IN FAIR VERONA, OUR TALE BEGINS WITH JULIANA CAPULET, WHO IS TWENTY-FIVE YEARS OLD. SHE IS OFTEN CALLED JULIET BY THE CAPULETS AND WORKS AS THEIR BOSS. SHE USES SHE/HER PRONOUNS.
Our heroine’s story, at one time, may have been based upon something essential, the question that plagues both the living and the dead: what is worse than living without love? Juliana Capulet, heiress to a throne fit for the gods, had finally found her answer. Worse than living without love — living without strength. Her father had not built their legacies through love, or adoration, accompanied by the stroke of a gentle hand to one’s cheek. The Capulet legacy had been built through sheer power of will, bringing to heel those who had once refused to obey. Once, she had BATHED in the light of Cosimo Capulet’s love, and before her ugly death, her mother’s, her little sister’s. All she had ever known was love, and the war ripping the city entirely in two had taken that from her without remorse. Like daylily flowers, Juliana was determined to bloom into something great, something strong, something that would lead Verona back to a new age of peace, whether love warmed her to her core or not. She would not wither away like her mother or sister, pallid and sickly. She would not fall to dust like her father. She would rise to the call that she had turned her cheek from her entire life, and pray that the GODS themselves would forgive her for answering their question without their aid. No more GHOSTS. No more ONLOOKING NARRATORS. Juliana’s power would be hers.
She would embody her mother’s memory most of all. She would become the woman who could throw Aphrodite into a fury and put Hera in a jealous rage. With the guidance of her Underboss and her newfound Advisor, her two faithful devotees, she would keep vigil over Verona and end this war once and for all. Before, she’d been helpless to stop it. Put up on a pedestal, hair brushed away from her face, bound to a feeling of WEAKNESS. She was determined to never feel it again, even with the memory of it clinging to her like the silken threads of a crafty spiderweb. She knew, now, that this was the work of her father, determined to keep her as close to him and at arm’s length at the same time. He would’ve had her look at their future as something gilded, golden, just out of reach. He would’ve had her see his NARCISSUS-LIKE obsession as a boon instead of a curse. He showered Juliana with gifts, both exotic and quaint, in hopes that she would sit in her ruby-crusted cage and keep her head low, her mouth shut. He had deemed the birdcage necessary, and never noticed when his daughter refused to sing him any more tunes. Others revelled in his success, his savvy, even with RAFAELLA CAPULET whisked away to pick up the pieces all on her own. Even with his flippant disregard for VIVIANNE SLOANE and TIBERIUS CAPULET, both denied their true wishes without so much as a second glance. They shouted his name with joy as he ruined his soldiers, his Captains, and his Emissaries, and all their prospects. They wept for him even as he struck the match that would burn the great House of Capulet down. No more.
With all this sitting atop her shoulders, filling her hands, Juliana made her choice. Rather than stay by his side faithfully, adhering to his rules like a SAINT, she broke away from her father, and with the aid of Vivianne, finally stepped down from the tower of Babylon that he had built for her with his own two hands. They’d brought her into the business in increments, at first, and had not seen how far and how quickly she had progressed since poor Alvise Vernon’s death nigh over a year ago. BLOOD, now bedecking her finery, would be another accessory to be worn, as did other tools of the trade — knives, guns, bullets, blades. She would not allow her father to hide from the consequences of his own sins any longer. She would do as he had once done, and embody the SYMBOL of the violent elite. No longer would she be just a girl. She’d be more than that. How quickly this angel could bring ruination to those who stood in the way of the Capulets — her father being the first among them. How quickly this angel could bring down the spear of the Gods and wipe the blood from her cheek in a smear. Maybe this was the way it was always meant to be. Maybe this is what she’d always been meant to become. Someone had to take the throne, sooner or later. Her father’s actions and quickly dwindling sanity have proven more than ever the time for her ascension had come.
Juliana laid her sacrifices before him, hands shaking and eyes upturned – hoping against hope for a miracle. She had once thought that she could slip into her father’s life and pry him away from the business that had enraptured him for as long as she could remember. Maybe he would step away, admit defeat with his head bowed, and return to her. Return to her and the ghosts of her mother, her sister, gaps in their family that were too big to fill. She had underestimated, at one time, the strength of the thrall that it had him under, even as her own blood succumbed to the call that her ancestors before her had answered to. It had become clear, now, that LOVE would not do Juliana Capulet any good. It hadn’t served her, or Rafaella, or her mother, her cousin, her sister, her father. Love had failed her, ruined her, left scorched earth in its wake. Love had failed her people. Her father had pressed the knife to cut Valentina Gallo’s throat into her hands, and she’d done it without hesitation. Before, love would have made her weep with the pain of it. Now — JULIET would not fail anyone, especially not her legacy.
RAFAELLA CAPULET & TIBERIUS CAPULET: Cousins. The three of them at one time might have been compared to planets, their gravitational pull. Infinitely different but relentlessly routine in the way they were drawn to one another. Now, with Rafaella gone and seemingly doomed to never return, shattered into a thousand little pieces neither Rafaella or Tiberius can help her to pick up, things are… different. Things feel off-kilter, unbalanced. The tension that sat between all three of them has now come to rest entirely on Juliana and Tiberius, a fraying wire that could shoot sparks at any time. Before, she’d never doubted Tiberius, or his loyalty to her, and she can’t say even now that she actually does. But the weight of the Capulet title has become her burden and her burden alone, an unwelcome cross. With the shifting power dynamics and no Rafaella to complete their balancing act, she worries it may be Tiberius that places the crown of thorns atop her brow.
VIVIANNE SLOANE: Pseudo-Mother. “You can never be her,” she had hissed as she slammed the door to her room shut, but Vivianne, ever-patient with Juliana, had taken her time. She’d pried the door open with her own two hands, and it’s a wonder that she’d never quite made the connection before. She’d snapped and seethed and raged in her youth, entrenched in the ocean of her own sorrow, and through sheer will, Vivianne had soothed her. Dulled her pain. Held her head and stroked her hair when all Juliana could do was cry for the sheer loss of love she’d once possessed. Taught her how to rule when her own father -- her own supposed teacher -- fell short. It had been Vivianne to bring her into the way of things. She knows that, and she owes her a great debt for it. But she sees the way Vivianne’s eyes drift, now, settle in the middle distance, after dethroning her father. Unspoken agreement of guidance or comfort aside, mother-figure or not, things have changed. They are not the way they were before. The dynamic of the Capulets has shifted, and so, too, it seems, have they.
ROMAN MONTAGUE: Enemy. She should hate him. By all means, by every predisposed legacy of their birthright, she should want to rip him limb from limb. But she doesn’t. She doesn’t have the capacity to hate someone without good reason -- it’s not in her nature. Juliana understands, now more than ever, that he wishes the Capulets ill will and nothing more. That should be enough, but she was never equipped with Tiberius’ natural brutality or Rafaella’s fury. Now, with the crown sitting atop her head, sword and scepter in each hand, she wonders further still if he struggles with bearing the title of his father. If he will ever truly rise to the occasion of his bloodline as she had hers and continue this war or crumble to pieces before getting the chance. Maybe she pities him. It would be a better word than hate. Her path was always illuminated -- she’d simply sped the process up, a little bit, with the aid of those she now knows to be hers. Roman, on the other hand, must fend himself among the Montagues, men and women more likely to cannibalize themselves before putting another Montague on the throne. She wishes she could hate him. If only it were that easy.
PRIAM TARAVELLA: Betrothed. She looks at him and can only think of them in the context of Zeus and Hera. Ending up here, with engagement rings and bright futures to look forward to, well. It was only a matter of time, wasn’t it? Cosimo Capulet had chosen Priam for his daughter. They’d grown up together. They’d seen each other shattered, built each other back up again. This is a love that is supposed to make sense, and to Juliana, it does, in many ways. She loves him. Could love him more, if the weight of the Capulet legacy were not so heavy, if she felt she could share the burden with him. What if she can’t? She’d made the difficult choice in dethroning her father. She’s put the Capulets first in every regard, in every way, by ascending and taking the throne. He’s a good man. Certainly not a bad one. Knows just how deeply entrenched he is, now that she moves the pieces on the chess board and has to strategize at every turn. What if there are choices to be... made with Priam, too?
Juliana is portrayed by ASHLEY MOORE and was written by JULIE. She is currently OPEN TO CURRENT MEMBERS.












