COVID-19, domestic labour and the problem of the ‘noble servant’ in cinema
COVID-19, domestic labour and the problem of the ‘noble servant’ in cinema
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Around the mid-point of the Oscar-winning Parasite, right before it pivots to another gear, is a conversation that sums up the film for me. “The madam… is rich but still nice,” says Kim Ki-taek, the father, who is a chauffeur for madam and her family. “Nice because she’s rich,” says his wife Chung-sook, who is a housekeeper in the same family. “Hell, if I had all this money, I’d be nice…
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