Jun 9
m y o w n p r i v a t e i d a h o, 1991 🏳️🌈 dir. gus van sant
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m y o w n p r i v a t e i d a h o, 1991 🏳️🌈 dir. gus van sant
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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men will never just be public about their own idahos 🙄 it’s always gotta be private
The Other Olympians by Michael Waters
The story of the early trans athletes and Olympic bureaucrats who lit the flame for today’s culture wars.
In December 1935, Zdenek Koubek, one of the most famous sprinters in European women’s sports, declared he was now living as a man. Around the same time, the celebrated British field athlete Mark Weston, also assigned female at birth, announced that he, too, was a man. Periodicals and radio programs across the world carried the news; both became global celebrities. A few decades later, they were all but forgotten. And in the wake of their transitions, what could have been a push toward equality became instead, through a confluence of bureaucracy, war, and sheer happenstance, the exact opposite: the now all-too-familiar panic around trans, intersex, and gender nonconforming athletes.
In The Other Olympians, Michael Waters uncovers, for the first time, the gripping true stories of Koubek, Weston, and other pioneering trans and intersex athletes from their era. With dogged research and cinematic flair, Waters also tracks how International Olympic Committee members ignored Nazi Germany’s atrocities in order to pull off the Berlin Games, a partnership that ultimately influenced the IOC’s nearly century-long obsession with surveilling and cataloging gender.
Immersive and revelatory, The Other Olympians is a groundbreaking, hidden-in-the-archives marvel, an inspiring call for equality, and an essential contribution toward understanding the contemporary culture wars over gender in sports.
something about fathers, sons, daughters and beating him over the head
victoria chang, "Obit" // Archive 81, season 3 episode 5 // sharon olds, "I wanted to be there when my father died" // Archive 81, season 3 episode 5 // mitski, "Townie" // Archive 81, season 3 episode 2 // lovejoy, "Oh Yeah, You Gonna Cry?" // Archive 81, season 3 epiosde 4 // mitski, "Jobless Monday" // Archive 81, season 3 episode 10 // dick lourie, "how do we forgive our fathers?" // Archive 81, season 3 episode 10 // daniel lavery, ceciliakcecilia, "LET YOUR FATHER DIE ENERGY DRINK" // Archive 81, season 3 episode 10 // the front bottoms, "Father" // Archive 81, season 3 episode 10 // phoebe bridgers, "Kyoto" // Archive 81, season 3 episode 10
Some Australian rock musicians should've been more famous. Hunters & Collectors, for instance, are an example of those that should have been more known outside Australia. I mean, they resemble U2, had the latter been from the land Down Under. Listen to the tune on the link to hear what I mean. One notices a certain swagger the Irish quartet had at the same time and one must also remember both of the groups debuted as the post-punk outfits. Yes, they also looked around their countries after a certain point to observe how their homelands actually influenced them. To continue with the comparison – U2 could only be their way thanks to them being from Ireland, while Hunters & Collectors were like they were thanks to Australia.
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get his ass
[ID: A pencil drawing of Nick Waters from Archive 81, standing over his father. He has a furious look on his face as he holds an obsidian bust of his father over his head, as though he is about to bring it down on him. The outline of his father is in the foreground, with two beads of sweat dripping down his head. A tumblr post from user hotmeat89 is put in next to him, edited to say “Self care is stupid I want to beat my dad with his own statue”. /End ID]
Today’s disabled character of the day is Michael Waters from My Own Private Idaho, who is narcoleptic
Requested by Anon
[Image Description: Photo of a young River Phoenix playing Michael. He has short blond hair gelled back and has brown eyes. He is wearing a red jacket with the number 4 on the left forearm and brown collar. He is standing inside a wooden house in front of a portrait of a rabbit.]
Among the survivors of the Donner Party—idiom's black sense of humor — Who developed a secret taste for flesh Flaked between the fluted bones of the wrist? Who for organs: charcoaled tongue or poached heart? Years later, in San Raphael, who wept At night for a morsel of human cheek, For one finger to gnaw himself to sleep? In the next century, Jeffrey Dahmer Ladles a young man's head into a pot, The water simmering, lightly salted, New potatoes, leeks, and scrawny carrot Floating past eyes uplifted toward Heaven. Chestnut hair flutters slightly like eelgrass— Who can fathom such inexplicable Hunger? How my mouth covets your body, Teeth grazing buttocks, shoulders, each nipple. How I want to cradle you inside me As you clasp me within, to celebrate Our secular, primeval communion. What can I do but inscribe this desire Bite mark by bite mark across sweat-glossed skin? What can I do but write these poems for you? Ribbon worms know no language but hunger, So lacking all food will feed on themselves.
Michael Waters, Cannibal, from Gospel Night (2011)