Image credit: Ohm’s twitter
When we bring up BBS, everyone talks about OhmNanon as they should and I’m wholeheartedly a part of that agenda. But I just wanted to take a few minutes and give some credit to the guy standing behind the scenes, making the tough decisions. Director P’Aof, whose shoulders carried the weight of a demanding audience, far reaching expectations, and a television genre that is widely riddled with glaring issues.
BBS being filmed during the height of a pandemic makes it that much more impressive the product P’Aof and co. delivered. We know they had to make a lot of concessions with locations and reduced working hours as well as availability of actors. Imagine showing up to work each day with the uncertainty of half your crew being compromised by a spreading virus. That is mentally draining just to think about let alone live through. Not only this, but the amount of marketing and promotion for the series was probably halved (and this is being generous) because of limited exposure to live events and media outlets.
But inspite of all these challenges, the success of BBS is undeniable. And much of that is due to P’Aof’s committment to knowing what he wanted to accomplish and the unwavering belief in the story he wanted to tell. And that is the story of two people who aren’t supposed to fall in love but do so anyway. In the face of adversity, their love is unfailing and enduring and this was conveyed so well on screen that there is zero doubt it had P’Aof’s signature all over it.
Reading through the cast and crews personal thank you notes, they are all effusive when it comes to thanking their director. Aof had so much pressure on his shoulders but he proceeded to stick the landing with such conviction that there’s no doubt this is the ending he had in mind before the ink even made it onto paper. (Insert joke of P’Aof knowing he wanted the last line of the series to be: “Pran, it’s not a porno!” and he spent the entire series getting us there). So take your standing ovation, Mr. Noppharnach, it is much deserved.
This series will unequivocally go down as part of P’Aof’s legacy to not only the LGBTQ+ community but for film and media lovers everywhere. Seriously, there are a number of scenes that industry people should take apart and study and ask themselves why did P’Aof make this stylistic choice here? Because the barometer has been set and it’s name is Noppharnach Chaiwimol.