#podtag

[ID: azu and sasha from RQG, azu is in a frilly pink dress lying on her back on a bed staring up at sasha who kneels over her. Sasha is concentrating very hard on applying some mascara to azu and has her tongue sticking out. everything has a warm pink tint. end description.]

[ID: Digital painting of Azu from RQG based on the painting Le Chevalier aux Fleurs (The Knight of the Flowers) by Georges Rochegrosse. The art is a close up featuring the bottom half of her face to her hips, with focus on the reflections of the people around her in her pink chest plate. Flowers and leaves climb up and cover parts of her pink armour. Several people are touching and adjusting her armour, only their arms visible. The background is indistinct, mostly being tones of yellow-green, pink and blue. End ID]

[ID: A digital illustration of Azu and Topaz T. Camel from RQG. They are both significantly younger than how we know them in canon. Azu is a young paladin wearing a purple and pink accented gambeson, gold buckled belt and dark trousers. She also has a very short afro. Topaz is a baby camel instead of fully grown. Azu is holding a very leggy Topaz in her arms, Topaz is happy and has curled around to lick Azu's face. Azu is smiling and crying happy tears. The background is a simple purple circle with orange clouds. End ID]

[ID: A digital landscape painting of the White Cliffs of Dover as they are in RQG when the party departs Dover for Calais. Poseidon is carved into the façade of the chalky white cliffs, his chest sitting just above the rough seas below and the top of his head sits just below the crest of the tallest cliff. A tempestuous frown mars his features as he stares out intently across the channel. He has a simple toga on and his right arm is outstretched away from the cliffs, clutching his signature trident that is also craved from chalk. Above the cliffs the headlands are covered in indistinct dark green grass that occasionally encroaches onto the white of the cliffs beneath. Below, tumultuous, storm-frothed seas crash against the cliffs and white peaked waves roll into an offscreen port. Amongst the crashing waves sits a sailboat which is completely dwarfed by its surroundings, and a small crew of three tiny figures are aboard. In the background, the sky is a stormy grey; patches of blue peak through at the horizon but beyond that fat grey clouds curl, promising rain. End]

[ID: A digital illustration of the scene from RQG 100 - Disappearing Acts when Brutor receives the sword of MacGuffingham on a mountaintop. Brutor is a black and tan Pugweiler with a humanoid body. He is wearing Bertie's golden falcon armour, which is adorned with red gemstones, over a red gambeson, as well as dark leather gloves and boots, and a flowing red cloak embellished with gold trim. On top of his head sits the golden Circlet of Command which also has a red gemstone at the crest. He is stood with a relaxed yet regal posture with one hand on his stomach and faces the sword of MacGuffingham, which is lodged in a small rock. In the background lies a distant mountain range and low clouds that give way to blue sky and grey fluffy clouds. The sun sits behind Brutor's head, bathing everything in gold. End]

Not that many surprisingly, I hear people cry at 174 all the time but I knew spoilers going into it and wasn't worried! AR part 4 with Grizzop going "so this is what's next...". 156 with Sasha's letter genuinely destroyed me. I was fine for the first part but when she started listing off the kids names I was gone. And the heroes feast! It was a mix of happy/sad crying. Happy that they'd made it so far and sad that they might not make it the whole way. Oh and the finale when Azu realised Topaz was gone 😭 Topazzzzz