right to opacity — from Glissant: the right to not be fully known, decoded, or made transparent; to resist being flattened into one meaning or one identity; a refusal or surveillance, overexposure, total explanation; a poetics of protection
seen from United States

seen from United States

seen from United States

seen from United States
seen from United States
seen from United Kingdom

seen from United States
seen from Italy
seen from China
seen from United States

seen from Malaysia

seen from United States

seen from United States
seen from United States
seen from China

seen from Canada

seen from United States

seen from Brunei
seen from China
seen from United States
right to opacity — from Glissant: the right to not be fully known, decoded, or made transparent; to resist being flattened into one meaning or one identity; a refusal or surveillance, overexposure, total explanation; a poetics of protection

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Opacity - John Moore , 2011.
American, b. 1941 -
Oil on canvas , 48 x 36 in.
How Google’s trial secrecy lets it control the coverage
I'm coming to Minneapolis! Oct 15: Presenting The Internet Con at Moon Palace Books. Oct 16: Keynoting the 26th ACM Conference On Computer-Supported Cooperative Work and Social Computing.
"Corporate crime" is practically an oxymoron in America. While it's true that the single most consequential and profligate theft in America is wage theft, its mechanisms are so obscure and, well, dull that it's easy to sell us on the false impression that the real problem is shoplifting:
https://newrepublic.com/post/175343/wage-theft-versus-shoplifting-crime
Corporate crime is often hidden behind Dana Clare's Shield Of Boringness, cloaked in euphemisms like "risk and compliance" or that old favorite, "white collar crime":
https://pluralistic.net/2021/12/07/solar-panel-for-a-sex-machine/#a-single-proposition
And corporate crime has a kind of performative complexity. The crimes come to us wreathed in specialized jargon and technical terminology that make them hard to discern. Which is wild, because corporate crimes occur on a scale that other crimes – even those committed by organized crime – can't hope to match:
https://pluralistic.net/2021/10/12/no-criminals-no-crimes/#get-out-of-jail-free-card
But anything that can't go on forever eventually stops. After decades of official tolerance (and even encouragement), corporate criminals are finally in the crosshairs of federal enforcers. Take National Labor Relations Board general counsel Jennifer Abruzzo's ruling in Cemex: when a company takes an illegal action to affect the outcome of a union election, the consequence is now automatic recognition of the union:
https://pluralistic.net/2023/09/06/goons-ginks-and-company-finks/#if-blood-be-the-price-of-your-cursed-wealth
That's a huge deal. Before, a boss could fire union organizers and intimidate workers, scuttle the union election, and then, months or years later, pay a fine and some back-wages…and the union would be smashed.
[sarah] Cavar is the author of Failure to Comply (featherproof books, 2024) and Differential Diagnosis (Northwestern University Press,
My interview with MK Thekkumkattil, author of the forthcoming book "The Sexuality of Care," for Fifth Wheel Press. We talk about Madness + medical carcerality + poetics of noncompliance, and it's very fun.
MT: I loved that in Failure to Comply and Differential Diagnosis, so many of the ideas you’re talking about show up on a language level. I’m thinking about wordplay, echolalia, fragmentation – the way one word leads to another word and we follow a trail of language without necessarily knowing the meaning, and also without a direct through line between one self / fragment and another. Can you talk about how you developed this poetic voice? C: Fragmentation, repetition, and strangeness are the parts of my voice I’ve done the least, consciously, to “develop.” They were there when nothing else was, before I considered myself a writer with professional credentials. I feel inclined to recognize, respect, and record my slippages of thought and language, usually in some kind of commonplace book or just in my Notes app. I feel most comfortable when I allow language, as a sensory experience, to lead me to a space of meaning. When I was young, I did musical theater, played instruments, and did some classical singing, and I am still really fixated on sound and rhythm in my ‘creative’ works. I have had to learn to balance this fixation with a degree of legibility in other writing, which I think is why I am always returning to poetry as an outlet/free space. With Differential Diagnosis, one interesting challenge was balancing the above inclinations with a desire to be really explicit about certain things. I think about the phrase “point-blank” in relation to my writing. Point-blank being both a shooting range that generally kills its victim, and a figure of speech used to emphasize clarity. I felt that way writing this book –– like I was being shot dead, being clear with no room for compromise, when I began midway through the text to name anorexia. I was terrified of that word for many years. I am trying to name the things I once only whispered. My directness in Differential Diagnosis became a fun stylistic feature: we have deliberate haziness and confusion shot (again, the shooting) through with something clear and violent and uncomfortable. The word “hole” vs. what’s inside. Hole is such a crude word. But what could be inside it, deep in the darkness? We’ll never know.
Glissant on opacity

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Opaque path (2024), acrylic, Flasche, and Posca marker on paper, 22 x 30 in.
ꞝ 𖥻hyunjin 𔘓
ⓘ créditos não são obrigatórios, like or reblog if you save.
Fucking around with my opacity and came out with this gem :D