Mathis Der Maler Symphony, IPH 89 - II. Grablegung
By Composer Paul Hindemith (1895-1963)
Performed By Conductor Claudio Abbado And The Berliner Philharmoniker
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Mathis Der Maler Symphony, IPH 89 - II. Grablegung
By Composer Paul Hindemith (1895-1963)
Performed By Conductor Claudio Abbado And The Berliner Philharmoniker

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A look at a seminal German.
Classical Nerd is a weekly video series covering music history, theoretical concepts, and techniques, hosted by composer, pianist, and music history aficionado Thomas Little.
Stumm, Gross, ein Teil des Volkes, Volk selbst. Wenn man dir alles nahm (Silent, Gross, a part of the people, people themselves. If you took everything)
Und dich darob vergass: der Baum weiss nicht um seine Frucht. (And forgot about that: the tree does not know about its fruit.)
Und wenn sie dich gleich erschlĂŒgen: das Schöpfertum mit seinem Leibe zahlen, ist das schwer? (And if they fall for you right away: Creativity paying with your body, is that hard?)
Was du gesucht, gelitten, deinem Wirken gebe es den Segen der Unsterblichkeit (What you sought, suffered, your work gave it the blessing of immortality.)
Geh hin und bilde. (Go and educate.)
Mich hat in dir Gott selbst berĂŒhrt, der Mund des Volkes sprach durch dich. (God has touched you, the mouth of the people spoke through you.)
Dem Kreis, der uns geboren hat, können wir nicht entrinnen (We can not escape the circle that gave birth to us)
Auf allen Wegen Schreiten wir stets in ihn hinein. (In every way we always step into it.)
Ăber uns zeigt sich ein weiterer Kreis: die Kraft, die uns aufrecht ErhĂ€lt. (Above us is another circle: the power that sustains us.)
Was wir auch beginnen: sollen wir uns echt BewÀhren, muss unser Tun nach beiden Mitten weisen; (Whatever we begin with: if we are to prove ourselves properly, we must point our actions to both centers;)
Lasst uns dem Boden danken. Lasst uns den Himmel preisen. (Let us thank the ground. Let us praise the sky.)
Alleluia! (Alleluia!)
if anyone could please explain why I have had this (aka Reginaâs death scene from Hindemithâs Mathis der Maler) on repeat for the last thirty minutes, that would be appreciated anyway goodnight everyone
Mathis der Maler (Theater an der Wien, 2012): Reactions, Part III
letâs see if I can get the last 3 scenes on one post @monotonous-minutiaâ
thatâs a lot of people in boxes
someoneâs severely POâd
Capito has had it with the Cardinal lol
oh look a tenor who actually considers othersâ advice
someoneâs horny for Ursula
but doesnât want her to get too into it
this is a cool duet
NO URSULA YOU DESERVE BETTER
âuhhhhhhhhhhhh idk what just happened but this girl just went offâ
OH OKAY
oh so he didnât actually convert he just said heâll be cutting back on the spending and stuff
ouch Capito just got fired lol
another cool ensemble
heâs got massive respect for Ursula we love to see it
yes girl <3
no hard feelings
whatâs going on with the statue
poor Regina
girl you are NOT okay (sheâs hallucinating her fatherâs corpse)
AWWWWWWWWWWWWWWW
seriously sheâs so adorable
heâs telling her stories to make her feel better <3
seriously these two are just so cute protect them
uh what is going on why is the Countess here
edit: apparently this is a vision Mathis is having
great point, Mathis
okay so heâs really starting to lose it
that was a very fast costume change
so was that
youâre weird
oh no itâs Reginaâs dad from the grave
WELCOME TO ANXIETY
this is cool
WHAT IS GOING ON
this percussion here is cool
still weird
a lot of truth bombs in this scene
SEE THATâS WHAT IâVE BEEN SAYING YOU CAN DO BOTH MATHIS
and there it is
cool effect
Ursula, welcome back; Regina, are you okay???
someoneâs depressed
I mean, wouldnât we all
oh honey
girls trying to help girls
SHEâS GIVING URSULA THE RIBBON BACK THAT WAS ORIGINALLY HERS BUT MATHIS GAVE TO HER I CANâT
I CANNOT
NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO REGINA FUCKING DIED
poor Mathis
whatâs going on
and why is he here
a broken man
shades of Simon Boccanegra
thatâs nice of you
he prefers to go alone
oh this looks COOL
seriously he deserved better :(
but this was GREAT

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Mathis der Maler (Theater an der Wien, 2012): Reactions, Part II
starting at Scene 3 letâs go @monotonous-minutiaâ
creepy visual
itâs an assembly line but with passing books
yeah maybe yâall should have found a better hiding place for the books than âcover a pile with a blanketâ
thatâs new
presumably not how he means it but YES WOMEN ARE WONDERFUL
when youâre a woman in an opera
âno pressure or anything but would you be okay with marrying a Cardinal and changing the course of historyâ
alas...
sheâs so right and she should say it
awwwwwwwwwwwwwww
Iâm getting Eva Pogner/Hans Sachs vibes from this
OH NO THE RIBBON HE GAVE TO THE OTHER GIRL
is anyone else concerned about the red smoke
uh...okay
hear me out...what if your art can help
CALLED IT also this hymn is great
honey...
this duet is lovely
oh no oh honey
this opera just has a lot of great choral music
welcome to the revolution
oh honey
crazy times
well this scene is disturbing
YOU TELLÂ âEM MATHIS
Iâm pretty sure thatâs not how this works
OH FOR FUCKâS SAKE WOMEN ARENâT PROPERTY CAN YOU LEAVE HER ALONE PLEASE
oh hey this guyâs back and getting them in line
understandable, but doesnât excuse rape
now everyoneâs depressed
this ensemble is cool
aww
BATTLE TIME
well rip
OH NO POOR REGINA
LITERALLY NO ONE FUCKING CARES ABOUT YOU
heâs just trying his best
and going through the wringer
AWWWWWWWWWWWWWWW
the production apparently places an intermission here so letâs do that
Mathis der Maler (Theater an der Wien, 2012): Reactions, Part I
idk anything about this opera except there is a painter dude apparently letâs see what weâve got and how much we can get through tonight @monotonous-minutiaâ
idk what your problem is but this music is pretty at least
all in a dayâs work (and seriously the music is gorg)
thereâs always a gal...
yâall Iâm reading the Wikipedia synopsis and trying to figure this plot out somewhat but literally I canât lol this is gonna be something
welcome to the workshop also thank fuck someone is singing and might make this a little clearer
we love some good church hymns
what happened to you
oh honey
but what if you canât
sheâs so adorable
and also needs hugs
RUDE
what about, and this is just a thought, art can help make the world better?
DISCOURSE IS HAPPENING
definitely not relevant in 2022 what are you talking about
we love to see ordinary people demanding rights
âdude I am trying to do my artwork would you mindâ
this duet is just FULL of Valid Points on both ends
welp
heâs trying his best
no one cares about your problems
uhhhhhhhhhh whatcha doinâ there
clever set change
ah, yet another entry in the index of operas with 16th/17th-century settings and Inter-Religious Discord
ya sure about that?
this guy is just counting the fighting choristers lol
mixed reception
what is that
edit: apparently it is a corpse/relic ig
the Protestants are calling BS
why hello again
would all politicians think like this
oh you two
DEFINITELY NOT STILL RELEVANT
thank you for saying no to burning books
I have a brilliant idea: how about you shut up
NOOOOOOOOOOOO I WAS ROOTING FOR YOU
new project!
but...
even more startlingly relevant discourse
now time for an economics class
not this bastard again
good point
the Cardinal:Â âoh...oh, fuck this is badâ
art as advocacy in action!
unless we donât
YOU TELLÂ âEM OFF
this is a cool ensemble
nice work
are you two okay???
anyway this is REALLY good so far but Iâm gonna stop here for tonight because this is significantly longer of a work than I thought and also Iâm tired
but at least I think I understand it somewhat now.
Symphony âMathis der Malerâ - 3. The Temptation of Saint Anthony (excerpt)