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Castell de Santa Florentina, in Canet de Mar (Barcelona Metropolitan Ambit, Catalonia). This castle was originally built on top of an ancient Roman fortification in the 11th-century, later set on fire during the 15th century farmers’ revolution (Guerra dels remences) and subsequently rebuilt. It was partially remodelled in the early 20th century by the architect Lluís Domènech i Montaner.
Photos from castelldesantaflorentina.com.
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Have you heard Prima Nocta?
Yes
No but I've heard of them
Haven't even heard of them
DEAD CAN DANCE "Aion" LP 1990
The Arrival and the Reunion
Saltarello
Mephisto
The Song of the Sybil
Fortune Presents Gifts Not According to the Book
As the Bell Rings the Maypole Spins
The End of Words
Black Sun
Wilderness
The Promised Womb
The Garden of Zephirus
Radharc
"Fortune presents gifts Not according to the book Fortune presents gifts Not according to the book
When you expect whistles it's flutes When you expect flutes it's whistles
What various paths are followed In distributing honours and possessions She gives awards to some And penitent's cloaks to others
When you expect whistles it's flutes When you expect flutes it's whistles
Sometimes she robs the chief goatherd Of his cottage and goat pen And to whomever she fancies The lamest goat has born two kids"
The Amazing Devil - Coat of Arms june 2020
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2 track album
Bubonic Brown. The guitar player is recorded without knowing, hence he's free from any tempo, chord grid or whatever holds us back from the primitive musical trance. Graveyard Earth. It is the main duty for the artists to break taboos, and one of the most ancient and traditional ones is to wake up the dead and make them dance with the living. LME 010 Baba Yaga : Voice, melodica, samples, production, recording Osiris : percussion, vocals, production, programming. Acoustic guitar on Bubonic Brown by Maxim Gall Mix and mastering by Al Cable at [email protected]. Artwork by LME
Bardcore & Neo-Medieval Music vs Actual Medieval Music
Here's an excellent video where the ethnomusicologist Farya Faraji explains why "bardcore" music and most modern music with a Medieval aesthetic is very different from the real music from Medieval Europe.
Comentario sobre algunos de los elementos estéticos rescatados del medievo que se están viendo en la actualidad.
