Ok I know it's been a long while BUT, I did not stop canvasing and am going to take the next couple of days to catch up to where I'm at so expect MANY more posts !! :D
So, this is from day 8, a little bit of a fanart doodle of @irllylikeclownsalot 's gemsona gems !!
Fable is such a cool looking character(and Clownie an awesome person), so I had to get an homage to them on the canvas >:)
Process pics + thoughts belowwwww
grabbing colors + testing ones I hadn't used before
looking back on the sketches for this, I really changed a LOT when I actually inked it in lmao
coloring / inking are always my favorite part ESPECIALLY on something like this. I haven't physically colored in anything in soooo long it's just so satisfying
last touches and that's it!
This was a fun little exercise, I really find hats difficult + hardly ever draw them so this was good practice for myself too. All in all, glad I did it, it's one of my favorites on there to this day
Thank you all for reading / looking, and stay creative :)
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I think a lot of lists of worldbuilding tips are really extreme to one end or the other of the spectrum from prioritizing realism to prioritizing storytelling.Â
Like on the one side there are those that act like itâs just a series of blanks to fill in and things to make up names for, which I feel like is especially a trap for younger writers because ?? idk when youâre 20 you just inherently know less about The World, the real world, than when youâre 30, so you tend to under-think certain things. And possibly those things arenât relevant to the plot of your story and go relatively unnoticed, but like, you CAN tell when somebody doesnât know anything about farms or hospitals or other things that can appear in a wide variety of totally imaginary settings but which are constrained by certain logistics. And you DO lose reader immersion when thereâs no sense of continuity to your settingâs culture and every place in the heroâs isolated village sounds like it was named in a completely different language.
But then on the other side there are people who are like donât even visualize your setting until youâve determined what the dominant minerals in the soil of the planet are and I donât get that either. A setting serves characters, it canât be a collection of arbitrary decisions. You can build from the planetary core up and have a lot of fun and learn a lot of stuff but thatâs no way to actually tell a story
I feel like the trouble is that..in my experience worldbuilding is a sometimes very frustrating process of goal-oriented research. The heroâs home world is a desert planet, but why? The hero is the only magic user in their isolated village, but why? The âwhyâs are what make things feel real and writers I think are really good at worldbuilding often link them to very real-world topics like human migration and climate and cosmology.
But also in my experience...
Worldbuilding is an admission that stories are made of stories. We experience what we experience through the lens of history and culture. The best worldbuilding feels like learning meaningful facts about the world--itâs a joyful experience of discovery or of finding something that resonates with you (or in the context of fiction with the POV you relate to). The heroâs villageâs name comes from a quirky remark by an official of a long-dead reign who passed through centuries before. The desert planet was once earth-like but that was long before anybody lived there; just beneath the sand there are fossilized jungles, frozen in time and shale. You canât fill in the blank with a word or a number. You have to fill it in with a story!
canvas day 15 !! This was a cute little one I did right after creating a new character by the name of...
(drumroll please)
Domino !
He has a gold/yellow and black color scheme and since I knew I'd be updating the design soon enough(even after just drawing him) I decided to just add a nice illusion to him this day cause I was excited :)
So without further adew, process pics belowww...
Sketching this one was a nice return to some easy shapes lmao...
Coloring dots is oddly fun, I think because when you do it right it's very satisfying. Even more so when you do it with some nice metallic acrylics, the ink in these ones is just so juicy and feels good to use.
I dunno how to describe it right, just artist things lmao
anywho, thank you all for reading / looking and stay creative !!
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I have this little post Face The Raven AU that Iâve been poking at off and on for about two years now. Itâs never been the primary fic Iâve been working on, but little by little Iâve added to the first chapter, and a few scenes after that, and itâs come together into something I really like.
Only, I have no idea where itâs going. Or really, just a vague idea of how I would want to re-write Heaven Sent and Hell Bent to go with this divergent AU timeline, but not any solid plans for how to get there. I love it as a what-if and a character study, particularly for a slightly darker take on Clara. But Iâm not sure if it actually has legs past this point?
I put the finishing touches on chapter 1 the other day, so I thought maybe Iâd throw this final-ish draft version of it out here on Tumblr and see what you guys think. Do you like it? Would it be worth figuring out how the plot unfolds from this point? Or is it just too weird for you to want to read more?
The feedback I get on this post will help me decide what to do with this fic, so definitely let me know your thoughts!
Working title: Feral Circle, chapter 1
With a gasp she comes back to herself, lungs aching and circulatory system lurching abruptly into motion. Her final words to the Doctor are still on the tip of her tongue, but she knows, she knowsâ
She has never been more herself and less Clara Oswald than she is in this moment. She has never more clearly understood the how and the why of Clara Oswald. She has never hated herself more or felt more at home in her own skin.
She has never been more blindingly, incandescently angry.
âWell, shit,â she groans. Her voice is hers and yet not hers, utterly familiar despite the maze of memories now coursing through her mind, and under the control of absolutely no one but herself. This has always been a curse of her own making, a death sentence ordered and carried out by herself alone. But here on the other end of her grand master plan, she is filled with anger and disappointment, instead of the triumph she had so long envisioned.
All those years of planning, all those decades of hiding, wasted, and for what? The life of one solitary human? One inconsequential blip of a boy and his overly adorable offspring?
It was the Doctor with Rigsyâs baby that did her in, really. Damn him. The moment is burned into her mind in a way she knows will stay with her for lifetimes. His or hers or the universeâs, itâs all up for debate just now.
She pushes herself up to sitting, takes a moment to readjust to gravity. She half expected to find herself still on the cobblestones of the Trap Street, but sheâs in a quiet back room, laid out on a bed. Of course they hadnât left her where she fell. The Doctor wouldnât have allowed it. Not for Clara, not for his Impossible Girl.
She wishes now that she had let him say it, let him confess the words that so desperately needed to be spoken aloud. Thatâs how native sheâd gone, how thoroughly she had believed her own lie, that with moments left until her death all she could think about was sparing his feelings, reminding him to be a Doctor. What an inconvenient time to have finally perfected the art of disguise.
The Doctor is no longer here, he had snarled at Ashildr, Mayor Me, whatever the hell she wanted to call herself. You are stuck with me! And I will end you, and everything you love.
That was him, the love of her life, finally showing his true face for the first time in centuries. And she had to go and beg him to stop. Of all the idiotic things to do.
Every one of her muscles burn in a way that she knows from long experience means this is only a temporary reprieve before her body goes all explodey, just the reset before things get real. She needs to get out of here, she needs to get back to the TARDIS.
She needs to find the Doctor.
How long has it been? This process shouldnât have taken more than mere minutes, but she can feel the shift in local relativity that can only mean one thing. Sheâd told Ashildr to remove that stupid transmat bracelet from the Doctor, but then sheâd up and died before she was able to enforce that demand. There are voices coming from the next room, but she knows, she knows heâs gone, out of her reach just when she really needs him, just when she finally truly understands, in a way she never once before in her very long life understood, and she is, she isâ
She is enraged is what she is. At him, at herself, but most of all at the meddling little bitch who lured them here and ruined everything. This was not the way it was supposed to happen.
Clara Oswald was supposed to die in the Doctorâs arms, someplace far more private. Dramatic, overwrought, and ultimately unavoidable. The perfect climax theyâd been building to all these years, the final tragedy after so many narrow escapes. A poignant, heartbreaking end to everything that might have been between them, rendered in blood and tears and the Doctor clutching her broken body. Without an audience.
The rest of it had held startlingly close to script, she is forced to grudgingly admit. He had gone through all the stages of grief right in front of her, threatened to summon armies in her name, to rain down destruction for all time in exchange for her life. He had nearly said the words they had both so carefully danced around for so long, and would have done if her overdeveloped sense of self-sacrifice hadnât gotten in the way. He was sure as hell thinking them, doing his best to press them into her temporarily-deafened skin in those last moments.
But the key turning point of The Planâ he was supposed to be there when she woke up, he was supposed to witness the miracle of her restoration to life with his own eyes. He was supposed to hold both of those truths in his hands and realise he couldnât have one without the other. It had come so close to being perfect.
Damn it all to hell.
She pushes her body into motion, every cell screaming out for release. It is irrelevant, unnecessary in this moment: the pain isnât overwhelming, she can put it off awhile yet. At least long enough to find out where Ashildrâs stupid teleport bracelet sent the Doctor, and maybe wring from her the information of just who set this all up, who was pulling her strings.
Itâs only a few steps from the bed to the door, but she refuses to open it until she can make an entrance with some level of dignity. She is Ashildrâs worst nightmare made flesh, and she should sure as hell act like it.
Breath in, breath out. Her ribs ache. Goddamned raven. Stupid bloody quantum shade of all bloody things.
She pulls herself up to her full height. Recites her titles in her head. Reminds herself exactly what all this was for. Lifetimes of work, millennia of longing. A dance of soulmates, played out across all of time and space. One pathetic pseudo-immortal viking isnât going to stand in her way.
She strides through the doorway like the vengeful goddess of death she is, and revels in the way all conversation comes to an abrupt halt.
âC-Clara??â Rigsy stutters, wide-eyed in her peripheral vision.
She doesnât bother to correct him. The less he knows, the better. âRun on home now, Rigsy,â she tells him, her gaze fixed on Ashildr with a ferocity that could ignite concrete. The viking girl has gone very pale, and takes a step away from her out of instinct.
âYouâre alive! How? How are you alive??â the boy demands.
âGo home,â she tells him again, sparing him a glance. âGo home to your baby and forget this ever happened. Do not look for me. Do not contact me. Do not tell anyone what happened here. Go, now, before I change my mind.â
She doesnât have to tell him a third time. The newly reunited Janus mother and daughter follow him out the door, leaving her alone with Ashildr and her own mounting rage.
âI donât understand,â Ashildr says, retreating another step. âYou were dead! You should be dead!â
âDeath is for other people,â she says, pacing deliberately closer. âDo I strike you as someone who would let a little thing like dying slow me down? Or keep me from the Doctor?â Her voice is clear and steady, anger held in check like a coiled spring.
âBut the ravenââ
âWhere is he?â she cuts her off, in no mood to listen to the babblings of such a pathetic excuse for a lifeform. âWhereâs the Doctor?â
âIâ I donât know,â Ashildr says, eyes wide with fear.
âIâve had a very bad day,â she tells her, angling her approach to block Ashildrâs path to the door. âAnd I do not have the time to drag the truth out of you in the sorts of painful ways I would prefer. Where. Is. The Doctor?â she demands, punctuating each word with another step closer.
âI donât know!â the girl insists, backing up against a wall. âThey didnât tell me where they were taking him! All I was supposed to do was put the teleport cuff on him and make sure he couldnât get to his TARDIS! They didnât tell me anything else!â
ââTheyâ who?â she demands, her patience fraying.
Ashildr shakes her head frantically. âI canât, theyâll kill me, theyâllââ
Her hand shoots out and she grips the girl around the neck, hard enough to let her know she means business, but not enough to crush her fragile windpipe and make her useless. âI will kill you, donât for a moment think I wonât. Tell me who took him. Do it now.â
âBut all those things you said to the Doctorââ
âNone of that was meant for you,â she tells her coldly. âYou should not have had any part in my death, and whatever happens to you now, itâs your own bloody fault. Donât make me ask you again,â she says, tightening her grip fractionally. âWho took the Doctor?â
âThe Time Lords!â Ashildr gasps out, hands scrabbling against her grip.
âWhat?â she spits, her rage climbing to new heights.
âThey threatened the Street! I had no choice! No one was supposed to get hurt!â
âWhich bloody Time Lords?â she snarls, only barely managing to keep from wringing the life from the viking girl. Ashildr will heal from most things, but she can think of a few ways to make sure she stays dead.
Though, if the girl is telling the truth, her murderous intentions are better directed elsewhere.
âRassilon, and others with him, I donât know!â Ashildr cries. âThe confession dial, they wanted the Doctorâs confession dial, too. I swear I donât know anything else!â
She drops her hard against the stone floor, her mind racing as the girl sits at her feet, wheezing and rubbing at her neck. Rassilon and a transmat bracelet and the Doctorâs confession dial. Her bad day has just gotten significantly worse.
âWhere is it?â she demands, once she can form a sentence that is anything more than howling obscenities. âWhere is his confession dial?â
Ashildr gestures vaguely towards the mantelpiece but says, âThey took it already. I was told to leave it there for them, and now itâs gone, they must haveââ
âIf you are lying to me,â she says, staring down at her and forcing herself to be slow and calm, âI will use that Mire chip in your skull to make your death take a very, very long time. And then I will bring UNIT in here to make sure all your little pets get the same treatment. Do you understand me?â
The girl nods, wide-eyed. âWhat happened to you?â she asks, a millennia of being all but invulnerable making her reckless. âThe raven should have killed you, not turned you into this.â
âThe raven killed Clara Oswald,â she replies, her voice detached. âI woke up as myself.â
âThen who are you?â Ashildr presses.
She pauses before answering, both a well-honed inclination towards theatrical gravitas and a moment to consider. Names are tricky things, they can define a person as much as their actions, set a tone and an entire trajectory. There are dozens of names bouncing around her head just now, old and new, real and false. But in the end, there was only ever one name that truly fit.
âYou can call me the Master,â she tells the girl. âAnd for your own sake, you should hope we never meet again.â
--
Of course, she thinks, as she makes her way to where theyâd left the TARDIS as quickly as her deteriorating body will allow, she only wishes it was that simple. That clean of a break. Clara Oswald did die in that cobblestone alley â the cover persona, the human façade. And yet the Master knows herself well enough to realise that she is still Clara. She lived that life, she felt those emotions, and never once questioned her own identity. She willingly threw herself into the Doctorâs timestream to save him. She demanded he find a way to out manoeuvre death, if he loved her in any way. She told him that everything he was about to say, she already knew, and she meant it.
She can never go back to being just Clara Oswald, but she will never again not be Clara Oswald, either.
The friend inside the enemy, the enemy inside the friend, she said to the Doctor, back on one of her more self-destructive days, when she was still wearing her last face. She tried to get her future self killed that day, did her utmost to cause the death of her next face without actually assassinating Clara Oswald herself. It was all in pursuit of The Plan, of course, and she remembers wondering at the time if she told the Doctor too much, been too obvious, if he might finally look at the face of the woman masquerading as human and see her real self in there. But he had been simply too relieved to have his Clara back.
Oh what a death that would have been. Pity it didnât work out.
The TARDIS is locked up tight when she finally reaches it, and she drags her key on its chain out from under her jumper, grateful to have the option. She has a vortex manipulator stashed away just in case, contingencies laid in place long before she became Clara Oswald, but she doesnât have the time or the patience or the physical resilience to put up with cheap and nasty time travel just now. The TARDISâs Cloister Bell starts tolling before sheâs even got the door open, and she rolls her eyes as she fumbles her way inside. The regeneration process is starting in earnest now, she canât put it off much longer, and itâs making her clumsy.
âItâs just me, you old cow,â she tells the TARDIS, pushing the door shut behind her.
The rotors make a worried sound overhead, but at least the Cloister Bell cuts out.
âYouâve known it was me for ages, havenât you?â she asks absently as she goes to the console. She needs a quiet place to do this, somewhere sheâll be able to focus on getting the details right. Earth in this timezone would be easiest. Privacy, but an outdoor space. The Doctor always seems to want to do this inside the TARDIS, for reasons sheâs never understood and certainly wonât be emulating. The only thing that could make this wretched day worse is if the TARDIS booted her out or crashed mid-regeneration.
This first, and then she can focus on saving the Doctor. Put your own oxygen mask on first, like the humanâs aeroplane safety instructions always say. The Doctor needs her, but she wonât be any good to either of them if she goes off half-cocked with her brain still on fire.
The TARDIS makes another concerned noise, telepathic awareness reaching out, but she bats it away.
âShush, mummyâs working,â she says, focused on the navigation system. Thereâs a field she knows, a meadow high up in the mountains, far enough from everything that sheâs unlikely to run into any humans...
A holograph that looks like her flickers to life a few feet away. The last time the TARDIS did this, the Doctor was stuck in a pocket universe trying to save a lost time traveller. The TARDIS must have known then what she herself would never have believed, must have recognised her true self hiding in the shell of Clara Oswald. No wonder the old girl had shown such a marked dislike for her.
She barely spares her holographic doppleganger a glance. âWe do not have time for this,â she says crisply. âI have places to be, and you are going to take me there.â
âYou are a danger to the Doctor,â the holograph says in her own voice, staring her down with lifeless eyes.
With an exasperated sigh, she turns towards the projection. âYou do realise what weâre up against, donât you? What Rassilon is doing to the Doctor, even as we stand here arguing?â
Overhead, the rotors make a distressed noise. Of course the TARDIS knows whatâs happened to her madman, what the Time Lords must be doing to him. She bites her lip against asking for gruesome details that will only distract her when she most needs to be focused.
âI cannot permit harm to come to the Doctor,â the holograph says.
âGood, weâre on the same page: Iâm not wild about the idea, either.â
âI cannot permit you to harm the Doctor.â
âHow exactly am I a danger to the Doctor?â she demands.
The holograph stutters, then flashes rapidly through an array of her previous faces, Missy and Saxon and Yana and back and back through their shared past.
âOh, donât go digging up ancient history,â she tells the TARDIS sourly. âHow am I, this me, a danger to the Doctor?â
The hologram settles on Missy, sneering out, âYou would go to hell if she asked. And she would!â
âExcept Iâm not the one asking! Iâm not the one whoâs done this to him, and you bloody well know it. Itâs them. The Time Lords. Itâs Rassilon, because of-bloody-course itâs Rassilon.â
The projection shifts back to her current face. âAnd you want to kill Rassilon?â it asks.
Of course I want to kill Rassilon is on the tip of her tongue, but she pauses and forces herself to think through the haze of the beginning of the regeneration process. She has wanted to kill Rassilon for aeons now, but right this moment thatâs not the point. âI want to save the Doctor,â she says instead, knowing itâs the truth. âEverything else is secondary.â
With a flicker, the hologram disappears. The overhead lights dim, and she can feel the TARDIS considering, pacing out possible futures branching out from this moment.
âLook, are you going to help me or not?â she demands impatiently. âI have every intention of saving him, just as soon as Iâve got this regeneration situation under control. You are welcome to come along, but if you prefer to leave the saving up to me, Iâll be happy to tell the Doctor that his beloved TARDIS abandoned him when it mattered the most.â
The TARDIS doesnât respond, and for a long moment the console room is dark and silent, eerily empty in the absence of the one person she canât bear to lose.
She braces her hands against the console and closes her eyes, dropping her chin to her chest. âPlease,â she whispers, not above begging in this suspended, unwitnessed moment. âPlease, you have to help me save him.â She gathers up all her worry and fear, all her anger at what Rassilon has stolen from her, all her concern and longing for the Doctor, and pushes it to the surface of her skin, willing the TARDIS to hear her. To believe her. âPlease.â
Slowly, the rotors spin back into life overhead, and she opens her eyes to see the lever beside her hand flip itself into the ignition position, sending them into the Vortex. She remembers pulling that lever herself, the side of her hand pressed snugly against the Doctorâs, and her longing for him doubles. Clutching the edge of the console now, her hand has begun to glow with dim golden light, and she knows sheâs out of time.
âThat little hidden valley in the mountains, you know the one I mean?â she asks the TARDIS, her gaze fixed on the regeneration energy seeping from between her fingers. âTake me there.â
The TARDIS lands quickly, the doors swinging open before she can raise her numb hand to snap. The world beyond is lit by late afternoon sunlight, outlining the waving grass and wildflowers in gold.
âWait for me, this shouldnât take long,â she tells the TARDIS, then staggers out into the field, away from the TARDIS, trailing golden light behind her. There isnât a moment to spare, but she canât simply release her stranglehold on the energy coursing through her body. No, she has to be far more careful and strategic than that, if sheâs to have any hope of salvaging her future.
Controlling the regenerative process, choosing a face, is merely a question of focus. Even the Doctor had managed it, this last time around. And she isnât replicating someone elseâs face, sheâs choosing her own all over again, choosing to regenerate into exactly the same form. It ought to be simple enough.
She designed Clara Oswald back when she put The Plan into action, handcrafted all the little details she knew would get under the Doctorâs skin. Big, emotive brown eyes in a pretty face. A small stature, weak looking, so that the Doctor would feel instinctively protective over her. Quick-witted and funny, able to keep up with his babbling and his harebrained schemes. Sheâs known him for centuries, since they were children â she knows his type. In the end she hadnât been able to talk herself into masquerading as a blonde, and she is grateful now to realise that gamble paid off. Brunette always suited her better, anyway.
Thereâs no stopping the regeneration process now, but if she can replicate Clara Oswald all over again, she just might be able to get The Plan back on track. Once this is done, sheâll go save the Doctor from whatever hell Rassilon is inflicting on him, and he will look at her and see his Clara, back from the dead. Heâll look at her and see the Master and all their long history together. Heâll look at her and see Koschei, his first love. Heâll look at her and see her.
Please, just see me he begged her, when she hadnât yet been able to see the Doctor hiding behind his new face. Thatâs all she wanted, in the end. To be seen by him.
She can feel the regeneration energy coursing through her, pulsating in a rising tempo, and focuses her mind on what she wants out of this, what she needs.
Her face, her face absolutely has to remain the same. This face was the first face the Doctor saw when he regenerated, he would spot any tiny difference.
Her hands have to be perfect reproductions of themselves. After all these months, the Doctor had finally gotten comfortable with holding her hand again, and he would know if they changed.
Her voice has to be the voice of Clara Oswald. When she calls to him, he has to hear her, the woman he loves.
She resists the urge to add a few inches to her height. Five-foot-one and crying he once said. He would notice if she changed that. Her past faces had always resented his height, the extra inches he used to tower over her, but she had found the power of a small frame, this regeneration. Making him bring himself down to her level, fold himself smaller to accommodate her.
The hair, the hair needs a slight update, it canât be what she regenerated into the last time, it has to match her recent haircut. Such a small thing, but she almost missed it.
She holds the idea of Clara Oswald in her mind, all the little details that make up her physical being, until she can feel her body acquiesce to her demand. Every cell will die and every cell will be replaced by an exact replica. Because she wills it to be so. Because she needs it to be so.
But the body is only half of it. The other half, the personality, wellâ sheâs all over the place just now, and she scrambles for some sense of control, as the golden glow of regeneration spirals outwards from her hands, growing in intensity with each beat of her hearts.
Who is she? Sheâs never particularly had time for existential questions, but now it matters more than it ever has before. There are dozens of names in her mind, lifetimes of personalities, all muddled together now in this strange twilight between lives. Who is she? Who must she be, to save the Doctor?
She is Clara and Missy and Saxon and Yana.
She is the snake-eyed monstrosity and the one burnt beyond recognition, she is the wearer of disguises and puns and goatees.
She is Koschei, and she has been in love with him since before he took up the mantle of the Doctor.
She is a burning ball of anger and hate and loathing, she is the pounding of the drums, she is all the declarations of love that died on her tongue unspoken.
She is if you love me in any way, she is run you clever boy and remember, she is his duty of care, she is someone he canât bear to lose.
She is his Impossible Girl, and she will dismantle the universe and rewrite time to get him back.
She is Time Lord and Human, she is Clara and the Master.
She is the Doctorâs best friend, his oldest enemy.
She is the one who loves him,
loves him
 loves him
  loves him.
It is the one truth that has sustained through all her lives, through all her schemes and misdeeds, through every dark day and every ecstatic moment of joy.
She loves him, and it is the most powerful force the universe has ever known.
That is the thought she holds tight in her hearts, as the golden energy rips through her, replacing every cell in her body and changing nothing.
--
With a gasp she comes back to herself, greeted by the smell of wildflowers and the sound of the TARDISâs Cloister Bell.
The field, and regeneration, andâ
She examines her hands, then uses their familiar size and shape to push herself up to a sitting position. The question that had so occupied her final moment before regeneration has found its answer, reverberating in her chest in time to her twin heartbeat.
five and half weeks after dislocating my wrist and I can finally, finally actually type again. I still have to take it slow and not over-do things, but guh, what a relief.
dislocations are pretty common for me, with the HMS/EDS genetic nonsense going on, but every now and then I find a way to dislocate a joint that I hadnât previously dislocated, and the first time is always the worst. thatâs what happened with my right wrist in mid April -- overtaxed myself by playing too much Minecraft on a Tuesday, minor injury to my shoulder the next day, then massive horrific dislocation on Thursday.Â
itâs been all ice packs and anti-inflammatory meds and trying to rest it for five and a half weeks. I have watched so much YouTube and marathoned so many tv shows, and tried to restrict myself from mouse and keyboard and touchscreen use -- and also things like eating with my dominant hand, or brushing my hair with that hand. itâs obnoxious.
it definitely isnât done healing yet either, and I still have pain at certain angles and doing certain tasks (especially anything involving pinching). but I spent the first week or so trying to get it back to full (hypermobile) range of motion, so that it didnât heal in a stiff position, like that same wrist did when I injured it in high school. that time wasnât a dislocation, but it still took me ~10 months to fully heal, and then another three or four years before I had my normal range of motion back.
Iâm going to keep my Tumblr queue at its current low level of 10 posts a day, with my queue stocked up for several weeks at least, and I still likely wonât be around much -- typing is far easier on my hands than scrolling, at the moment. but Iâm hoping that now that I can use my laptop again, I can maybe start actually writing again, too.
itâs been nearly a year and a half since I last updated For As Long As We Get and whoo am I feeling it. Iâve started poking at the next part, currently titled Forest For The Trees. Iâm re-doing the whole episode, like I did with Honeymoon on the Orient Express and First Christmas, so I expect itâll end up being similarly oversized like both of those are, and may in fact end up having chapters. itâs currently sitting at just over 7400 words, and easily more than half of it still left to write. so itâll be awhile before itâs actually finished, but Iâm hoping I can start making slow progress on it again.