Sep 1, 2024
“Ensemble” de créations de Pablo Picasso et l'Atelier Madoura en faïence de Vallauris (1952-58) au Musée National de Céramique de Sèvres, août 2024.
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“Ensemble” de créations de Pablo Picasso et l'Atelier Madoura en faïence de Vallauris (1952-58) au Musée National de Céramique de Sèvres, août 2024.
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Pablo Picasso
The King and The Queen. 1952-53
Pablo Picasso, “Sujet Poisson,” 1952,
Red earthenware pitcher, painted in black and white,
5-1/2 x 9 x 4 inches (14.0 x 22.9 x 10.2 cm)
Edition of 500. Inscribed 'Edition Picasso Madoura', with the 'Empreinte Originale de Picasso' and 'Madoura Plein Feu' stamps
“Visage a la Grille,” Pablo Picasso for Madoura in 1956,
16 ½ inches in diameter, #50 of 100,
Nye & Company Auctioneers
PICASSO CERAMICS
After a visit to the annual ceramics exhibition in Vallauris in 1946, Pablo Picasso began a collaboration with the Madoura Pottery. Over the next 20 years, he created over 3,000 ceramic objects, ranging from basic tableware (plates, bowls pitchers) to sculptural pieces based on antique models.
Some of the works he formed, decorated and fired himself; others were formed by a master potter for Picasso to paint. Sunny and whimsical in tone, the works were featured each year at the exhibition. Picasso intended for his ceramics to be affordable, so pieces were issued in numbered editions of up to 500 and sold at relatively low prices.
In 2012, the Madoura Pottery’s collection of 543 Picasso ceramics was sold at auction for a staggering $12 million with a sell through rate of 100%.
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#FridayFeature | Pablo Picasso 🔹 Nearly half a century after his death, Picasso continues to bewitch, confuse, entice, and provoke. From his early days as an artist, Picasso shattered our most primal understanding of the world with his fractured faces and splintered perspectives. He worked voraciously, reinventing his style at a rapid pace--his blue and rose periods, the African period, cubism, surrealism--creating thousands of sculptures, drawings, copperplate etchings, ceramics, and paintings. Just as Albert Einstein envisioned gravitational ripples in the cosmos, Picasso saw undulations in the world we live in, long before we saw them ourselves...Picasso the man was messy. He loved life at the circus and death at the bullfights. He could be both boisterous and silent, amorous and domineering. But from his beginning as a prodigy to his final years painting musketeers and matadors, Picasso seemed destined for artistic greatness, his journey to genius fixed as firmly as paint on canvas. All the elements were there: a family that cultivated his creative passion, intellectual curiosity and grit, clusters of peers who inspired him, and the good fortune to be born at a time when new ideas in science, literature, and music energized his work and the advent of mass media catapulted him to fame. 🔹 Text source: Claudia Kalb, How Picasso's Journey from Prodigy to Icon Revealed a Genius, National Geographic Magazine, May 2018 🔹 Artwork info: Pablo Picasso, Bullfight and Picador, 1953, earthenware clay, diameter: 9 3/8 inches, prototype moulded and painted by Picasso before the edition of 300 #picasso #visitbergamot #ceramics #madoura (at Bergamot)