Pleyel as music publisher https://www.jstor.org/stable/831271 - might be useful for my catalogue bc there was def. something printed by Pleyel; and Hummel -- Sachs, Joel. “Hummel and the Pirates: The Struggle for Musical Copyright.” The Musical Quarterly, vol. 59, no. 1, 1973, pp. 31–60. JSTOR, http://www.jstor.org/stable/741459. Accessed 27 Apr. 2026.
as for the catalogue itself, I keep thinking what form it could take. Paper is cumbersome, so it'd be nice to link up a more interactive catalogue. Where, and how?
not connected to my main, but interesting on blogging culture and mp3 archives: https://www.tandfonline.com/doi/full/10.1080/10304312.2011.562969#d1e217
again, not main but could be v useful for my wyspy music things https://www.jstor.org/stable/23504210 -- but also interesting links to articles about music catalogues and private musical collections
welp, a few more interesting odnogi: Rose, Stephen. “The Mechanisms of the Music Trade in Central Germany, 1600-40.” Journal of the Royal Musical Association, vol. 130, no. 1, 2005, pp. 1–37. JSTOR, http://www.jstor.org/stable/3557456. Accessed 27 Apr. 2026.; Groote, Inga Mai, and Dietrich Hakelberg. “CIRCULATING MUSICAL KNOWLEDGE IN EARLY SEVENTEENTH-CENTURY GERMANY: ‘MUSICA POETICA’ TREATISES OF JOHANN HERMANN SCHEIN AND MICHAEL ALTENBURG IN THE LIBRARY OF JOHANN CASPAR TROST.” Early Music History, vol. 35, 2016, pp. 131–201. JSTOR, http://www.jstor.org/stable/26294172. Accessed 27 Apr. 2026.; Guillo, Laurent. “Les Bibliothèques de Musique Privées Au Miroir Des Catalogues de Vente (France, 1700-1790).” Revue de Musicologie, vol. 106, no. 2, 2020, pp. 407–52. JSTOR, https://www.jstor.org/stable/48672807. Accessed 27 Apr. 2026.;
oboi, more interesting subjects: Wistreich, Richard. “Introduction: Musical Materials and Cultural Spaces.” Renaissance Studies, vol. 26, no. 1, 2012, pp. 1–12. JSTOR, http://www.jstor.org/stable/24420247. Accessed 27 Apr. 2026.; Gibson, Kirsten. “The Order of the Book: Materiality, Narrative and Authorial Voice in John Dowland’s ‘First Booke of Songes or Ayres.’” Renaissance Studies, vol. 26, no. 1, 2012, pp. 13–33. JSTOR, http://www.jstor.org/stable/24420248. Accessed 27 Apr. 2026.; Broude, Ronald. “To Sing Upon the Book: Oral and Written Counterpoint in Early Modern Europe.” Textual Cultures, vol. 13, no. 1, 2020, pp. 75–105. JSTOR, https://www.jstor.org/stable/26954240. Accessed 27 Apr. 2026.; Teichler, Yael Sela. “My Ladye Nevells Booke: Music, Patronage and Cultural Negotiation in Late Sixteenth-Century England.” Renaissance Studies, vol. 26, no. 1, 2012, pp. 88–111. JSTOR, http://www.jstor.org/stable/24420251. Accessed 27 Apr. 2026.; Lowinsky, Edward E. “Music in the Culture of the Renaissance.” Journal of the History of Ideas, vol. 15, no. 4, 1954, pp. 509–53. JSTOR, https://doi.org/10.2307/2707674. Accessed 27 Apr. 2026.; Bernstein, Jane A. “Publish or Perish? Palestrina and Print Culture in 16th-Century Italy.” Early Music, vol. 35, no. 2, 2007, pp. 225–35. JSTOR, http://www.jstor.org/stable/30138020. Accessed 27 Apr. 2026.; Boorman, Stanley. “What Bibliography Can Do: Music Printing and the Early Madrigal.” Music & Letters, vol. 72, no. 2, 1991, pp. 236–58. JSTOR, http://www.jstor.org/stable/735705. Accessed 27 Apr. 2026.; Wegman, Rob C. “‘Das Musikalische Hören’ in the Middle Ages and Renaissance: Perspectives from Pre-War Germany.” The Musical Quarterly, vol. 82, no. 3/4, 1998, pp. 434–54. JSTOR, http://www.jstor.org/stable/742332. Accessed 27 Apr. 2026.
the issue of how "playing music" was seen socially? https://online.ucpress.edu/jams/article-abstract/63/2/291/50632/Historiography-and-Invisible-Musics-Domestic
https://archive.org/details/bub_gb_ND9AAAAAYAAJ/page/142/mode/2up?q=Warmbrunn
