#odina

Humanity has a primordial fear of beasts lurking in the darkness, waiting to strike; Unseen with only our imaginations to fill in the gaps. So let’s incorporate that idea for the Makuta of Odina; A creature who brings darkness with it, enveloping the area in shadows for Makuta to hide in and strike unseen. Like Shelob from Lord of the Rings, and especially like...

You ever heard of Genndy Tartakovsky’s Primal? It’s a wonderful animated show, about a caveman and his T-rex surviving against some horrible odds in prehistoric times. My favorite episode is the The Night Feeder, and the titular beast is a cryptid that strikes only at night, in total darkness. It remains entirely unseen for the whole episode, so you can only see from its perspective, and glimpse the damage it inflicts on prey and environment alike.

We only get to see the Night Feeder’s dreaded true form in the last minute of the episode, for a few seconds. This is after our protagonists learn that its fear and weakness is fire; Fire which brings light, which allowed humanity’s ancestors to conquer the darkness and explore new horizons. The Night Feeder is beaten as it is seen and revealed, stripping it of the infinity of the unknown by making it quantifiable via comprehension.

I want to play with that idea; A thematically protean creature that can be anything, whatever its prey imagines, because it’s a Schrodinger’s Cat situation where if you can’t see it, who knows what it is? And thus so many options are on the table. Makuta is a monster of shadows, so the way to defeat it is with light; Light thematically reveals its true form, taking away both the shadows it uses to hide itself, but also taking away a lot of the mystique and fear Makuta employs. It is no longer a formless entity, you can see now that it’s limited to the physical form that is illuminated. Like Jean Jacket from Nope, seeing the beast is a form of victory over it.

And it’s neat that I bring up the idea of monsters and beasts that must be hunted, primordial times and whatnot. Because Vamprah’s domain in G1 is the very headquarters of the Dark Hunters... So what if we took that name literally in this adaptation? You’ve got this mercenary group, not exactly good guys, but our protagonists hired against an even greater threat. Makuta ravages livestock, it slaughters entire herds for no other reason than the fun of it, while eating something unknown from its prey that cannot be interacted with.

Enter our Dark Hunters; A group of trophy hunters, monster hunters, that kind of thing. They’ve conquered the most elusive and dangerous cryptids, but this is their greatest hunt yet. They learn the mistake of underestimating the Makuta; They think they’re the masters of the shadow? The Dark Hunters believe it’s their territory and camouflage from which to strike? Their greatest asset has now been turned against them by the Makuta. 

Our protagonists can be Dark Hunters with explicit ties to hunting and/or animals; Such as Airwatcher, Savage, Charger, etc. Tracker and his pet bull are must-haves, as is Primal, whose name and use of a simple spear feels VERY relevant given the influences I’m incorporating into Makuta here. The Hordika Dragons can be a pack of hunting dogs, feared and reputable, only to fall against the Makuta. 

There’s definitely the tension of Man VS Nature, Man trying to conquer the wilderness and its animals, taking trophies. Maybe Makuta is a punishment sent upon these Dark Hunters, who kill for sport, and now find themselves on the receiving end of a karmic beast who inflicts the same. It eats light, spreading the night and darkness across Odina, thereby spreading the Makuta’s territory. It can only strike in shadows, but when it does, it’s virtually unstoppable. Courage is tasty and Makuta knows its scent, devouring bravery to leave nothing left of its prey but terror in their souls as they are shredded.

While other Dark Hunters rely on fancy tools and machines that fail in the face of the supernatural power of Makuta, Primal (whom I shall refer to by the name Nuoka given by creator Peter Dolan), our main protagonist, prevails in his simpler toolset; He hearkens back to the ancient hunters of prehistoric times who fought like animals and thus better understood them. He can fight on Makuta’s level, by Makuta’s rules, and actually make it out alive. Firedracax is another hunter with a specific grudge against a species of pack predators, whose whole power is fire; This could thematically put him at odds against Makuta as another main protagonist.

There can be some discussions of industrialism vs nature, the idea that perhaps a society more removed from it isn’t necessarily better. Cities aren’t necessarily more ‘advanced’ than a nomadic society, after all. This ties into Nuoka as a former member of a tribe, who has his own defense against the prejudices of other Dark Hunters. Likewise, civilization may not be as divorced from nature as it likes to think; Society is still a part of nature and thus has a responsibility to it. 

Makuta is a challenge to human arrogance; Not literal human arrogance, these characters aren’t human. But you get what I mean. The shadows have birthed a dark creature, like the Grendel that Beowulf fought, or many other beasts sent by the gods and/or nature to punish humanity’s hubris. Makuta is the Scorpio to the Dark Hunters’ Orion. Maybe Makuta was once a hunter named Vamprah, who was cursed for his bloodlust with a form that reflected his heart, and even infects others with this transformation to create Rahi.

I like to think the Makuta of Odina resembles the Makuta Nui set from G1; A more animalistic take on Makuta that never showed up in the story but was nevertheless deemed canon. It looked bestial enough that for the Maze of Shadows game, the developers even declared it the set depiction of the Ash Bear! This can be Makuta’s true form, revealed in its final moments when light finally triumphs over its darkness, just as Nuoka manages to slay it. This beast spoken of around campfires is now just a campfire story.

I also want to consider incorporating the Rahkshi here as Makuta’s brood; Creatures who wield staffs resembling man catchers, which is a karmic reversal of man trapping beast. The Makuta Nui combiner takes some visual cues from the Rahkshi, since it’s made using pieces from Makuta; Himself resembling his ‘sons’ and vice-versa. So the Makuta of Odina can resemble a more animalistic, bestial Rahkshi, foregoing a tool for massive claws and fangs. Makuta’s visage takes cues from from the Avsa, Kraahkan, Makuta Nui, and Rahkshi.