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Jacques Becker - The Hole (Le Trou) (1960) A great stressful prison escape movie, this is sure to have been an influence on all later prison escape films and heist movies. For over two hours the film manages the feat of keeping the viewer constantly stressed and worried about the characters, there is never a dull moment here. Not even when there is a continuous shot of people hitting cement for 4 minutes straight, the stakes are so high at that moment that every hit on the concrete is a jolt to the viewer. Will the guards hear? Will someone come in? Will they be able to get through? Through it all you only see hands with an iron rod hitting a concrete square on the floor. The film works, and the tension is built, however, due to strong characterization, you are in a prison cell with 5 men, and you get to know them all, and actually like them. You want them to succeed, you worry for them, they feel real and human. There is more to it than this, but expounding on it would be a big spoiler. Just let's say that you should never trust smooth talking, rich people and leave it at that. The film is a masterpiece of suspense, empathy, and just plain good film making. French cinema was actually expert at making prison escape films, all the way back to Renoir's La Grande Illusion, later with Bresson's more contemplative Un CondamnĂŠ Ă mort... and with this one taking on the idea of the escape film in Bresson and adding to it some more excitement in order to make a more crowd pleasing film, while still not compromising the art. (5/5) #letrou #movie #cinema #cinephile #film #jacquesbecker #screenshot #thehole #hiroshima #1950s #nouvellevague #drama #filmposter #movieposter #poster #posters #frenchcinema #frenchmovie (at Lisbon, Portugal) https://www.instagram.com/p/B9GMpRglxqp/?igshid=w2wwc0mv2y69
#letrou #1960 #jacquesbecker #jeankeraudy #drama #quote #movie #blackandwhite DP #ghislaincloquet (Ă Prison De La SantĂŠ) https://www.instagram.com/p/BnvvegJld_8/?utm_source=ig_tumblr_share&igshid=24oosllhfto3
Je me casse d ici #docteurbergman #pochoirs #letrou #cassos #terminado
Original Oddities. #original-oddities #french #LeTrou #1960 #color

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Recomanacions cinèfiles (II)
Crumb (Terry Zwigoff, 1994)
    Robert Crumb ĂŠs considerat un dels dibuixants de còmics mĂŠs influents de la historia dâaquest art. Tot i que sempre sâha mantingut dins de lâunderground nord-americĂ , obres com âFritz The Catâ i la recent reinterpretaciĂł de la BĂblia del seu particular âGènesisâ, li han proporcionat una certa popularitat a la superfĂcie terrestre.
Aquest documental sâendinsa en el seu particular mĂłn de perversions sexuals, crĂtica social, confessions personals i indagaciĂł en lâabsurda psicologia humana. LâexplicaciĂł de la vida i la obra de Crumb estĂ realitzada mitjançant entrevistes als seus amics, amants i familiars.
De sobte, desprĂŠs de conèixer el seu entorn i, especialment la seva famĂlia, tota la seva obra cobra sentit. No ĂŠs mĂŠs que un reflex de totes les seves vivències i pertorbacions provocades pels conflictes familiars que ha hagut de patir des de que era un marrec.
Tant si coneixeu a Robert Crumb com si no, aquest documental ĂŠs indispensable.
Pel¡lĂcules similars: Fritz The Cat (Ralph Bakshi, 1972), American Splendor (Shari Springer Berman, 2003), The Devil and Daniel Johnston (Jeff Feuerzeig, 2004)
 Le Trou (Jacques Becker, 1960)
             LlĂ stima que aquesta obra mestra fos eclipsada per lâinici de la nouvelle vague. El protagonisme dâaquells anys seâl van endur els primers films de Godard i Truffaut , per desgracia, Jacques Becker va morir poc desprĂŠs de lâestrena de Le Trou.
Aquesta pel¡lĂcula poc tĂŠ a veure amb les floritures narratives de la nouvelle vague. Es tracta dâuna narrativa clarament clĂ ssica. Un grup de presoners que comparteixen cel.la comencen a cavar un forat que els haurĂ de conduir cap a la llibertat. Us imagineu que el camĂ a la llibertat fos un forat al terra? A mesura que el pla dâescapament va avançant, els conflictes entre els personatges es van intensificant.
Una gran pel¡lĂcula que reflexiona sobre la masculinitat Ă la â12 Hombres sin Piedadâ. Indispensable
Pel¡lĂcules similars: Un CondamnĂŠ Ă Mort C'Est EchappĂŠ (Robert Bresson, 1956), Brute Force (Jules Dassin, 1947)