Watch "Take That - Giants (Live)" on YouTube (Cardiff #tt30)
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Watch "Take That - Giants (Live)" on YouTube (Cardiff #tt30)
Not at all biased but what a venue and what a performance from our faves đşđşđş
Absolutely adore you three đđđ

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
When the 1D guys meet
Liam : I have a baby
Louis : I have a baby
Harry : I have a movie
Zayn : I have an OST
Niall : I have...I am a golfie
Louis : Oh no, Niall! You ruined it.
Niall : Can I have another chonce?
Please get together and stop teasing us!!!
My taste in music in 20 albums
On Instagram I was challenged by @piahinckle to choose 20 albums that greatly influenced my taste in music. One album per day, for 20 consecutive days. No explanations (mostly), no reviews, just cover images on my Instagram @rialdrummer.
Proceeding from the first posting on December 11.
Max Roach and the MâBoom ensemble âRe: Percussionâ the album is sometimes called. I heard this in the early â80s at a time I was getting interested in the history of jazz and particularly jazz drummers. Had the good fortune to see Maxâs quartet (Cecil Bridgewater, Odean Pope, Tyrone Brown) at the old Yoshiâs, around the time of the âScott Freeâ album. This MâBoom record planted a seed for my later musical explorations in the â90s and started an appreciation for me of Max Roach as bandleader and conceptualist. Iâd already heard some of his work with Charlie Parker. A decade later my band was covering âMorning / Middayâ and âJamaican Sunâ by this group and I was email pals with Omar Clayâs partner.
The Mamas and the Papas âA Gathering Of Flowersâ. Â On the turntable constantly during my late high school years. Released between the â68 breakup and the â71 reunion. Interviews on the record with Cass and John hint at the glories and disappointments felt in the group.
Van Morrison âTupelo Honeyâ. Great songs, ace band. The title track is really a classic (Cassandra Wilsonâs cover is further evidence). Gary Mallaber (vibes) and Ronnie Montrose (guitar) stand out to me.
Family âFearlessâ. United Artists was a label that took chances on musical artistry and signing Family was a commercial risk. Â I found this album in 1973 in a cutout bin and it had only been out for 18 months. Â The album is in turns gritty and pretty. All songwriting, playing and singing contributions are excellent, with John Wetton playing a key role on guitar, bass and vocals.
Rory Gallagher âIrish Tour â74â. Songs burned into memory from my days as a record store clerk and DJ. Most of my friends in the day were Rory fans going back to his band Taste and a few of us saw him at UC Santa Barbara around 1974. If I had to pick one Rory recordâŚÂ Watch him on YouTube.
âThe Drumsâ. Prez Records in Santa Rosa was a destination store for me in the â80s and I found this used 3-album set for cheap there. Introduced me to Art Blakey (âAla Modeâ remains a favorite song of mine), Connie Kay playing with Milt Jackson, Dannie Richmond, Paul Motian and many more great tracks.
Iain Matthews âValley Hiâ. Michael Nesmith cut a lot of great sides within and after The Monkees. To my ears almost nothing by him surpasses the achievement of helming this album. Iâve followed Matthewsâs career going back to his brief time in Fairport Convention up to the last decade and I know heâs not crazy about this record but to me itâs absolutely a gem. Songs by Randy Newman, Jackson Browne, Steve Young (âSeven Bridges Roadâ before the Eagles recorded it) among others.
Gil Scott-Heron âPieces Of A Manâ. It had to be a long shot that an AM rock station would put âLady Day and John Coltraneâ on their playlist but thatâs what KRLA in Pasadena did. And so I heard it and began an appreciation of Gil Scott-Heron that I continue to hold.
Marc Benno âMinnowsâ. This was another AM radio long shot in 1971 and KRLA won the day again for âSpeak Your Mindâ. A ballad that ebbs and flows in intensity. Jim Keltnerâs drumming first caught my ear on this song. This was around the time that Benno was playing rhythm guitar with The Doors on the L.A. Woman sessions, and after his collaborations with Leon Russell on the Asylum Choir albums. Many friends of mine also appreciate this album.
Weather Report âSweetnighterâ. Previously unaware of Wayne Shorter and Joe Zawinul, I saw Weather Report in July of 1973 and âBoogie Woogie Waltzâ convinced me that I needed to dig more deeply into this music.
Fairport Convention âWhat We Did On Our Holidaysâ. Along with the records that Nick Drake would make a few months later, sums up for me some great years of British âfolk rockâ.
10cc âSheet Musicâ. Between their first two albums this one comes out on top for me. Itâs close. I was a fan from the release of âRubber Bulletsâ.
Harry Belafonte âCalypsoâ. âJamaica Farewellâ was likely the first set of song lyrics I memorized. Mum had his playing often in our apartment in the late â50s.
Brinsley Schwarz âNervous On The Roadâ. I like this best of the bandâs records (it may be because adding Ian Gomm to the band was so complimentary to the talents of Nick Lowe, Brinsley, Bob Andrews and Billy Rankin). For this pick I could have swapped out Dave Edmundsâs âGet Itâ or the Rockpile album âSeconds of Pleasureâ but since the list is supposed to describe how my tastes were influenced it makes sense to refer to early period Brinsley. Made me a Nick Lowe fan for life.
The Monkees âPisces, Aquarius, Capricorn & Jones Ltd.â. Â My introduction to the group. I hadnât seen the tv show at that time (November and December 1967) at least as far as I recall. Coming at them strictly through these tracks I was impressed by songwriting, production, vocals, guitars and humor. Â Not bubblegum, at all.
âPat Metheny Groupâ By September 1978 I was being introduced to ECM albums by a friend. Iâd enjoyed previous ones but that month when I heard the first notes of âSan Lorenzoâ something resonated with me that hasnât stopped.
Graham Parker and the Rumour âStick To Meâ. This is a rough-and-ready collection produced by Nick Lowe. Drumming by Steve Goulding, guitar leads by Martin Belmont are highlights. The title song, âSoul On Iceâ, âClear Headâ are standouts in a great set making this my favorite GP album for all time.
The Gary Burton Quartet with Eberhard Weber âPassengersâ. Â I think this was probably the beginning of my awareness of Gary Burtonâs albums. A great introduction. As a vibes player myself there are major lessons and enjoyment for me throughout his catalog.
Love âForever Changesâ. Surrounded by Love fans in my 20s but not giving the group much time of day then, I locked into the bandâs and Arthur Leeâs artistry in my 40s. Like so many people I now appreciate every song on this classic album. Was fortunate to catch the 2003 edition of the band at The Fillmore.
Gene Clark âNo Otherâ. After leaving The Byrds, Clark wrote and recorded many excellent songs showcasing his poetic and melodic gifts. This album is the top of the mountain for me, and public appreciation for the songs and the production have grown greatly in the 50 years since its release. YouTube has video of a tribute tour for the album from a decade ago.
RUNNERS-UP
Elvis Costello and the Attractions âImperial Bedroomâ and âThis Yearâs Modelâ
XTC âEnglish Settlementâ
Beach Boys âSummer Days (and Summer Nights!)â and âSunflowerâ
(Many) Iain Matthews records across the decades, along with titles by his Fairport mates Sandy Denny, Dave Mattacks, Richard Thompson, Ashley Hutchings, Judy Dyble. A nod too to drummer Martin Lamble who had a playing style so well suited to their early records.
Buffalo Springfield âRetrospectiveâ
Carpenters âTicket to Rideâ
Rolling Stones âDecemberâs Childrenâ
The Move âShazamâ
Joni Mitchell âFor the Rosesâ
Bruce Springsteen âThe Wild The Innocent and the E Street Shuffleâ
Beatles single âRainâ b/w âPaperback Writerâ
Man (The Man Band from Wales) "Back Into the Future"