OP: Nowadays, many people love cosplaying as the two young Daoist disciples from Journey to the West.
In the story, these two have very high seniority - they're the disciples of Great Immortal Zhenyuan. In one famous event, Sun Wukong steals and eats their magical Ginseng Fruit. The two point at Sun Wukong's face and loudly scold him. Sun Wukong becomes extremely angry. He scratches his ears and cheeks in frustration. But he does not argue back. (Later, however, he takes his revenge by using his staff to destroy their Ginseng Tree.)
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QingFeng Hanahaki AU💔🥀🩸 for @tgcf-reverse-big-bang
A great thanks for @taihua for making a fic for my art I was super happy 🫶. You guys better go read it ! :
Flower Language by Tyelperintal | Tumblr : @taihua
Summary :
Something in Feng Xin’s chest seized, and he realized too late what it was.
He raised a hand to cover his mouth, attempting to swallow down the cough, but it was too late. He didn’t even have time to push past Mu Qing and out to the abandoned paths of Taicang’s hill before the petals were erupting from his throat.
Small petals today. Cherry blossoms to match Taicang. Feng Xin choked again, lips forced open by the outpouring of petals streaming through his fingers.
-
Eight hundred years ago, Feng Xin noticed the flowers for the first time.
If you were given the opportunity to adapt "Journey to the West" into a movie, how would you adapt it? (No necesariamente tiene que ser el libro completo, puede ser un capítulo en particular o lo que quieras).
Oooo I actually thought about this before! It was a while ago but it was so much fun to think! I will say would would do a full-on adaptation with every single arc with every arc counting!
If you were given the green light and enough money what kind JTTW adaption would you make?
Def an animated retelling cause I’ve been wanting
Again I would love it to be 2D with that stretch kind of animation, I think that allowing it to be more stylized would allow designs to be more creative and expressive overall. I would also say to make it more “adult” in that there is blood and death, similar to how Samurai Jack or Lupin the 111 Part 5 is treated with being watched for a younger audience but like in no way is it just for kids either or holds back on the violence.
I would still love it to be a completely character-driven series spanning 14 years, with explored relationships and realistic development. I would still lean into a comedic tone, but still balance serious elements, with the characters treating even the most serious situations with a sense of humor. I would love to see them face challenges and lose the battle not because they are weak but rather because of their lack of cooperation. They start off as dysfunctional and at odds with each other but as the journey continues we see all five pilgrims learn how to work together and become a team. Despite initial disagreements, they eventually come together to overcome their foes, recognizing the importance of relying on each other. Very found family trope which I eat up like candy. Also a like of highlighting quiet moments between scenes, such as cooking and cleaning camp sights, and filler episodes focusing on flashbacks of characters like Bajie, Wujing, and Bailong, who feel depressed and lose their sense of self due to their new positions. I would love to show each season changing cause this is FOURTEEN YEARS and how that could be shown with changing seasons in the background.
Would still love entire character arcs for each character. Bajie once being a Marshall instead becomes a lazy pig on earth and falls into a state of depression and acts on whim, seeking fleeting joy. Throughout his journey, he proves he is a capable fighter and starts caring for others and despite being a jerk, Bajie cares in his own rough way and starts showing that while he isn't perfect he always tries to get better. Wujing, initially soft-spoken and quick to rage, initially avoids speaking due to his fear of being blamed for a single mistake. However, as he sees his brothers' loudness and brashness, he starts to see that he isn't judged for every mistake. He learns that ribbing isn't punishment, and he can relax around new people who are also screw-ups. This experience helps Wujing build self-confidence and stand up for himself without being a doormat to others. BaiLong starts off as a standoff member who doesn't speak much but he is still expressive and aggressive, like in that horse in Tangled. He sees himself as responsible for keeping Sanzang safe and is often in guard dog mode. Despite lacking scales or horns, BaiLong is treated like a brother and the pilgrims provide him with support he never got from his bio family. He is not a trained soldier but he comes to see himself as part of the group as they all have their strengths and weaknesses.
I would like Sanzang to be seen as inexperienced in the real world. He has lived in a monastery his entire life but is sheltered from other kingdoms. Sanzang sees corruption in the palace and is given a sign by Gaunyin to make a real change without politics or face-saving. The story should follow Xuanzang's Pilgrimage, where Sanzang sneaks out of Tang without the Emperor's approval, finding it worth it. But he is arrogant and believes he has everything figured out because he got to the highest level of monk in his kingdom quickly. When he meets his new disciples, he is forced to see how people with different paths of life than him have different points of view and how this challenges his own thinking. He starts to be humbled and starts to learn just as much from his disciples as they learn from him. Would love to explore Sanzang's emotional disconnect from his family trauma, including his father's resurrection and mother's suicide. Despite kidnappings, he becomes more open with his journeymates, demonstrating empathy for the stress of new responsibilities. Also, a physical transformation from his 20s to his 40s would be a concise choice as he would be the only mortal in the group, showcasing his growth and transformation throughout his journey.
But of course, I would have Wukong completely leaning into his ex-warlord persona, characterized by arrogance, cockiness, and a tendency to threaten with violence. He is charming, charismatic, and funniest, giving people a chance to walk away. His expressive and cartoonish reactions showcase his range of emotions. However, Wukong's excess of power harms the environment and people around him, leading Sanzang to push for less violent means. The use of 2D animation would showcase Wukong's creativity and innovation, capturing the audience's imagination and understanding of his power. Wukong's strength is evident in his diverse powers, but he needs to be more considerate and rely on Bajie and Wujing for protection. He learns how to acknowledge them as equals and recognizes that being the strongest person doesn't automatically make him right. In a long-running series, Wukong should gradually come to understand that he has a team and a different brotherhood compared to his past. This would be particularly interesting in the Demon Bull King episode. Wukong realizes he also was kinda sheltered in his own world, as he was surrounded by more yes-men than equals. His past brotherhood allowed him to demonstrate destructive behavior, leading to a spiral of self-sabotage. Wukong focuses on growing empathy for others, a skill that is difficult to learn. He struggles physically, mentally, and emotionally in situations, questioning his decisions. This constant battle with himself is particularly evident during a pilgrimage, where he must become dedicated to his mission and become a deity.
Wukong realizes that his power doesn't make him superior, and he needs humility, also parading Sanzang's own journey. He acknowledges that his teammates, including Bajie, Wujing, Sanzang, and BaiLong, have something to offer, even if it's not immediate strength. He starts to accept his limitations and recognizes that others can do what he can't. He hasn't realized his faults and is starting to rely on others, especially in a new group that sees him as a fellow Pilgrim. This newfound equality allows him to see himself as just like anyone else, trying his best. I would love a focus on the interaction between the five characters to maintain balance. More scenes where the initial gruff attitude changes over time, affecting the entire group or the group as a whole. This approach may seem extreme, but they believe it would be suitable for the show.
BUT AS FOR ARCS
General Yin 寅將軍- 1st Month. The first demon we see against Sanzang, would love to see Sanzang having to see his two guards sacrificing themselves for him and how that guilt carries with him for the rest of the journey. Also maybe adding a connection with Sanzang and a fear of Tigers for late down with Wukong being connected to Tigers and Sanzang being turned into a Tiger
Sanzang found Wukong right after maybe a 2nd Month. Really enjoy the idea that Sanzang chooses to help Wukong without knowing that he is disciple but just cause he trusted Wukong when he said he needed help. A clear sign of his naive nature but also how Wukong relied on that nature to save himself in the first place.
I think they get Bailong much later, maybe in the 4th or 5th month. Would love to see how Wukong and Sanzang interact on their own but also to have Bailong join to showcase Wukong's power. Would also love Sanzang poking a lil fun at Wukong saying that he could defeat dragons but he can't this one.
Jinchi Elder 金池长老 - 6th Month. would love to see how this would highlight Wukong's initial bloodlust and how he chooses to escalate situations to harm others. He didn't have to burn down a whole monetary down but he did because he WANTED to.
Black Wind King 黑風怪 - 6th Month. Same with how Wukong sees another Yao in the same situation as him with the headband and how even someone EXACTLY in the same situation as him and he still thinks Black Wind should die and how this could be a lesson in how he needs to learn to empathize. He was given mercy to try again and how so should other yao as well.
They find Bajie about 8 Months into the journey. I like to think that Wukong and Sanzang had a lot of time to themselves and that the change in the dynamics with Bajie.
Yellow Wind Demon 黃風怪 - 9 Month. This first Wukong ever gets HURT like he is BLIND. He never relied on someone before and now he has to trust Bajie the man he just fought in the last arc. It is kinda a moment he really gets scared and also Bajie shows the first signs that he does care enough not to leave Wukong for dead.
Wujing is picked up around the 11th month, nearly a year into the journey for Wukong and Sanzang but they get him after a huge miscommunication.
Great Zhenyuan Immortal 鎮元大仙 - 1st Year. First group crime together. Kinda Wukong wanted to rebel but also tried to connect with Bajie and Wujing similar to how he did with his brotherhood. He has to see that the dynamics aren't the same and struggle with seeing them as 'equals' rather than 'underlings. Would also love Zhenyaun bringing up his friendship with the Golden Cicida a lot more and how Sanzang feels about his past reincarnations.
White Bone Demon 白骨精 - 1.5 Year. CHANGE IN MORALS. Sanzang rather than fighting for not believe Wukong that White Bone Demon isn't a demon, he is more arguing that she hasn't hurt them and that Wukong shouldn't hurt anyone, human or yao, for what they MIGHT do. And Wukong KNOWS she is about to do something considering that up to this point, Wukong has killed more humans than demons on the journey Sanzang has his doubts. Bajie also acted on this point as more trying to get back at Wukong for the Fake-Gao situation but didn't think this would lead to banishment. Wukong tries and succeeds in resurrecting his home and sees that one of his past sworn brothers the Jaio Demon King sacrificed himself to keep his monkeys safe.
Yellow Robe Demon 黃袍怪 - 1.5 Year. The main change is that the wife does love Yellow Robe but also knows he is in the wrong and wants to go back to her family, also her kids don't die from the 2010 series. A lot of Bajie has to humble himself and see that he can't do this alone either and how Bailong and Wujing are gone. Sanzang is turned into a tiger but also him being hunted by humans. He sees what it's like to not be believed when Yellow Robe changes him and how this affects him greatly on the journey. Would love a reunion with Sanzang acknowledging that he shouldn't have sent Wukong away but he can't give up the idea that one should see the best in people and how he should have seen that in Wukong too.
Golden Horned King 金角大王 and Silver Horned King 銀角大王- 2nd Year. the first time the gang is back together and things are still tense but Wukong trying to lighten the mood while Sanzang trying to have a 'serious talk' all while demons are trying to capture him. Kinda more light-hearted but genuine trying is seen. Kinda like it just increases with how it goes from the Horned Kings, to their Mother, and then to the Great Fox King and it just escalates more and more to parallel how Wukong would rather just keep running from the Talk than sit down and talk to Sanzang until the end.
Lion-Lynx Demon 獅猁怪 - 2.5 Year. The fake Sanzang arc but also Wukong asking the fillet to be used to see who is real. Kinda a big show of trust but also a slow understanding of Sanzang and Wukong in how similar they are in their dedication, and willingness to put themselves in pain for each other. Also Wukong being outed as never eating humans cause he has healing powers and Wujing and Bajie poking fun at him for lying.
Red Boy 紅孩兒 - 3rd Year. Wukong OVERJOYED seeing a connection to his past. He thought that he could be an uncle to Red Boy but became heartbroken when he found out he was never mentioned to the kid and in fact he never heard of Bull King's Brotherhood, like it never existed. Makes Wukong have to reevaluate his past friendships and whether he cares more about them than they care about him. E.I. he was more used for protection than pure friendship. Asks Guanyin to show the kid mercy and Red Boy gets to be friends with Longnu and Muzha. Wukong still wants to have a connection with Red Boy but he more upset that he sees so much in himself in Red Boy, acting like his actions don't have consequences. Also love the Bajie/Wujing saving Wukong scene with Bajie giving him CPR and refusing to think someone like Wukong would die like that.
Black River Demon 鼉龍 - 3.5 Year. BAILONG ARC! I need Bailong fighting his cousin since this was more of a Wujing arc. But just how Bailong's own older brother comes to arrest the Black River Demon and we see how cold his family treats Bailong, pretending he is not even there, and how the pilgrims make an effort to show how they appreciate Bailong like his bio family never could. I would like to think Wujing conforming to him as this was originally more his arc since he was fighting underwater but more Wujing stepping up as the brother that Bailong never had.
Tiger Strength Great Immortal 虎力大仙, Elk Strength Great Immortal 鹿力大仙, and Antelope Strength Great Immortal 羊力大仙 - 4th Year. MY FAVORITE arc. Pure comedy just Wukong, Bajie, and Wujing coming together for the first time to bully/heckle another group of three together. Nothing brings people together like a common enemy and these three make sure to win every challenge with over-the-top enthusiasm. Makes Sanzang learn how to unwind a bit and come to laugh along with the hijinks. But really just need these three to have a great time committing crimes and Sanzang being non the wiser like "my pilgrims would never." Oh they would.
Spiritual Touch 靈感大王 - 4.5 Year. A more quiet episode of Sanzang seeing a village with his family name, maybe a Sanzang flashback to his mother's death and how he couldn't connect with his father. Sanzang wanted a family so bad but even when he got them back he couldn't make up for years of growing up without them and that he feel more close with Fa Ming as his caretaker. Also, Bajie trying to help with his perfect joke "Sink To The Bottom" and how he used to be a Water god. This would be a great time to have a flashback to Bajie's human past and he misses being a deity and how useless he feels in his new body. Heavy on the backstory and less on the demon.
Single Horned Rhinoceros King 獨角兕大王 - 5th Year. Bajie THOUGHT he was HELPING cause Sanzang was freezing by leaving the circle. I would love to see Wukong REALLY struggling as he loses to this guy at least five times, almost having a mental breakdown cause he even loses entire armies, heavenly armies that trusted him, and how he flashbacks to losing his monkeys against heaven. Takes a lot out of him and in the end he sees it is that the Rhino King does have the SAME weapon the Diamon snare that defeated him in the first place.
Ruler of Women's Country 女兒國國王 and Scorpion Demon 蠍子精 - 5.5 Year. I am not a fan of this being seen as a romance but more a Queen abusing her power to trap someone against their will. Poor Sanzang has been kidnapped by demons before but this is his first time being kidnapped by a human and he has to fight himself with how humans can commit horrid deeds as well which changes his worldview. Bajie, Wujing, and Wukong really become protective as women keep trying to harness Sanzang. Would love to see Wujing getting more confident and maybe touching on his own backstory at this point. Almost I'm a fan of 1996 Bajie where he is more of a romantic and he feels uncomfortable being seen as "just a piece of meat" when the women want them just because they are men.
Six Eared Macaque 六耳獼猴 - 6th Year (perfect for this being nearly the halfway point in the journey to show the balance starting to change) Kinda seeing Wukong regress to his more violent tendencies due to the Queen in the previous arc. Kills bandits without mercy and shows them proudly to Sanzang cause "humans can be evil as well" and Sanzang still wants to hold on that anyone can change for the better. Wukong on the other hand still stands that if people don't want to change then they shouldn't be given the choice. This leads to the banishment BUT THEN Wukong being FORCED to face a version of himself that never wanted to change as well. Would he still go on the journey for the wrong reasons? Would he have lost all his empathy for even his own monkeys? Did the Six Ears deserve mercy like he was once given? A lot of self-reflecting on Wukong's part on what it means to forgive others but also to forgive yourself and I think the REAL turning point in Wukong's character development from someone forced on the journey to someone who wants to be there for his own sake. Sanzang and he might never see eye to eye but Sanzang starts to realize while he can see the best in others he can't be naive to the point of putting himself in danger and Wukong starts to accept that others deserve mercy like he was given as well.
Princess Iron Fan 鐵扇公主 and Bull Demon King 牛魔王 - 6.5 Year. HUGE ARC. The first arc which Wukong really comes to terms with his own changes as a person from a warlord to a pilgrim. Another this is about seven years into the journey as well. Wukong thought he could visit an old friend but Iron Fan is pissed as him and Wukong went to see Bull King himself but sees that it is very one-sided. Bull King USED to be a genuine friend but has moved on and had a family, seeing Wukong only as someone that he used to know and Wukong has to face that he lost a dear friend not by death but because they are two different people that have grown apart. Bajie and Wujing really step up to give Wukong backup, both in a fight but also in emotional support as while they don't know Wukong's old friends they want to show their support by being his friends now. Wukong used to be alone but he isn't anymore. Wukong mourns the loss of their friendship and asks Nezha to go easy on him. Iron Fan herself moves on to work on her own cultivation but ends on a small friendship between Wukong and Iron Fan.
Wansheng Princess 萬聖公主 and Nine-Headed Demon 九頭蟲 - 7th Year. Another huge Bailong arc and how he had his falling out with his family. I do enjoy the 1987 take that Bailong's fiance left him for the Nine Headed Demon and think this is another way that the pilgrims can be there for him as they fight the demons. Wansheng tries to get back on Bailong's side when she sees Nine Heads is losing but Bailong respects himself enough now to reject her and go back to his new friends who were there for him. Would also love Erlang and Wukong to have a moment to talk about how Erlang spared his family instead of doing the Nine Generations Punishment and how he is thankful hence why they are sworn brothers. I adore Erlang and Wukong's similarities and how Wukong is still going to do what HE wants but he is aware that he is trying to find out what truly needs now in his life.
The Tree Spirits - 7.5 Year. I really loved this as a quiet arc again with Sanzang just having a great time with Tree Spirits who kidnapped him who wanted to talk poetry. All the while Wujing, Bajie, Wujing, and Bailong are losing their shits trying to look for him. More comedic than anything and allows Sanzang to interact with yao that is not violent. Would like to keep out the end where they try to force Sanzang to get married and Wukong to kill them all again. Just that they get to escape and Wukong warns Sanzang that they could have killed him. But Sanzang reassures Wukong that he wasn't in danger, that people can be powerful but that doesn't make them bad and uses Wukong himself to make that point.
Yellow Brows Great King 黃眉大王 - 8th Year. Would love to see Yellow Brows kinda like how he is in Black Myth, someone delusional that he is right and deserves to be Buddha while running what is practically a cult. Still holds a grudge against the Golden Cicada and tries to take over the journey to one-up him. Makes Wukong kinda look at this guy and see a lil bit of himself, someone who always thought he was right and uses his might to enforce it. But Wukong knows that his own arrogance leads to his downfall.
Python Demon 蟒蛇精 - 8.3 Year. Just more of a joke demon, does not speak but they get to have hijinks trying to chase her and pin her down. Would love Bajie and Wukong trying to get her pinned down and leads to wukong being eaten and he has to grow to escape and just gets all over Bajie that he hates this part of the job.
Sai Tai Sui / Great King Jupiter's Rival 賽太歲 - 8.7 Year. huge on comedy, this is Wukong pretending to be a doctor, and Bajie, Wujing, and Bailong are being absolutely hilarious by playing along. Wukong actually has no idea what is wrong with the guy just finds out that he misses his wife and instead spends his time fucking around and seeing how much outrageous stuff he can get away with in the meantime. Also Wujing and Bajie being 'nurses' who just follow along to make the situation far more silly. They make this poor king eat medicine from dragon piss and snot the demon doesn't even really matter, just these four being bafoons.
Spider Demons 蜘蛛精 and Hundred-Eyed Demon Lord 百眼魔君 - 9th Year. Sanzang just trying to do something on his own to show that he isn't useless but of course leads to him being kidnapped. Kinda hits him hard how much he can't even get water/food by himself and hits his self-esteem. Would love to see Wukong kinda having another mental breakdown seeing his friends poisoned and how he really comes to care for them even to the point of panic. Kinda like the 1999 take where the sisters don't die in the end and Wukong spares them as long as they promise to change their ways after seeing how Hundred Eyes betrayed them.
Azure Lion 青毛獅子, Yellow Toothed Elephan t黃牙老象, and lden Winged Great Peng 金翅大鵬雕 - 9.5 Year. pure comedy. There are serious moments are this would be the first three-on-three since the Daoist arc but would love to see all of them fighting together side by side in a huge epic fight. These SHOULD be serious demons and they can be but this illusion is kinda shattered when Wukong first meets them by entering their army, lying about commands, going into their cave, and beating the crap out of Azure Lion from the inside out. Like Wikong defeats these guys practically single-handedly and Sanzang has to ASK Wukong to let them go. Sadly does lead to them coming back but does end with a big battle. Also, the Million Demon Kingdom that I love would to be fully explored.
White Deer Spirit 白鹿精 and White-Faced Vixen Spirit 白面狐狸精 - 10th Year. Another comedy as Wukong pretends to be Sanzang moments but would love to see how a yao family White Deer being an adopted father to White Fox and how she dies because of his plans. It would start more silly but gets serious when we really see how White Deer cared for his daughter but at the same point, they tried to kill like 10,000 babies so that would have been worse.
Lady Earth Flow 地涌夫人 - 10.5 Year. Big fan of the idea that Earth Flow was really in love with Sanzang due to his past life from the 2010 series. However, that love is one-sided and she is too blind to her own desires to see what he really wants. Really more exploring how Sanzang always feels overshadowed by the Golden Cicada but the pilgrims reassure him that he was chosen for who he is, not because he was someone else and how they are on this journey with Sanzang, not the Golden Cicada.
Ruler of the Kingdom of Miefa 滅法國 - 11th Year. Another good example of how humans can be horrible is that this king wants all monks to be killed. Treated with more humor as Wukong SHAVES the entire kingdom's heads but I do think that this would be a good point in which Sanzang can confront the king himself in how this king took out his rage on innocents and has reached a point where he understands misplacing rage. A good balance of how the King has to be accountable and also shows how Wukong is able to start solving issues without violence.
King of the Southern Hill 南山大王 - 11.5 Year. This one is a comedy arc but more tired with tragedy as well. The leopard demon here convinces Wukong, Bajie, and Wujing that Sanzang has died, leading to the three to have a funeral for Sanzang and cry over his body. Again leads to some good moments to show how the gang cares for each other but also cuts to Sanzang hoping that his friends come get him too. Kinda have a moment where the King thinks that once the pilgrims 'mourn' they will leave but they don't know about the 6 phase of grief REVENGE! Of course, all three of them try to kill the King for Sanzang but instead, this leads to the gang just being overjoyed that Sanzang is not dead. Also Wukong still 100% wanting to kill this leopard demon for tricking him.
Prefect of Phoenix-Immortal - 12th Year. This was a kinda a more dramatic arc where a kingdom insults the good on accident and how they are punished with drought. I am taking a lot from the 1987 series in how Wukong was insulted on behalf of the people, seeing that their punishment was unfit for the crime, and how his empathy has been able to grow for him to become seen as a hero for the people. Also would love to see how Wujing really related to the people and how his own punishment left him uncertain and insecure over himself but how he was able to overcome these challenges despite what he has become.
Tawny Lion Demon 黃獅精 and Grand Saint of Nine Spirits 九靈元聖 - 12.5 Year. This one was the most interesting as this wasn't one where Sanzang gets kidnapped but rather the weapons were taken. I would change that the lions don't have to die but rather more of a comedy arc of the Nine Spirits trying to ground up his grandkids when he had a good relationship with the neighboring kingdom. This is a good example of yao and humans able to live in together without conflict and how Nine Spirits fears that his grandkids have ruined this peace. And of course, Wukong, Bajie, and Wujing use silly stunts to try to get their shit back. Also touching more on the pilgrim's own disciples the three princes and maybe even giving them names. I would just like to think that these three princes do always keep their teachings to heart.
King of Cold Protection 辟寒大王, King of Heat Protection 辟暑大王, and King of Dust Protection辟塵大王 - 13th Year. This one is something where I would LOVE Sanzang just being done with being kidnapped. Like he is not phased. He even warns the three to let him go because it as been 14 years and he really doesn't want to end this with these poor guys getting their butts whooped by his overpowering disciples. Kinda comedy but really would enjoy a good battle three on three again.
Jade Rabbit 玉兔精 - 13.5 Year. this one plays more on the 1999 series where the Rabbit is clear she wants to do this cause she hates the real Princess. It is actually nothing personal against Sanzang but just HE HAPPENS to be the one she chooses to marry. More of a mystery of where the real princess is but the gang finds her to get the Jade Rabbit arrested and Sanzang can get free of a forced marriage again.
Squire Kou - 14th Year. This one I think is the perfect arc to really end on, paralleling the first 6 bandits that Wukong fought. He could have killed the family that imprisoned them, but instead, he uses his power to freeze the bandits, get them back, convince the family that their relative's ghost is haunting them, go to Hell to get his spirit back and save the day with hurting a single human. He does an entire arc using his varieties of powers, wit, and intelligence to get out of this, a vast difference from the pure fighting warlord he used to be. I think this would be an arc heavy in symbolism and references to the first bandits they fought and Sanang SEEING the change in Wukong.
Great White Turtle 大白龜 - Of course, they make it to the end but of course, there is one last thing. I think Sanzang lost his cool and had his own breakdown at 'ruining' the scriptures something he spent so long to get but the gang trying to tell him that people make mistakes and that doesn't define them. And that maybe an imperfect world needs imperfect scriptures more than perfect ones because people need to doubt and learn for themselves. Just like Sanzang did. In the end Xiyouji is a story of hope and I think that Sanzang sees that even if things ain't perfect that doesn't make them any less valuable or wonderful and how that sentiment is seen with the new family he has found.
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Chapter 24 for the @journeythroughjourneytothewest Reading Group!
Ah, the beginning of the Arc the movie Monkey King Reborn is based on! It will be very delightful to spot the similarities for myself!
But first we have to finish the previous trial. I really don’t like how the emphasise is kind of put on women as being tempters. Especially when the exemplary lady is explicitly stated to be sixteen, that is a child!
Still not a fan how they put so much ridicule on Zhu Bajie as well when they equally pressured him into the whole situation.
Hm Sun Wukong schooling his Shifu. We love the communal grandpa dispersing his knowledge.
And here are the two sillies! I’ll take it in immortal years they’re closer to being old tweens or young teens. That’s the feeling I get from them at least.
Ah, teaching the kids that uhm, actually just make friends with people if they’re nice, religion should not be of any importance there. There are some really good lessons to be taken away from this novel.
One could say they are… Home Alone.
I wonder if the sight of the Daoist Abbey makes Sun Wukong melancholic with thoughts of his first Shifu.
Clear Breeze, I most certainly prefer the J. F. Jenner and movie’s translation and technically also the German translation of Pure Wind, and Bright Moon are notably nicer in the novel than the adaptation. They only get rude when they actually have been wronged. Just looking at their movie counterparts, these aren’t the same kids.
Plants you say? Now don’t mind if I look them up! Spoilers this turned out a bit of a difficult ordeal so take all of this with a grain of salt.
For accuracy, spinach yes and celery yes.
Mare’s tail… maybe? My search came up with Beta vulgaris aka Chard/Swiss Chard instead, though both plants fall under the term vulgaris in their scientific name and are plausible options as they are both native to Western Asia. Since it is a vegetable garden for people however I might be inclined to personally go with Chard, in part also because I have eaten that vegetable before and it is not only quite tasty but also nutritional.
Funfact in German Chard is called Mangold, definitely sounds like a plant an immortal would eat. But again that’s just personal bias, in reality it could still be either.
Back to the list, I have no clue where beet comes from in this line, but ginger yes.
Seaweed no. It seems to actually be moss of some kind and I looked up as to possibly why it’s in this garden. Indeed certain types of moss are used for medicinal or culinary purposes in some cultures. But don’t go out and just eat moss you find in your garden! A lot of mosses are toxic and no good for eating, so be careful!
Bamboo shoot yes and melon yes. Squash, more like gourd, but technically yes. Watercress no, my research came up with wild rice instead, but watercress is still native to Asia as well.
Now for this next line I would like to remark that there is some potential difference in the Chinese Original. Chive technically yes the Google Translate said just onion though, garlic yes, coriander yes, leek and scallion technically yes though if the characters for those two are put together the translator says they translate to chives instead.
The second paragraph I will not touch as that one is more complex.
The local Tudi really tends to be the living loremaster, in a way that makes a lot of sense in world too, something I can always appreciate.
Heh, Sun Wukong doing a little trickshot with the mallet. Not that it worked, but he tried.
Sha Wujing being the good little brother getting roped into shenanigans by his older brothers. The feeling of found family is strong with this one.
At the end I would like to shill the movie a bit as I really like that one and it does make for quite a good companion piece for this Arc. It also has one of the best Sha Wujing designs in my opinion.
The let's-slice-wukong-open-like-a-tangerine scene from ch25 of @dorkshadows's fic! i jest but it was actually SO atmospheric and eerie with the statues and the bajie pov and his discomfort... and jiu gong sitting under a statue of herself... really captured my imagination haha so i tried super hard to convey all that even though coloring and to a lesser extent shading aren't the strongest of my suits <:3c
