Mar 5
Loading...
seen from China
seen from United States
seen from China
seen from United States
seen from United States
seen from Spain
seen from Philippines
seen from United States
seen from United States
seen from Portugal
seen from India
seen from United States
seen from China
seen from United States
seen from United States
seen from Brazil
seen from United States
seen from United States
seen from China
seen from United States
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Our Relations (1936)
Anything to rub up against Bae
Dedicated to the clearly not in love and very close comedy duo Laurel and Hardy.
original lobby cards for Our Relations (1936). Oliver Hardy’s screen wife was 4′9″ Daphne Pollard, who was born in Fitzroy, Australia, and had 61 acting credits, from 1927 to a 1943 uncredited bit. Most of her credits were in comedy shorts, although she was also in Laurel and Hardy’s previous feature, Bonnie Scotland. She is pictured to the left of Hardy in the first lobby card.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
(via Our Relations (1936) Laurel & Hardy - title sequence)
I saw:
Our Relations- In this Laurel and Hardy film the boys are respectable married members of the community with a little secret: they have shady identical twin brothers. Now they think their brothers are dead, but they are very much alive. They also don’t seem at all shady, just with the same tendency to get into trouble with their dim wit. Little do the land boys (let’s call them) know the sailor boys (again, let’s call ‘em that) have arrived in port.
The sailors boys have been suckered by a shipmate into handing over their money “for safe keeping” followed by being sent on an errand to deliver a pearl containing package for their captain. When the sailor boys get distracted by meeting a couple of girls, racking up a debt to pay for eats and a smashed phone booth (don’t ask!) they hand over the ring as security while they try to hunt down the guy with their money. Meanwhile the land boys and their wives wander into that same establishment. Identities are quickly confused, feathers get ruffled, and things get very complicated for both sets of twins.
The story spins along following the course of the wayward ring, taking the brothers across each other’s path continually. Actually having them become mixed up among themselves, and risking the audience becoming confused with no obvious costume cues for who us who, is held off to the last section. There the setting is a grand sailing ship themed nightclub that must have cost the production a pretty penny. In fact the film had excellent production values (for this sort of film) and is filmed with more life than the usual uniformly flat camera work (for this sort of film). It isn’t uproariously funny, but as I said in previous films of the duo I rarely laugh out loud at them. Still, it’s pleasantly amusing.