#mini rooms

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Hello and welcome to the doll room!

This was a special project made for me by my mom. She's a Barbie collector and loves crafting little room boxes for them with tiny realistic accessories. When she asked if I wanted a room box, I was tempted to say no because I'm not into Barbies or dolls their size, but then I saw, fully formed in my imagination, a miniature doll room. And she delivered. Pretty much everything you see in the above photo was made by her: the crib, the chair, the curtain, and even the potted plants!

I expected nothing less than this. I come from several generations of doll collectors, enthusiasts, and artists. My mom was already a talented miniature maker by the time I was born, having taken classes in making them for several years. Her classmates even made her this mini nursery to celebrate my birth! She also made this lovely Victorian dollhouse. She's the real deal when it comes to all things mini.

The Barbie here in the comfy chair represents me, and the comfy clothes I wear at home. She's holding her newest doll, a Zuru My Mini Baby. I'm glad that at least she has a silicone reborn baby doll, because I certainly will never be able to afford a life-sized one for myself. So I live vicariously through her in that way.

Sometimes Briana comes by for a visit! She's very careful when playing with the dolls, since some are vintage and fragile.

On the left is the chair my mom made. On the right are the mini American Girl posters. The reborn baby is in her stroller.

I live in a film landscape with very few writing teams. And do you know why Hollywood dominates the worldwide film industry? Because they can produce good scripts incredibly fast, and cheaply. The only reason most European things even get made at all is that these productions are subsidised by tax money. It makes no financial sense to compete with the oiled machine that is Hollywood, they simply cannot sustain the amount of good writers that the Hollywood system can. Writer's rooms with well paid writers are a huge upfront cost, but they are the reason that near everybody in the world watches Hollywood productions. Minirooms can't work as fast, or as well, and that's why they're creaming their pants about AI, because that can work even faster. If that output stops, they're going to lose so much foreign revenue. It's cheaper to program American content, but if there isn't enough of that, it's suddenly cheaper to program other foreign content. Who cares what language they're dubbing from amirite? Maybe domestic movies start to fare better! Right now, Hollywood attracts all the best foreign talent, too - Brits, Irishmen, Germans, Dutchmen, Italians, Swedish, French, Australian, South African, Latin American, Indian, Chinese - the reason they all get cast is not because it's more convenient for the Yanks to hire foreigners they often simply are world class greats. And they can and do work anywhere the work is good.

So no, the US couldn't put out so much good stuff with minirooms only. And if they already hold a lot of foreign chains hostage, saying so much capacity must go to their product - and goodness that's often what it is - if it gets too bad you cannot compel enough people to go see it even then. AI could resolve the unsustainability of minirooms by being faster, but it can't sustain a minimum of quality and that was already hurting the box office.

New writers haven't been learning how to write or showrun because there haven't been the opportunities for them to do so. Companies have been employing mini rooms and not paying for enough writers to do the job, so most of the time, they can't bring in new writers, people that need to learn.

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Btw, re: that article:

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The @'s of the people in the photo

@/ANDREWTI -- @/real_pornsak

Bare with me here. This might get a little messy.

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(link in George RR Martin's tweet to the full text of what he wrote)

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Bonuses:

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