of Latin Pop) and has been crowned a "gay queen" at events like the Miami Beach Pride.

2006 - Todos Me Miran (English : Look At Me) : Gloria Trevi - The Mexican singer had a hit with this song, which peaked at number 18 on the Billboard Latin Pop Songs chart. The lyrics describe a transformation from feeling worthless to becoming confident, which is symbolized by dressing up and shining, and ultimately conveys a message of self-love despite judgment and envy. The song’s music video shows a young man who dares to cross-dress in spite of society’s opinions. The song became a club hit and is widely recognized as an LGBTQ+ anthem. Gloria has stated that she identifies with the gay community because she also has faced prejudice and judgment throughout her career for her appearance and music.

Tú me hiciste sentir que no valía y mis lágrimas cayeron a tus pies. Me miraba en el espejo y no me hallaba.  Yo era solo lo que tú querías ver. Y me solté el cabello, me vestí de reina. Me puse tacones, me pinté y era bella. Y caminé hacia la puerta, te escuché gritarme, pero tus cadenas ya no pueden pararme.  Y miré la noche y ya no era oscura, era de lentejuelas.

(translation: You made me feel that I wasn’t worth and my tears fell at your feet. I looked myself in the mirror and I couldn’t find me. I was just what you wanted to see. And I let my hair down, I dressed up as a queen. I put my heels on, I put makeup on and I was beautiful. And I walked to the door, I heard you screaming at me but your chains can’t stop me longer. And I looked at the night and it wasn’t dark, it was made of sequins)

2007 - Las de la Intuición (English : The Ones with the Intuition) : Shakira - The song expresses the belief that women are guided by a powerful intuition in matters of the heart. The song suggests that the attraction between two people is not coincidental but has existed since before the two were born. The queer community interpreted the theme of intense connection and attraction as including their relationships and embraced the song.

2007 - La revolución sexual (English: The sexual revolution) : La Casa Azul - This was Spain’s 2008 entry in the Eurovision Song Contest. The lyrics are about leaving behind sadness and self doubt, and instead embracing a “summer of love” and a “sexual revolution.” It is considered a quintessential LGBT hit in Spain. 

2008 - Supertravesti (English: Super Transvestite) : Fangoria - This Spanish electropop duo released a song about a unique, alien-like transvestite in Las Vegas who convinces a lover to abandon earthly constraints and join them in a new life. The lyrics highlight themes of self-acceptance, defiance, and living without boundaries or obstacles. "Soy como soy / El resultado de un error de cálculo" ("I am what I am / The result of a calculation error")

2008 - One, Two, Three, Go! : Belanova - "One, Two, Three, Go!" by the Mexican pop band Belanova is widely embraced within LGBTQ+ spaces and considered a staple of Spanish-language queer pop culture, particularly within drag and pop subcultures.

2009 - Loba (English: She Wolf) : Shakira - The song depicts a powerful, untamed female, which resonates with people who feel like they need to break free from societal expectations. The lyrics can be interpreted as a call to come out of the closet and embrace one's true self. There's a she wolf in the closet. Open up and set it free (Ah-ooh). There's a she wolf in your closet. Let it out so it can breathe 

2010 - Quiero Volar (English: I want to fly) : Christian Chávez - Christian is considered the first high-profile figure in Mexican showbiz to come out when he did so in 2007. He sings this song about the emotional journey of shedding a "mask" or hidden life to show one's true self to the world. The title "Quiero volar" (I want to fly) symbolizes a desire to escape limitations and soar above obstacles, embracing a new, unrestricted life.

2010 - Me Hipnotizas (English: You Hypnotize Me) : Anahí - Mexican singer Anahí is viewed as a pop icon within the community, making her high-energy romantic tracks popular. This song tells the story of a passionate yet volatile love affair, highlighting the struggle between wanting to break free and being completely captivated by someone. It is widely considered a staple within queer pop culture, particularly in Mexico and among Latinx audiences

2011 - Far l'amore (English: Making love) : Bob Sinclar, Raffaella Carrà - Raffaella Carrà was a widely beloved LGBTQ+ icon, awarded the World Pride award in 2017 in Madrid. Her music is often praised for promoting sexual liberation, challenging conservative norms, and encouraging open expression. This 2011 high-energy dance remix of Raffaella’s 1976 hit “A far l'amore comincia tu” (“To make love, you start it”), is regarded as a gay anthem that represents joy, freedom, and self-expression 

2011 - Libertad (English: Freedom) : Christian Chávez (feat. Anahí) - In 2007, long before Ricky Martin wrote his now famous letter declaring himself a “proud homosexual man,” Christian Chávez, then a member of the Mexican teen pop group RBD, publicly came out of the closet. Christian teamed up with former RBD bandmate Anahí for this song about living without fear, self-acceptance, and personal freedom, featuring lyrics like “es tiempo de vivir sin miedo, yo solo quiero libertad” (“it's time to live without fear, I only want freedom”). It was a significant cultural moment for queer pop music in Latin America similar to the impact of “Born This Way” by Lady Gaga. The video shows a leather-clad Anahí and Chávez partying in a surreal setting infused with drugs and alcohol. Interspersed with the party scenes and images of trailblazers like Harvey Milk and Martin Luther King, two young men find each other and close-ups of Chávez kissing a man, which was rare for a mainstream Latin music video. The song encourages pride in one’s identity regardless of societal, religious, or traditional pressures.

2012 - ¿Cómo Puedes Vivir Contigo Mismo? (English: "How can you live with yourself?) : Álex Anwandter - This queer Chilean singer released this anthem of protest which was in reaction to the brutal, homophobic murder of Daniel Zamudio in Chile. It contrasts upbeat, disco-style music with lyrics that condemn homophobic societal violence, demanding to know how people can live with themselves after perpetrating such acts. The video is inspired by the documentary Paris is Burning. 

2013 - En la Obscuifdad (English: In the Darkness) : Belinda - The song by Mexican singer Belinda is about intense, passionate love and physical attraction. The song is popular within the drag scene, appearing in lip-sync performances and is widely considered a Latin queer anthem

2014 - Era Diferente (English: She Was Different) : Los Tigres del Norte - After LGBTQ+ fans asked the band “Why don’t you sing about us?” they decided to create this song about a girl who, unlike other girls in the neighborhood, is not interested in men, she instead falls in love with her best friend marking a milestone as the first LGBT ballad in norteño music. The song won a Special Recognition Award at the 26th annual GLAAD Media Awards for its positive portrayal of LGBTQ+ themes

2015 - Insulto (English: Insult) : Francisca Valenzuela - Chilean Francisca sings her support for those discriminated against or rejected by society due to their sexual orientation. She has explained that the song was a response to the tendency of many Latin American societies to react negatively to those who do not fit traditional norms. The title "Insulto" (Insult) highlights how words can be used as weapons, aiming to challenge and reclaim the prejudice faced by the queer community.

2017 - Espectacular : Fangoria - Its energetic, synth-pop sound and themes of self-assertion make it a staple in Spanish LGBTQ+ community. Fangoria has a large LGBTQ+ following, and "Espectacular" fits into their repertoire of empowering, theatrical pop music.

list of my other playlists here

vague reminiscing and nostalgia from your memories: you've probably heard a song from a cheesy romance movie you watched as a kid, or from a cd that you've forgotten and misplaced by now. you can't remember what memory it's from, but it brings you to a simpler time and there's a part of you that misses it all.

to seeking comfort quietly and giving your melancholy self a tight hug: for the thoughts you don't want to share, where you find you don't quite fit in the world right now, where you want to disappear, to fade away for just a moment. but you're trying, you're still trying, and that's something (and i'm here for you).

travelling to a destination of sunny skies and infinite ocean blues: it's the freedom of not having anything holding you back as you have the world at your fingertips. this is the moment you come to realize that for all the bad days you have, it's given you a newfound love for all the days that are good.

learning to be okay with only half your soul: your life is made of memories, of souls sharing pieces of each other. but no one has ever told you of what happens after, when you are left with only half your soul and wishing for something you'll never get back. maybe one day you can look at your past fondly without it hurting so much.

I am not a woman, I'm a god | Halsey (she/they)

Made a new writing playlist/possible soundtrack to the film I’m writing (The Undeclared Life of Marilynn Baxter).

It’s a coming of age film about a college freshman trans girl (Marilynn) who isn’t sure of her sexuality or college career. She has a lesbian best friend (Persephone) who’s secretly in love with her. Marilynn eventually starts dating Jocelyn, a college junior. Persephone is silently jealous, but is really supportive. It begins as a love triangle and then becomes a love quadrangle.

So it’s about Marilynn navigating her sexuality and finding what she likes/wants/needs, dealing with her first relationship and breakup, dealing with college and trying to find the right major for her, and generally just juggling her social and school lives.

It’s about Persephone dealing with her long silent inner struggle of being in love with her best friend but being too afraid to do anything about it because Marilynn was presumably ace and now because she’s in a relationship. It’s about her dealing with supporting her best friend even though it’s killing her seeing her with another girl. It’s about her dealing with her flimsy and hollow love life of mostly one-night stands.

It’s about Jocelyn dealing with school and her new girlfriend, and (SPOILERS) eventually her cheating on said girlfriend.

(SPOILERS)

It’s about an afab genderqueer college junior and “other person” Devon and them dealing with dating Jocelyn and then finding out she has a girlfriend. It’s about them dealing with leaving Jocelyn and hurting after the relationship ends. It’s about them struggling with feeling guilty about being “the other person”.

It’s also about a polyamorous lesbian couple who are friends with Marilynn and Persephone who are secondary characters for the B plot. It’s about them dating each other and working and living their jobs. And it’s also about one of them finding a new girlfriend and her joining their throuple.

Immaculate queer vibes!!

Listen here:

Spotify

Apple Music