Sep 25, 2023
exactly!
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exactly!
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It's crazy that these strikes are happening given that all the writers and actors are asking for is less than 0.3% of the revenue these studios make.
Strike is on. Actors will be joining the writers on the picket lines. This is the first strike in 60 years for SAG, and essentially shuts down the entire US film and television industry.
Some of you might remember a couple of years ago when Scarlett Johansson sued Disney because she was making significantly less money for Black Widow than was guaranteed in her contract because so many more people watched it on streaming than in theaters, how there was a massive misinformation campaign from Disney that a ton of people on this website (and Twitter and other social media) bought into: That she was a greedy bitch who didn't respect people who needed to stay at home during the pandemic (I believe the word "ableist" was thrown around with aplomb) as opposed to someone who just wanted to be paid what she was owed. What was literally in her contract!!! And where everyone who took more than a couple minutes to actually look into and think about the situation could figure out that her issue wasn't with streaming itself, but with how little streaming was allowed to get away with paying her and other actors. But of course, a lot of people just saw the chance to dunk on a rich woman, and didn't think about it beyond readying some snarky tags and hit reblog. And in doing so, threw their support behind a much wealthier, greedier studio head who is already using similar language to describe the current strike.
Anyway we're going to see a lot of that from studios now, especially now that actors have joined with the WGA and it's easier to sell them as rich and greedy than writers, because of this cultural stereotype we have of all Hollywood actors as celebrities. Don't fall for it. SAG-AFTRA represents people like Tom Cruise and ScarJo but it also represents the kind of people who played a Borg in two episodes of Star Trek: Voyager in 1997 or who had one line in The Marvelous Mrs. Maisel as an enthusiastic audience member. Most actors are not crazy wealthy, and in fact, if you're a big TV fan (especially older TV and genre TV) that likely includes some actor names that you know, who played supporting roles in your fav shows, or who were even a star in something but haven't done anything major since. The AFTRA side also represents people like radio broadcasters. But even beside that, all workers deserve to be fairly compensated for the work they do, and the threat of replacing them with AI, or real actors being required to sign contracts to allow their likenesses to be used by AI forever without paying them, is an existential threat to acting as a profession in general. The actors are in the right. The writers are in the right. The studios are in the wrong. The studios have exploited new technology to get away with horrifying labor practices for years and their feet need to be put to the fire. Circulate the articles about how poorly the Orange is the New Black cast was compensated for making one of the defining shows of the early streaming boom, and of the studios saying they want to force writers to starve and lose their homes. Don't get distracted by propaganda aping progressive-sounding language about “wealthy celebrities.” Focus on the real enemy, the truly greedy fat cats who care more about money than people and art: the studios.
At first Netflix said, come write for us. We’ll save your cancelled shows and write about whatever niche story you want. Our algorithm says people will watch it!
Then a few years later they said, regardless of our promises or contract obligations we are cancelling shows after two seasons without telling anyone. Turns out no matter how loved a show is, we get less subscriptions after the second season.
How many subscriptions did we bring you? Netflix won’t say.
So writers started writing two season shows. Just give us two seasons, Netflix. Like you promised.
Then Netflix said, oops sorry! Turns out your show didn’t premiere at #1 and the views in the first day weren’t what we wanted so we’re cancelling your second season.
What were the numbers? How many people watched our show? Netflix doesn’t say.
Then, they did something extra special. They started taking shows and splitting their first season into two halves. Inside Job was not two seasons. It was one season split in half.
Oops! Sorry! The second half of your first season didn’t do as well as the first half, so now your show is cancelled!
Why? How many people? How much money? These companies are making cash hand over fist and they refuse to tell people the truth: people loved your show. Loved it. But some corpo exec wanted an infinite money making machine. Do you know how long shows are in production for before you watch them? Years. Like, 5+, even 10+ years. And Netflix gives it less than a week before they decide whether you’re getting cancelled.
Support #WGA Support #SAGAFTRA
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“If this hurts my shows I’m gonna riot” “they better not cancel my favorite show” “this is so selfish I NEED this show” “what about my mental health now that they—“
So you agree. Show-writers are important to you and to the industry and should be compensated accordingly for their important work.
Hey y'all. With the Writer's Guild of America on strike, you might be hearing a lot more about something called "residuals," which are payments that the writers get for the studios continuing to air their work on reruns and such. Already I'm seeing people trying to frame the union trying to bargain for better residuals as greedy and unreasonable, so I just wanted to give you guys a peek into my dad's full, 100% real residual payments for writing some of the most watched episodes of American late night television.
Yeah lol. If u hear anyone trying to frame the conversation around residuals as writers being greedy, please do me a favor and punch them straight in the face ❤️🙃🙃
Does anyone have an update on where things are at with the writers strike? It's disappeared from my various feeds and algorithms.