The Oriental Annual, or Scenes in India; Comprising Twenty-Five Engravings from Original Drawings by William Daniell, R.A. and a Descriptive Account by the Rev. Hobart Caunter, B.D. London: Published by Edward Bull, Holles Street, Cavendish Square. 1834.
This beautifully bound book contains a series of dramatized vignettes about the lives of English colonists in early 19th-century India. The author states his aim as âto blend entertainment with information,âto record such events as he considered best calculated to amuse, at the same time that they should afford an insight into the habits, manners, and national prejudices of a remote and extraordinary people.â Written as a first-person ethnographic view of colonial India, The Oriental Annual seems to blend observation with imagination.
The Oriental Annual was an early 19th-century periodical featuring travel writing from especially the Indian subcontinent. Published in London, its primary readership was arguably the English high society. Whereas todayâs readers approach The Oriental Annual with an understanding of its penchant for exaggeration and reliance on stereotyped South Asian vignettes (see the extract from this volumeâs final story, âA Tiger Huntâ), Georgian and later Victorian readers may have taken the stories at face value or at least trusted Hobart Caunterâs narrative more than we are inclined to do today.
The colophon lists William Daniell, the bookâs illustrator and a renowned English painted, before the author of the vignettes, suggesting the premium placed on visual representation and the stunning beauty of the bookâs twenty-five engravings. (Daniellâs frontispiece engraving âThe Cuttub Minar at Old Delhiâ exemplifies the illustrative and narrative power of engravings: How else could one communicate the sheer size of the Qutb Minar if not by juxtaposing a small trader and his camel with the towering minaret?) The reductive, ill-informed orientalism which informed Daniellâs choice of subject aside, it is remarkable to see the degree of accuracy at work in each vignette, with Daniell taking meticulous care to capture every detail of even the smallest figure in each engraving.













