From "Enter, the Avengers!" in The X-Men #9, January 1965. Stan Lee script, Jack Kirby pencils, Chic Stone inks, Stan Goldberg (?) colors, Sam Rosen letters. Photoshop color reduction.
Info from Grand Comics Database

seen from Peru

seen from Germany
seen from Puerto Rico
seen from China
seen from United States
seen from United States
seen from China
seen from China
seen from United States

seen from United Kingdom
seen from Georgia

seen from United States
seen from Lithuania
seen from United States

seen from United States
seen from Russia
seen from United States
seen from United States

seen from United States

seen from United States
From "Enter, the Avengers!" in The X-Men #9, January 1965. Stan Lee script, Jack Kirby pencils, Chic Stone inks, Stan Goldberg (?) colors, Sam Rosen letters. Photoshop color reduction.
Info from Grand Comics Database

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Making Contact (1985)
Octopus: Making Contact, 2019
So, there are these two strange movies I remember seeing in my childhood, "Making Contact" and "Ghost Chase". Thinking back to my hazy memories of them I'd always confuse them for each other (or rather I'd remember them as the same movie I guess lol) because they were both movies about paranormal phenomena and both featured a possessed doll that basically looked like a mixture of E.T. and those little Magic Troll dolls. lol
Later on I'd eventually learn that not only were both movies directed by Roland Emmerich, but he made Ghost Chase right after Making Contact, just two years apart from each other! Go figure! XD
Y’know, we have a lot of fun around here, but it’s good to stop and appreciate the things that matter most. Like slats. Slats!
Thank you, slats.

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Monday, September 12: UFO, “When It’s Time to Rock”
R.I.P. Paul “Tonka” Chapman (1954-2020)
“When It’s Time to Rock” was a natural concert opener, being the hardest rocking number on Making Contact and at least partially recalling UFO’s glory days. But the track also reflected the tattered state of the band alongside their ability to rally at the clutch, at least in the studio (their tour for Making Contact was so disastrous that even the few remaining diehards were relieved when UFO announced their breakup shortly after). Both Paul Chapman and Phil Mogg were even more ripped out of their skulls than usual- the substances between the two varied, but the outcome did not- but both blazed away with startling clarity and purpose: Chapman brought a swaggering riff and kickass solo (not coincidentally, this was one of the only tracks on Making Contact he had a hand in writing), and Mogg’s singing had a specific rough-hewn charisma and wild spirit. Meanwhile, the long-suffering and ever-steady Andy Parker and Neil Carter held down the fort with charging drums and keyboards that, while admittedly a bit cheesy, felt natural to the closing minutes. “When It’s Time to Rock” was something of a last hurrah for UFO, as they would never sound quite like this ever again, even with all the different lineups and reunions.