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The effect was immediate. MartĂn tensed as if he'd been electrocuted, alert. His hand snapped up again, the knifeâs edge glinting in the dim light of his apartment. Â
âDonât!â He bit out. âOne more step and Iâll fucking gut you.â
Not giving MartĂn a chance to react, he closed the distance between them in fast strides, wrapping his arms around MartĂn and pulling him against his chest. Â
The only thing he could focus on was MartĂn. How he struggled against him, how he whimpered and mewled like an animal about to claw off its own leg to escape from the hunter's trap.
âI couldnât give you what you wanted. Not back then,â he said, thinking about his mother's disease. His own, now. Â
âBut things have changed,â he continued, thinking about the medicaments Sergio had procured for him, about the trembling in his hands becoming less and less with each passing day. âI will have you now."
It's me, the person with the most picky taste in AUs (we haven't been introduced like that before, I believe, so hello!), and I just spun the mental wheel of AUs from the list and it's landed on the "Wrong number AU" đ
Regardless of all this, when the phone rang, he picked it up very cautiously. Sergio was the only one who had the number, but it didnât seem likely that he would call, he was always so careful and calculated â unless something had gone wrong, on his end.
âHello?â he answered, idly wondering how the good people of Argentina usually answered their phones.
âHi, Iâd like to order a pizza,â announced a manâs voice politely at the other end of the line.
âYouâve got the wrong number.â Either that, or this was some kind of a ploy by the police â albeit a very strange one. And Sergio would have never been careless enough to leave this burner phone traceable.
âDo I? Well, fuck.â He had a nice little Argentinian accent, full of soft lilts, dropping out letters and grossly mispronouncing others.
âDid you see the news about the jewellery heist?â he asked, liked basking for a moment in the idea that the news would have travelled this far, that quickly.
âThe one in Croatia? I did, actually. Why are you asking?â
âJust curious.â
There was a brief silence at the other end of the line, but it seemed thoughtful rather than dismissive. âIâll admit, it was a well-made plan. Just on the right side of reckless. I like that in a job.â
âNothing I would admit to on the phone,â the man said, but with an amused rhythm to the words. âI have never strayed on the wrong side of the law.â
âWell, Iâm not above it for any moral concerns. Just legal reasons. Prisons are fucking awful.â
âOf course. Say, what would you steal, if you were to change your mind?â
âBanco de España,â the man replied, without hesitation. Like he really had thought about it. Like it was obvious to him, that given the opportunity, he might rob only one of the best-guarded buildings in all of Spain.
He liked the manâs accent, and his levity. He liked hearing the praise, even if it wasnât intended as such. He liked his brashness. Those were all equally awful reasons to ask someone to steal jewellery with him.
And yetâŠ
âWell, as pleasant as this has been, Iâm hungry. Iâm going to actually order that pizza now. Chau.â
Who could forget the 190cm height chart? That honestly had me laughing for days. I love how they pay zero attention to the most basic facts about their own characters, like height and age asdfasdf.
Yeah, 1975 is laughable too because Pedro (as good as he looks) does not look like a man in his mid-30s at any point in the flashbacks LMAO. It makes way more sense to just assume Andres is however old Pedro is at any given time (him having the kid in his 20s seems plausible to me anyway).
The "your father" thing honestly threw me off so hard in Part 1/2. Only after I wrote an entire fic based on them having the same mother and different father did I see that interview where Alvaro went, "oh yeah, we headcanoned ourselves with the same father!" and then Alex Pina decided to roll with and confirm it in Part 5 LOL. Which doesn't bother me since I kind of assumed they'd confirm that hc at some point any way.
In all likelihood, it's like you said- they just don't track shit in their own show. The more cursed option is that they know exactly what they're doing, are playing all of us for fools, and Andres' cursed backstory is a gendbend version of The Tale of Genji.
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Can I ask you to share your writing process a bit (I don't remember if you've answered a question like that before)? I think you once said that you write the whole thing first and then brush it up as you publish chapter by chapter; do you draw a storylines map (real or mental), write down things you surely want to include and then with that research you go in, or you go with the flow, so to speak?
For sure! I might have talked about it once or twice but it wouldâve been a long time ago and anyway things change over time
I used to always physically write out an outline for every story, with bullet points, sub-sections, all that good stuff. These days I use a google doc for notes and outlines, and my outlines are more paragraphs/sections of pre-written dialogue stitched together in roughly chronological order for me to use as a sort of map to get from point a to b to c and so on. Important plot or character details get written down just so I wonât forget them if I end up not working on the story for a while (learned that one the hard way). I also jot down songs and words and turns of phrase that seem like they belong and might or might fit into the final product.
just for example, this is just a look at my notes doc for the new Joker/OC fic I havenât really done much with yet (but have like 10 pages of notes for):
It functions as a sort of toolchest that I put together over time and pull from as I work, but itâs all pretty fluid. Some things donât get used at all, some things get co-opted by other ficsâ itâs part of why I do write a full first draft before I start sharing anything publicly; primarily itâs because Iâm pretty shitty at continuity unless I can look at the whole thing at once but itâs also because it gives me a longer time to look at what Iâve written and decide what doesnât work, whatâs clumsily done and needs to be cut or re-written. (spoiler alert for myself but if something doesnât sit well with me the first time I re-read it then itâs not going to get any better and Iâm better off cutting it and writing something different than waiting and hoping it will!)
I love having my notes, but when it comes to the actual writing process Iâm very much a âdiscoveryâ writer, wherein I sit down knowing what I need to achieve plotwise, but the details, dialogue, and overall means of getting these people from one plot point to another are 95% a mystery to me, and they come to me as Iâm putting the words down.
(I miss being in college and being able to stay up till dawn most nights because this style of writing works much better if you have eight hours in which to really immerse yourself in the zone, and now I have a full time job and a mortgage and 1 dog and 2 cats and it is much more difficult to find the time to just write đŁ woe!)
I write more days than I donât, but because of life stuff itâs often just chunks of 500 words here and there and it takes a while to get a full draft goingâ but I hate the times when I just go without writing at all for like a month, so I make an effort to do at least a little bit most days, even if itâs something purely self-indulgent thatâll never see the light of day. My most productive days, though, are when I do have extra time and can shut myself up in my room with just a reading lamp on, a movie score playing (lately I favor the Annihilation soundtrack), and using this app to keep me from getting distracted while I work. Fingers crossed for more of those.
idk if this was the sort of answer you wanted, let me know if you have other questions about it all!