The Barque or Boat with Two Figures (1902)
by Odilon Redon
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The Barque or Boat with Two Figures (1902)
by Odilon Redon

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Moonlight (c.1910-20) - Guillermo Gómez Gil (1862-1942)
Title: Bridal Veil Falls, Yosemite Valley, California Artist: Albert Bierstadt (American [born Germany], 1830-1902) Date: between 1871 and 1873 Genre: landscape Movement: Rocky Mountain School Medium: oil on paper mounted on canvas Dimensions: 48.3 cm (19 in) high x 66 cm (25.9 in) wide Location: Cincinnati Art Museum, Cincinnati, OH, USA
Cases a la platja ("Houses At the Beach") by the Catalan painter Joan Roig Soler (1852-1909).
This artist was a member of the group known as the Sitges Luminist School, named after his hometown Sitges in the coast of Penedès, Catalonia. The artists who gathered here, between the years 1878 and 1898, focused their efforts on representing the vibrant light of the Mediterranean landscape.
Col·lecció d'Art de Crèdit Andorrà.
"Sunset" (aka "Snowy Sunset"), by Ivan Fedorovich Choultsé, 1923. Oil on canvas, 80.5 by 80cm. Russian artist (from an old German family in St. Petersburg) 1874-1939. Image via Russian Wikipedia on Luminism -- Люминизм (живопись)

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Writing Notes: Magic System
A Quick Guide to Crafting Your Own Magic System
The comforting tug of the familiar can often draw writers into the domain of tried-and-tested magic systems.
While there's a reason these archetypes endure, speculative fiction thrives on innovation.
So here are some guidelines and questions to ponder as you craft your unique magical framework:
Analyze Existing Systems: What makes them tick? Is it the laws, the setting, the cultural context? How can you take a known concept and turn it on its head? For instance, if elemental magic is overdone, what about a system based on abstract concepts like time, sound, or dreams?
Mix and Match: Combine disparate systems. Perhaps in your world, astrology-based magic is combined with bio-magic, where celestial signs grant specific biological enhancements.
Internal Consistency: Ensure that the rules of your magic system are internally consistent. If you're coming up with something new, like Brian McClellan with his “godglass,” consider the broader implications. How would such a system affect economics, politics, or social dynamics?
Ask 'What if?': Let your imagination roam by posing hypothetical questions. What if magic was a tangible, finite resource? Or perhaps it's a virus, and only those infected can wield its power?
Balance: Whichever route you choose, remember that each magical ability should come with its own set of limitations, costs, or ethical dilemmas. This not only adds depth but also avoids the pitfall of making your characters too powerful to face any real challenges.
Above all, let creativity be your guiding star.
Embrace the known, but never be afraid to venture into the uncharted, for therein lies the magic that readers will remember.
Source ⚜ Writing Notes & References
Trout Fisherman (1852) by John Frederick Kensett