pathologic fest day 27-28, "inevitable end"
Artistic differences [...] [w/h?]e saw him[self?] as alive and [h/w?]e saw him[self?] dead.

seen from Germany
seen from China
seen from United Kingdom

seen from Singapore
seen from Brazil
seen from Germany
seen from China
seen from Australia
seen from Netherlands

seen from Singapore
seen from Germany

seen from United States
seen from United States

seen from Singapore
seen from United States
seen from Chile
seen from Germany

seen from Tunisia
seen from Costa Rica

seen from Greece
pathologic fest day 27-28, "inevitable end"
Artistic differences [...] [w/h?]e saw him[self?] as alive and [h/w?]e saw him[self?] dead.

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a miracle is unpredictable. and if it’s man-made, even its architect would not know what to expect from it.
detail shots
corpsecenic arquitecture
hes right behind us isnt he

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Thinking this fine morning about a hypothetical oneirotects play.
Farkhad always facing away from the audience, or being shadows, or behind a wall, a screen, a curtain. Until he gets killed, and instead of the actor who’s played him the rest of the production, it’s one of the twins. When each twin sees his corpse, they see their other half instead. When the twins and his corpse are on stage together, it’s entirely shrouded. And then, of course, when his spirit haunts them the last act, it’s from under that same burial shroud (though we can hear it’s the original actor again).
His name prior to being killed is also ever changing. The written script would have a blank
[ ]:
But in production it would be either unintelligible (preferred) or a different famous architect each time it’s spoken (it would be up to the director).
After the moment of his death, it’s only Farkhad.
Oneirotects (mea culpa)
andrey wishes he and petr had been borne conjoined. peter wishes he had consumed andrei in the womb.