On being a butterfly, and what I have been playing with lately.
One of the discussions we had at art school was about the question "When do artists settle into a style of work?" There were a number of answers but the cynical one, and therefore the one that I remember was, "When it starts to sell!"
I am fortunate in that I do not have to sell work to live, and if it pleases me I can live to make art in any such style that I choose. It follows that to some extent I am a butterfly, and flit from project to project and style to style as I please and have not yet settled to attempt mastery in any one of them.
So to what I have been doing recently, at last month's Making Conversation meeting we were looking at the gallery's costume exhibition and I recalled as a child I had borrowed a loom from school for a while.
What I borrowed was a Rigid Heddle loom and it occurred to me that I should be able to laser cut a heddle and spool from plywood quite easily. See the first image, you can find these on eBay very cheaply, if you want to try and don't have a laser cutter in your kitchen.
Rigid Heddle and spools
Set on a frame
Woollen yarn and string, charity shops and gardening supplies
Backstrap woven wool, (see below)
Backstrap woven string
Woven fabric demonstrating my enthusiasm and lack of skill
Backstrap weaving, in many countries and for centuries the only thing that was needed to weave long thin strips of fabric that would be pieced together was a backstrap loom. At its most simple all that is needed is a heddle a spool and yarn, the heddle is laced up with warp thread and the warp is held in tension between a fixed point and a strap around the weaver's back or waist. See Mini Back-Strap Weaving
To do: - I think I am tempted to make a bigger rigid heddle loom just for the sake of it and I also want to think about how a visually impaired member of the group might be able to have a go at weaving, texture pattern rather than colour patterns perhaps?











