A tender graveyard
the scrapyard in ZÄbiec, Poland, June 1991
photos PaweĹ MierosĹawski
http://www.polskieparowozy.pl/index2.php?gal=psmk09
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A tender graveyard
the scrapyard in ZÄbiec, Poland, June 1991
photos PaweĹ MierosĹawski
http://www.polskieparowozy.pl/index2.php?gal=psmk09

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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@blvckswcn liked for a starter from a test muse (olivia)
"leave that loser on read, donât let him back in your bed."
Wolsztyn 1991 - parowozy z duszÄ
Polecamy dla lubiÄ cych podróşe w czasie GorÄ co zapraszamy do obejrzenia kolejnej czÄĹci do przepiÄknych, dziĹ wiemy Ĺźe niepowtarzalnych zdjÄÄ z okolic Wolsztyna. Parowozownia Wolsztyn nie byĹa jeszcze wĂłwczas na wpóŠmartwÄ instytucjÄ kultury, a prÄĹźnie dziaĹajÄ cÄ jednostkÄ kolejowÄ . ObsĹugiwaĹa ruch planowy pociÄ gĂłw osobowych i towarowych w kilku kierunkach. DysponowaĹa wĂłwczas wieloma niespotykanymi obecnie "pod parÄ " parowozami serii m.in. Ok1, Ok22, Ol49, Pt47, Ty2, Ty3, Ty42, Ty51, TKt48. Forum jest niemieckojÄzyczne, ale Ĺatwo znaleĹşÄ polskie nazwy stacji, relacji pociÄ gĂłw czy godziny odjazdĂłw. CzÄĹÄ I: https://www.drehscheibe-online.de/foren/read.php?017,10620134 CzeĹÄ II: https://www.drehscheibe-online.de/foren/read.php?017,10613150
ĹşrĂłdĹo: Forum historyczne - https://www.drehscheibe-online.de/foren/read.php?017,10620134 opracowanie: Norbert Tkaczyk Read the full article
178 lat kolei na Ziemiach Polskich
178 lat kolei na Ziemiach Polskich
22 maja br. minÄĹo 178 lat od otwarcia pierwszej na obecnych Ziemiach Polskich linii kolejowej WrocĹaw â OĹawa.
W obchodach 150-lecia w 1992 roku uczestniczyĹo kilkanaĹcie czynnych serii parowozĂłw. WĂłwczas pod parÄ mogliĹmy ujrzeÄ przedstawicieli m.in. Ok1, Ok22, Ol49, OKz32, Pt47, Ty2, Ty3, Ty42, Ty45, Ty51 czy TKt48. OprĂłcz licznych pociÄ gĂłw specjalnych, Parada ParowozĂłw odbyĹa siÄ na dworcuâŚ
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Ok jedynki ze strychu
Ok jedynki ze strychu
Kilka miesiÄcy temu w numerze drugim z 2018 roku czasopismo âStalowe Szlakiâ zamieĹciĹo sporo interesujÄ cych materiaĹĂłw o rewelacyjnych niegdyĹ i znanych w caĹej Europie parowozach osobowych pruskiej serii P8 (na PKP jako Ok1).
W Polsce ta bardzo udana konstrukcja i doĹÄ liczebna seria (po II wojnie Ĺw. 429 egz.) pracowaĹa do koĹca latâ70. AĹź na 26 stronach wspomniany zeszyt traktuje oâŚ
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It is online... the complete Arti Hitler Vid on the GK and OK1 Comparison.... in German ;) https://youtu.be/lRBwIfXqLUE #artihitler #hultafors #ok1 #gk #review #comparison #knives (hier: The 3rd-Reich)
The Fall Of Troy - OK#1 & OK#2
Ever since he released âThe College Dropoutâ in 2004, Kanye West has never had a shortage of imitators. Most notable, of course, is the sadboy rapper trend that followed â808s & Heartbreakâ and still fuels Drakeâs style to this day, but every record has been followed by a stylistic shift in hip hop.
Not so with âThe Life Of Pabloâ, though â Yeezyâs latest didnât quite offer enough new sounds to rip off. But instead of shifting the genre, itâs done something even more important â itâs shifted the very format of the album.
âTLOPâ wasnât finished on release. Kanyeâs tinkered with it here and there throughout the course of the year, re-uploading a new version to Tidal fairly regularly. And thatâs bold â viewing an album as an ever-shifting work, open to reinterpretation and changing following feedback from listeners, rather than as a thing thatâs released and then left alone, feels like where we should be right now. This will be Pabloâs legacy.
Why is this important right now? Because The Fall Of Troyâs first album for seven years (oh yeah, The Fall Of Troy reunited. You knew that, right?) was released for free online as âOKâ, and then when fans moaned about it being a little bit slick and overproduced, was remixed and re-released for free online as âOK#2â a month later.
Both albums are still free to download, with added instrumental versions of each one now available as âOK#3.1â and âOK#3.2â, in a beautifully un-precious display of generosity from a band who donât really have anything to prove anymore. Hopefully more bands will do this sort of thing.
Reunions, when theyâre done right, should be about giving the fans what they want. Sure, itâs nice to make some money or play together again, but such pleasant side effects should be earned by treating the fans with some goddamn decency. With live sets crammed full of their most popular record, and four free versions of a new one to choose from at your leisure, this is exactly what The Fall Of Troy are doing.
So, how is it? Or, rather, how are they? With both versions clocking in at just over half an hour, the first answer is short â but itâs no less crammed full of pretty much everything that ever made the band great in the first place. After the poppier tendencies of âManipulatorâ, the beautiful sprawling epic of the âPhantom On The Horizonâ EP (still arguably the best thing theyâve ever released) and the try-and-please-everyone-and-end-up-pleasing-no-one wonkiness of âIn The Unlikely Eventâ, âOKâ mostly tries to return to the dense and frantic chaos of âDoppelgangerâ.
Chaos has always been The Fall Of Troyâs best asset. Much of their best work fires straight out of the gate, riffs tangling themselves in knots underneath Erakâs anguished screams, before stumbling into spacier breathing spaces where all involved can get their breath back before starting all over again. âDoppelgangerâ came across like if the members of Botch had slowly morphed into Minus The Bear, rather than come to a full stop and started afresh, and part of the reason their other full-lengths never quite matched up was because they moved too far away from that formula.
Still, at least they tried, rather than growing stagnant, and both versions of âOKâ do feel a little stagnant. The absolutely ridiculous riffs, high-pitched wails, start-stop rhythms like crashing into a wall again and again â itâs all there, but itâs lacking a spark that was there at the beginning. Tragically it may be one they can never get back â a lot of itâs down to the youthful energy that came from still being teenagers when they made their first couple of records.
But thatâs not to say itâs a bad listen â if anything, itâs a very welcome start afresh, a blank slate to figure out who The Fall Of Troy even are in 2016. Itâs an incredibly self-assured record, solid from start to finish, packing a remarkable amount into itâs tiny timeframe. But thatâs also a downer, too â a lot of the songs donât have enough time to really expand. Spacier passages are too short to get lost in, the best riffs could do with one or two more repetitions to really drill themselves into your skull. Theyâre being nostalgic, rather than truly pushing themselves, and sometimes it shows.
Still, there are moments that provide incredible reminders of The Fall Of Troy at their best. Itâs not quite a return to form, but itâs the first step on a road to finding a different one. If they carry on, and take a little more time with the next one, theyâll soon outstrip every version of âOKâ, and most of the rest of their discography while theyâre at it.
The big question, of course, is if youâre only gonna listen to one, then which do you pick? âOK#2â is probably the better of the two mixes, a little rougher around the edges in all the right ways, and listening to them side by side does show up more of the original versionâs shortcomings. âOK#1â does suffer a little from loudness and compression issues â not that youâd really notice them without anything to compare it to. Honestly, it sounds absolutely fine, but âOK#2â does pop a little more. The bass stands out a bit better, and everything has some more room to breathe.
But a different mix doesnât fix all of the albumâs flaws. Pick âOK#2â and youâve got a fantastic record of wild, angular mathy post-hardcore that apologises for nothing (despite itâs very existence pretty much being an apology) and does everything well. But The Fall Of Troy never sounded this complacent â is a safe bet better than another swing or a miss at this point?
At the end of the day, yes, actually, it is. Theyâre giving the fans what they want, and this really is a gift for any Fall Of Troy fan. Theyâre back. Theyâve made four versions of a good record and given it away for free. To ask for more would probably be greedy.