FUUUCK this is a great poster. the black, sinister theme matching the pallette. the creeping tin pattern in the corners. his dead stare. the hard, cold silver. empty expression. gloved hands clasped, reluctantly ready to serve. No joy is left in this house. another interesting thing to note is that his hat is off. this is him at his barest, staring right at you.
and then, nessa’s. red, bold, in your face. terrifying. this is the ruler of your country. you will obey her. her golden chair holds more worth than you ever will. the mansion’s curtains flaunt her, granting haunting beauty. edit: i have just been informed these are actually her shoes.
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why this poster perfectly encapsulates 2 old 2 guard (disparaging)
at first glance, this poster merely seems incoherent. like someone copied and pasted images of the different characters onto one document.
at second glance, it still looks that way, but worse.
(analysis below the cut)
this poster foreshadows the fact that no one works together, even though that was their greatest strength. that there's no cohesion, no unity of purpose, just a bunch of immortals (or immortal-adjacents) in the same proximity, no interaction, each facing a different direction.
nicky and joe are separated! even andy's labrys looks closer to tuah than to her.
the lack of a coherent background, and the amorphousness of the other figures, say so much too. many of the characters are straight up punching at the air!
the first film didn't just have The Guard and The Baddie. there was Celeste, the Russian-speaking pilot, the ghosts of Copley's and Booker's lost families, hell I bet there are even fanfics about those tourists taking a photo at the hotel in Marrakesh. Nicky greets a woman carrying water. Booker puts all his grief and dramatic irony into two words to a hotel concierge.
i can think of one (1) named *figure* in this second film who isn't on this poster, and i can't rightly call him a character since he never interacts with anyone. i only assume i know which one is Konrad because he was wearing pink.
Vhagar and another dragon soaring the skies, both visible outside the windows in Aegon's poster and the ones in the Rhaenys and Corlys one respectively.
Could the second one be Caraxes? Or Meleys? A reference to the Battle Above the God's Eye or the Battle at Rook's Rest, where Rhaenys will eventually meet her fate?
Placing Dimensions and Eye Directions Analysis for Season 2 Posters
Disclaimer: before we go forward, I want to remind everyone that I am a random person on the Internet and this is a simple interpretation that I created using my knowledge on composition, dimension plains and perspective in drawing. If you choose to add input – please, be respectful about it, it’s an open discussion; as the creator of this take, I am not going to take any insults, hate or negativity over a simple fandom post, so be warned that I will block such on sight. If you find my ideas and analysis unpleasant for your perception of the characters – please, disengage and feel free to block me as well. Let’s all be civil :))
In this post I will talk about the placing of each team individually, towards team members and then each other. Along with that, I will be analysing characters’ poses and line of sights for each of them individually since it is telling a pretty compelling story. As a reference I will be using a merged image of all posters together in one (credits to @liv-cole for the image that I saw here and @ara-meyy for showing it to me when it first appeared on Reddit)
Let’s first take a look at Team Green and their stance:
The far back is taken up by Criston Cole and then Aegon on the Iron Throne. First and foremost, the farthest in the whole plain. He does not line up with anyone in the picture and his placement makes the most sense – in the canon of next seasons, Criston will take the position the Hand, which does put him so close to Aegon with his sword at the ready. He the final line of protection for the king, however, his eyes are not directed to the side – in the direction of Team Black.
However, he is placed slightly behind Aegon and his throne. His eyes are also looking forward at the angle that makes him look beyond the banner of Team Green and, in order, is directed at Aemond, not Team Black. The sight is not the one you would describe as of certainty. I could go off about the shot being not the most pleasant, but I could also theorise that Criston’s sight is telling us about the caution with which he could potentially treat Aemond in further seasons.
Aegon’s position on the poster is slightly closer to the viewer than Cole’s but still is further than Aemond’s or Alicent’s. His figure is quite interesting and, in all honesty, contrasting to what we saw in the sneak-peek of the second season. He looks both relaxed and tensed on the throne. The general language of the way he is seated is aloof, he is not wearing his crown, but is holding it as a window into his future. He comes off as the transition period between the man we saw in the sneak-peek and the previous season. He is tensed by his duty, by the Iron Throne, but his hedonistic nature has not left him yet.
What is most interesting is his line of sight. If we look at his eyes, they are not directed at anyone at all. They go straight throne the circle of his crown and off into the distance. He is not on the same field to look at Rhaenyra or anyone else. His look is one of absence. Being the king on the Iron Throne, he is isolated from the conflict by his posing. The reasoning for it might be 1) his transition period into an active participant of war (before Blood and Cheese), 2) his present reluctance to be in this conflict that was established in previous season or 3) mostly his absence in the season after his character goes through dragon fire. Perhaps, we would see more of his struggles as the king and, if lucky, even the progression from an unwilling heir to the king that takes charge and makes decisions.
Interestingly enough, his line of sight goes beyond all of Team Green members and out the frame before it reaches Team Black members. If it is not his future he is looking at, it is like a prison cell’s window at the freedom he could have, perhaps?
Next comes Aemond, who is in the most front of the picture. What’s important to note here, his figure is the closes to the viewer and is actually on the same dimension field as Rhaenyra. He is stood between her and Aegon which makes sense since Aemond will be a driving force of the war (which also affected the number of episodes we will see him in). He is not the focus of the conflict, but he is the line of defence for his family and a force to reckon with. His hand is above the hilt of the sword, he is at the ready to draw it and, unlike Criston, his stance is not cautious but confident. He also has his lip corners up in the poster, enjoying the thrill of war, the hold of power that he has.
His line of sight is directed straight into Rhaenyra’s face, not anyone else. She is his primary concern or, perhaps, a target, because she is the main threat to his family and his brother’s ruling. Among his team, he looks like the most natural and merged into his role of protector. Note that this does not oppose Aemond and Rhaenyra, and, if it does, it is a one-sided conflict in which Aemond is involved while Rhaenyra is not an active participant.
The last in Team Green and the closest to Team Black is Alicent.
It is clear why she is stood in front of everyone in the team, but she is much further in the background. The placing of her dimension makes her stand a layer above Aegon but two layers deeper than Aemond. She looks reserved and worried, and such placing shows that she is not Rhaenyra’s main opposition. She, as was shown in the previous season, would stand in front of her kids to protect them, which places her front-line in team’s order, but it is no longer her conflict, no longer a rivalry between her and Rhaenyra. Unlike the book version, show!Alicent is not the mastermind, but a scared and devoted to her cause mother, and when the time comes for war – she gives way to her children (being placed in the background) but still shows that she is present and protective of them (being the first in line).
Her eyes are terrified and teary, looking at Rhaenyra. It shows very well her stance in the show, that her motivation was the fear for the life of her children before Rhaenyra.
Now off to the Team Black.
Since we are going from left to right, I’m going to start with Rhaenyra, who is also the representative of Team Black.
Surprisingly so, her and Alicent have similar poses, but the position translates a different message. While Alicent is one of resolve and acceptance of her position in the background, Rhaenyra’s pose is showing her leadership. She is showing herself as the queen in this poster and, it is really hard to miss, but in a way her stance reminds me of 8th season Daenerys (I personally dislike the parallels because I think Rhaenyra would be better off as a stand-alone character, but hype train is a hype train).
She stands tall, she wears her crown, she is dressed as a ruler and as a dragonrider. What is interesting, though, is that her line of sight is directed forward. Since she is on the same plain as Aemond, they both are the closest to the viewer and share dimension, she is not looking at him. She is looking forward, past him. My ideas for this are 1) she is looking at the Iron Throne in the background, not even Aegon, but the throne itself; 2) she is looking into the future, since, in Western culture, the idea of looking forward is associated with the future. Her sight shows determination and readiness for battle or her looking forward for her victory. The entirety of Rhaenyra shows here that she is the rightful heir in her own eyes and she is going to take what is hers.
The idea that her sight goes through both Aemond and Aegon and ignores them, in a way, reinforces the narrative that they are irrelevant to her, they are not the threat and, because of that, be the things the other way, she would not have them executed because they simply do not matter to her this much. It is not a battle between her and her siblings here or her and Alicent, but it is a story about her battle for the throne, as it seems.
What also caught my attention is that both Daemon and Alicent stand distant from Rhaenyra, practically within the same distance from each of her sides. It is purely my take here, but perhaps it is showing the relationship that she lost or is going to lose (given the rift that awaits her and Daemon?).
Now moving along to Daemon. Personally, I expected him to placed closer to his queen, given the establishment of their relationships, but in the poster, he is one a layer deeper into the background than she is. His overall posture of, not protectiveness towards his queen, but rather protectiveness of himself gives mixed signals as if it is not him being Rhaenyra’s shield, but her being his. Given what happens in canon between them, it might be foreshadowing.
However, what drives the point is his line of sight. He is looking up and forward, and, unfortunately, the way he is placed behind Rhaenyra makes it seem that his eyes are directed not at her, but at the crown. His general expression is not of a man that is preparing to protect his loved one, but one of a man who is scheming a way out for himself, there is a fleeting concern and calculation in the way he looks. For the sake of not hurting anyone’s feelings, it is purely my take and my reading of his character in the poster, take me as biased.
Daemon is ready to strike, but strike who?
Following figure is Rhaenys.
Rhaenys has a reserved pose and a look that is peeking at someone or something. Given the background from the show, there isn’t much to say about her in the poster. She strikes me as an unwilling participant of the war, but a participant that is going to do her bidding and show her strength. Rhaenys stands tall, truly like the Queen Who Never Was, and her stance shows that she will be a force to reckon with too, considering she is a dragonrider and a skilled one at that.
Her eyesight can indicate two things: she is looking forward, with a tilt of her head, which potentially places Alicent at her line of sight. It makes sense in a way given their confrontation in two instances in a previous episode. It feels as if she, as a mother who lost both of her children, asks her how far she is willing to go to protect who’s dear to her. It feels like in this there is a conflict of two mothers that is established: the mother that lost everything and now fights for what is left of her children (since Baela and Rhaena are indirectly pulled into the war as well) and the mother that will lose everything in the future. Alternatively, Rhaenys could be looking at Aegon and the Iron Throne, but at this point of her development as a character, that makes little to no sense.
Lastly, Corlys. Just like Aegon, he looks isolated from the conflict, but for different reasons. Initially, I had a thought that he was looking forward, and, considering that he takes place further in the background than anyone on Team Black, he could be looking at Aegon and the Iron Throne, but upon close inspection I concluded that Corlys is most likely looking outside the window. It perhaps is foreshadowing for him later on searching a way out of the conflict or out of the list of Rhaenyra’s supporters.
Now, to the parallels between the characters.
Aegon and Corlys are literally the last men standing of both their teams – both on the poster and in canon. They will be the last surviving men of their respected teams, having only Alicent outlive them both.
Daemon and Aemond being opposed only by their placement as the second from the centre of the poster – perhaps, a foreshadowing for a battle that they will clash in; Aemond is looking forward and, like in canon, anticipates the fight and goes in confidently while Daemon is looking out for himself specifically and does not acknowledge Aemond as a threat for himself.
Rhaenys and Alicent – a conflict between two mothers that already lost everything or will lose everything, the Queen Who Never Was and the Queen in Chains, both trapped in this conflict because of their children or what is left of them (grandchildren).
Aegon and Rhaenyra and the way they treat their role – Rhaenyra merging into her role as a queen and wearing her crown proudly while Aegon looks through in as if a window outside his prison.
Overall, the teams display different attitude.
Team Green looks like a well-established line of defence around Aegon: his Hand is by his side; his brother is the main force of protection and then his mother who would sacrifice herself to save him. Their placement is to protect Aegon from the threat of Team Black.
Team Black appears, to say the least, not as the protection for Rhaenyra, but people who hide behind her, which surprised me. It looks rather fickle, with Daemon and Corlys being anywhere but present to protect their queen. They also form a perfect line from the back to the centre that shows that it is not only Rhaenyra’s fight, but it is also not them fearing Team Green, but having a goal to get back the Iron Throne.
Alicent and Rhaenyra in the middle set as mediators/eventual adversaries. Aemond and Daemon are their family's symbolic swords. Aegon is seated behind Aemond, somewhat shielded by him, the King protected by a knight. Criston is Aegon's right hand man, standing beside him.
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Ok so i spend way too long looking at that image, so here is my analysis. (Sorry if it has already been done)
The books in the shop give you a good preview of what to expect! There is:
Pride and prejudice (in the pile of books), a story about two characters who unleran their biases in order to get together.
Treasure island (also in the pile of books), who tells the reader that looking for gold is futile as gaining wisdom and righteousness is more fulfilling.
A tale of two cities (the book aziraphael reads), a book that has themes like the possibility of renewal, the necessary of sacrifices, the violent nature of revolutions, social inequity and justice.
Catch 22 (on the bookshelves, beneath "closer"), where the protagonist can't escape his situation due to all the regulations in place. Its also used to say that if you want to fight the rule, you first have to accept it.
Other details that may be of note:
Two lizards on the table, one blue/green, the other one orange.
The old camera that reporter aziraphale had on the leaked pics.
A matchbox on the table (i might be looking too much into it, but it looks to me as if there is a saint's picture on it and a verse where you strike the match).
At least 3 statuettes, on of a roman soldier, two of women (including one who's seemingly sheltering herself from a danger above. Shes on the windowsill where golden/heavenly light falls from above..).
The clock face, that looks like it's frowning. Plus the clock seems broken, there's only the big needle and its on 6.
Aziraphale and Crowley seem to influence each other, they take on opposite colours where they touch. Aziraphale is slightly darker as if there was a shadow on his arm, while Crowley's back is in the light (i dont count the light on his face, as realistically it is a promotional poster and you need to be able to see the actor's face. Plus on his back it looks more like "heavenly/ethereal light").
So it's been speculated before that season 2 would be about them fighting hell and heaven to be able to be together, and it looks like it's what we are going to get. There might be a rebellion that has other angels and demons fighting their sides, inspired by the freedom that aziraphale and crowley seemingly got. Im guessing that they'll also have to reflect on their beliefs about the other one and about themselves as they were "enemies" for so long. They may have to re-enter their old sides and may have a really hard time escaping (they might not totally escape..). The statue might be protecting herself from heaven, but the lizards could be demons and the sad clock indicates 6, that has been linked to the number of the beast. I firmly believe that they will get together in the end.
(Disclaimer: I havent read any of those books, heres the sources for the informations on pride and prejudice, treasure island, a tale of two cities, catch 22. If anyone more knowledgeable could add any wisdom it would be great!)
Other things I cant entirely see or explain:
There's other book titles that i cant read on the shelves, but they might be purposefully greeked.
The shop front saying "give me".
There's a portrait on the table, hidden by the camera
After they released a first look/ concept art I had an idea. Every season the main poster they release tells you two things. It tells you what the natural disaster will be and how it will affect the main characters. It will probably be what they tackle the first couple of episodes. As I was looking at it I got another idea. Now with the poster out I want to elaborate.
I knew animals breaking loose from the zoo was happening from bts pics. For some reason I didn’t know how big it was going to be. Which I now think will be one of if not the main problem they face. This is what kicks off the season. Very much shapes the characters in a way. When I was looking at the posters again I noticed something else. Each season poster high lights the main event of the episodes but it does something else too. Each poster in a way coordinates with Buck and Eddies story. With their relationship as a whole. So I don’t want to say this will happen. Or say these posters are about Buddie. In a way I also will so ready to put my clown shoes on.
In season two it’s the earth quake. The poster is of the building toppling over. Which is the call Eddie and Buck go on. This is the first call they start to get close on. Then Buck asks Eddie who he’s trying to reach in the truck “my son Christopher”. Then later in the episode he drives Eddie to Chris’s school. He watches them from afar. He then drives them home (off screen). The earth quake is the thing to not only start off Buck and Eddies relationship/ partnership. “You can have my back any day.” It also starts off the Buckley Diaz family relationship. Then in season three it’s the tsunami and we all know how that went down. Buck is on a leave of absence. Buck watches Chris the two go to the pier and get stuck in the tsunami. Buck fights for Chris the first three episode. While Eddie is working unaware. They finally cross paths. Buck simultaneously reunites with them moments apart. Episode three ends with them coming over. “Buck there is no one in the world I trust with my son more than you.” Both these natural disasters affect them personally. In s2 it helps the development of their relationship. In season three Buck is off and looses Chris and Eddie almost looses his son. It only makes their relationship stronger. Him being off duty and in civil clothes further proves this. In affects everyone but we see how it personally affects them. Not just separately but together. In no other way we see this for the other team members. I made a previous post but in the s3 poster you see a little boy with a parental figure (possibly his mom) get stuck in the tsunami while on the pier. A little boy with brown hair and glasses. If that doesn’t represent Buck and Chris I don’t know what will. I also didn’t ignore the significance of the season 2 poster. Which is of a man and a woman ( a possible couple.) Reaching out and holding onto her hand for support. To when Eddie reached for Bucks hand when he almost fell in the building.
Out of all them season 4 is the most different. Which makes sense considering how this season started. This season in a lot of ways was different. We still had a natural disaster. At first I thought maybe this poster didn’t have anything related to them as directly. The only major call they had together was the bus in the side of the building. Where Buck scales the side of the building. Which even though the bus scene was in the promos it isn’t on the poster. The three prominent things are the helicopter ride, the houses collapsing and the mother and son on the balcony (also the Hollywood sign.) I could make a stretch with the bus rescue but I won’t. I’m going to go over two separate calls. The first being the houses. The call Buck was on with Chim. Eddie and Buck were separated most of them time. Besides s2 its actually reoccurring for them. The call with Buck mainly focuses on Chim. It also focuses on children and parenthood. The call with Eddie at the Hollywood sign is more about the people there helping. One of the calls is a guy falling in love with his roommate over quarantine. (While living with someone else in the process.) The second thing is the kids. In the posters from 3-5 you can see at the forefront a child with a parent. S3: a mother and son. S4: a mother and daughter (I think.) s5: a father and daughter. Which I find interesting. Especially how they are in the center for 3&5. Facing the disaster head on. Now I don’t want to assume s5 will indicate anything for Buddie. From the few things we know I have a few ideas.
From the bts pics we know Buck and Eddie will be dealing with a camel at some point. Probably tying to contain in from roaming any further. (Unless that was just the cast but I doubt it.) Its definitely possible Buck and Eddie will be dealing with more animals. Especially if that directors board going around a few weeks ago implies anything for them specifically. (I remember seeing Hen and Bobby on it.) Since the zoo aspect is larger they must be. I can’t see a whole episode but I can be wrong. Maybe 5x01 ends with them arriving/ a cliffhanger and 5x02 picking up where they left off. I am mainly just curious to see how this will affect Buck and Eddie separately and together. Plus their little family with Chris Especially after 4x14. These natural disasters usually affect them in some way. Other than s4 for the main part. I’m hoping season five will have the same pattern. Especially with Brenna Malloy directing.Â