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An Archive of Our Own, a project of the Organization for Transformative Works
Chapter three of The One Who Got Away is now live.
Rated T, 2153 words in chapter, Dawson’s Creek, Joey/Pacey. An epistolary story until it isn’t.
This chapter is a psy-op to make people enjoy reading emails. Thanks to @obishenshenobi for the cheerleading and encouraging and to Sneaky for challenging me on our personal leaderboard.
Excerpt below the cut:
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
September 21, 2009 Potter B&B
“You’ll never believe who emailed me,” Joey said as she helped Bessie wash the lunch dishes.
“Random House? Did they have an opening after all?”
“I wish. No, Pacey sent me an email.”
Bessie’s eyebrows shot up. “Pacey Witter?”
“You know another Pacey?”
“Point.” Bessie turned her attention back to a plate as Joey hung a coffee mug in its proper place under the cabinet. “What’s he up to? I thought he was out east working on a fishing boat.”
I can finally share these! The hype is real, y'all
Here are my illustrations for the key moments project as part of the larger RQG fan project “Look Out! Lots of Magnificent Gifts! by The Ones Who Got Away” -> @towga
It's been so cool to collaborate with such lovely, talented people! This fandom is truly amazing
[IDs in Alt text]
1. Getting Along Swimmingly (RQG 64)
2. Meeting Apophis (RQG 95)
3. Escaping Hades (RQG 125)
4. Paladin's Sacrifice (Ancient Rome Sidequest - Part 4) CW: death
5. After the Impact (RQG 174) CW: death and blood
(tap on the pics for high quality and please do not repost without credit)
Here's my piece for @towga!! This was so fun to work on!
Image ID: A poster style digital drawing for Erasing the Line, consisting of layered silhouettes, mostly in shades of blue. The top half of the drawing shows Elizabeth Tower and the buildings of Parliament silhouetted in a greyish blue against a pale blue sky, above it flies Guivres, silhouetted in yellow with blue veins covering her body. In the centre of the drawing is a giant blue flower bulb with tendrils extending up from it. Beneath that are the main characters. From left to right they are the ghostly silhouettes of Bertie, Sasha with a dagger out, and Grizzop half crouching and holding a bow, and the solid silhouettes of Hamid with his wings out, Wilde wearing a cape, Cel with their bat wings, Zolf wearing the Babbage backpack, Azu with her axe over her shoulder and Skraak in a half crouch. Beneath them is the text "Erasing The Line" and smaller "Rusty Quill Gaming". The text, as well as the horizontal line between them, fades out near the right of the drawing. In the bottom right corner is the artist's signature. End ID
Here is my piece for The Ones Who Got Away fan project! To nobody’s surprise, I did a portrait of my boy.
[ID: A digital bust portrait of Oscar Wilde as he appears in episode 25 of Rusty Quill Gaming. The portrait is in a gold decorative frame topped with a golden dragon on a dark blue marbled background. Green carnations wrap around the frame on the top right side of the image, and a sparkling quill in a gradient of green, blue, and purple sits beneath the frame on the bottom left. Wilde himself is depicted inside the frame from the chest up. He is a white man with shoulder-length dark brown hair, gray eyes, and a prominent nose. He wears a red suit over a peacock-patterned waistcoat and white collared shirt. The shirt is tied at the neck with a purple cravat and a gold pin with an inset multicolored jewel. Wilde looks to his right, smirking slightly.]
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
[Image ID: Four photos of an RQG inspired outfit, the first three taken outside in the snow, the last taken against a black background.
Image 1: A person is standing out in a snowy backyard that has many tall pine trees, with bits of green grass peeking out in some places. There is a red and white shed a little ways behind them. She has short brown hair that has blond highlights in it, and is wearing black and gold semi-rimless glasses and a dark red matte lipstick. They are wearing a white shirtwaist, a patterned waistcoat, and a long skirt with the same pattern as the waistcoat. The pattern of the waistcoat and skirt is thin black and white houndstooth stripes forming a large checked pattern. Within those checks are two intersecting single red lines that form their own checked pattern atop it. The shirtwaist has a high collar and buttons up the front, with billowy sleeves that are fitted on the forearms. The waistcoat is closely fitted to the wearer, the bottom ending slightly below the waist and narrowing down into a point in the front. It has two pockets on the front of it, each with a small button in the middle. There is a watch chain draping from the right pocket to the middle button in the center front. The skirt is long and ends at the wearer’s ankles. It is fitted in the waist but flares out slightly at the bottom, which is lined with a black bias tape. There are two rows of buttons along each seam line in the front of the skirt that end about 10 inches below the waistband, with five buttons on each side. Each button on both the waistcoat and the skirt is different, but each is shiny or metallic in some way.
Image 2: A view of the outfit from the back. The waistcoat is in two points, with a seam along the back, and the back of the skirt is knife pleated from both sides to come together in the middle. One of the wearer’s arms is out to the side, with the other one leaning up.
Image 3: Another front view of the outfit, this time the wearer has her hands clasped in front of them and leaning more on one foot than the other. Her boots are more visible, which are dark brown and wet from the snow.
Image 4: A close-up photo of the waistcoat. It has two darts on either side, one ending under the bust and the other, closer to the center, ending over the bust. The small pockets each have their own buttons in the center of them, the left bronze with a flower design on it, the right black with a small rounded white stone in the middle. The buttonholes are black and handsewn. Each of the seven main buttons are different, and top to bottom they are: A gold button in the shape of a clam A black button with a rim of shiny silver A pale gold button with thin, slightly uneven, vertical lines on it A black button with a gold rim and a design in the middle with laurels around three small crowns, and a crown atop the laurels A white button with a matte silver center rimmed with shiny silver A black button with a circling bronze pattern around the edges reminiscent of vines or tentacles A black button with a pattern in the middle that’s brass and looks woven like a basket or something similar
End ID]
MAN am i so excited to show this to y’all!! I don’t do much cosplay, but I am a sewist, and I love making historical garments, so when I was given the option to make clothes for LOLOMG, I knew imdiately what I was going to do. This outfit is based off of 1890’s women’s clothes, with a shirt with many pin tucks, a tailored waistcoat, and a full-length walking skirt. However, I took some minor creative liberties when constructing it. Mainly, the 22 different metallic across the whole thing. I want to specifically draw attention to the buttons on the waistcoat, as each of them represent a PC from RQG. From top to bottom: A clam shell for Azu, for the Heart of Aphrodite replica she wears The simple black for Sasha, with a glint like that of a dagger flying out of the shadows The bright metal for Cel and their unique technical know-how, with lines reminiscent to the many wires they’re known to work with The crowns for Bertie and his noble status and his affinity for gold The silver for Grizzop, with the white of the celestial plane where he hunts The rope-like bronze for Zolf, with patterns that almost resemble the tentacles of a kraken And brass for Hamid, with a woven pattern like that of his born connection to the Weave
I was able to participate in towga, and this was my contribution: A Short Laugh Compilation that includes all of the main crew past and present, and at least a little laughter from every guest that has appeared in the RQG feed. Both a list of guests and transcript can be found under the cut.
After over six months it is finally done, my Rusty Quill Gaming quotes crochet blanket! >:D
This blanket is part of the book Look Out! Lots of Magnificent Gifts! by The Ones Who Got Away. A fan project as a love letter and thank you to the actual play podcast Rusty Quill Gaming and the people who made it possible. Link in the reblog! (As y’know, tumblr tends to eat posts with links)
ID: A solid granny square crochet blanket representing the entire main campaign of Rusty Quill Gaming, including Ancient Rome. The blanket consists of 20 x 23 squares in various colours. Each episode is represented by a coloured square with, for about half of the episodes, a quote from that episode embroidered on it. There are more quotes near the top than near the bottom. The RQG logo is in the center, and there are blue veins starting lightly at the top middle, branching across the blanket, and spreading out and crossing over one another towards the bottom, getting densest at the bottom right. End ID
Detailed description below the cut!
