#john byron

"Byron von einem See-Löwen angegriffen."

Very small lithograph depicting explorer John Byron being attacked by a sea lion* while its cubs watch on.

*Rather, spearing and shooting a sea lion.

It appears to have been cut from Joachim Heinrich Jäck's Taschen-Bibliothek der wichtigsten und interessantesten See- und Land-Reisen (Nuremberg: Verlag Haubenstricker u. von Ebner, 1827).

John Byron next to a first edition copy of Frankenstein.

John joined the Royal Navy at 14 and by the ripe old age of 17 had proved himself by surviving a deadly shipwreck off the coast of Chile. The voyage was part of George Anson's famous circumnavigation of the globe done to seize Spanish ships. Only 188 men of the original 1,854 crew members survived; several, including Byron, were taken as prisoners by the Spanish. Recollections of the voyage were sensationalized and it was depicted in stories like William Cowper’s poem The Castaway. John Byron published his own successful memoir, The Narrative of the Honourable John Byron (1768).

The novel's full title deserves attention for it's 18th century pre-Byronic melodrama: "The Narrative of the Honourable John Byron (Commodore in a Late Expedition Around the World) Containing an Account of the Great Distresses suffered by Himself and his Companions on the Coast of Patagonia from the Year 1740, till their Arrival in England, 1746. With a Description of St. Jago de Chili, and the Manners and Customs of the Inhabitants. Also a Relation of the Loss of the Wager Man of War, one of Admiral Anson's Squadron." I can only imagine that had his grandson Lord Byron's memoirs been published instead of burned, their title would have borrowed from his grandfather's by including something similar to "Containing an Account of the Great Distresses suffered by Himself . . ." but I digress.

I do not digress. The beginning of his preface opens with this gem (I've swapped the 18th-century "long s" for a regular one):

"But here I must say, I have been dubious of the partiality of my friends; and, as I think, justly fearful lest the world in general, who may perhaps find compassion and indulgence for a protracted tale of distress, may not give the same allowance to a luxurious imagination triumphing in a change of fortune, and sudden transition from the most dismal to the gayest scenes in the universe, and thereby indulging an egotism equally offensive to the envious and censorious."

Which brings to mind Francis Cohen's criticism of Lord Byron's Don Juan: “Lord B. should have been grave & gay by turns; grave in one page & gay in the next; grave in one line, & gay in the next. And not grave & gay in the same page, or in the same stanza, or in the same line… we are never drenched & scorched at the same instant whilst standing in one spot" (letter to John Murray, 16 July, 1819). And (not the most entertaining part, but to keep things brief) part of Byron's retort: "I will answer [Cohen] who objects to the quick succession of fun and gravity — as if in that case the gravity did not (in intention at least) heighten the fun. His metaphor is that ‘we are never scorched and drenched at the same time!' Blessings on his experience!" (letter to John Murray, 12 August, 1819).

John went on to be considered one of the greatest naval commanders of his era, commanding several ships as captain during the Seven Years’ War and beating the French as leader in the Battle of Restigouche. He later set the record for fastest global circumnavigation at the time while commodore, became a notable explorer, became a commander at multiple Royal Navy stations, and was appointed Governor of Newfoundland in Canada for three years. According to Wikipedia, “his actions nearly caused a war between Great Britain and Spain.”

It seems like he basically just did whatever the hell he wanted. We can see that the apple really doesn't fall too far from the tree. Everyone in the Byron family was kind of crazy. See: psychologist Kay Jamison's Touched By Fire, a novel on the mental illness of famous writers, half of which is focused on Lord Byron (as it should be) and includes an extensive psychological analysis of his whole family tree, which in a short summary brings me back to my previous point: everyone in the Byron family was kind of crazy.

John's health declined after sustaining storm-induced injuries and an unsuccessful attack against the French at the Battle of Grenada. He died at 62 with six living children. His grandson, the poet Lord Byron, borrowed inspiration from John's life and the shipwreck descriptions in his memoir while he was writing the shipwreck sequence in his magnum opus Don Juan.

In an epistle to his half-sister (Epistle to Augusta) Byron mentions their grandfather thus:

"A strange doom is thy father's son's, and past / Recalling, as it lies beyond redress; / Revers'd for him our grandsire's fate of yore— / He had no rest at sea, nor I on shore. / If my inheritance of storms hath been / In other elements, and on the rocks / Of perils, overlook'd or unforeseen, / I have sustain'd my share of worldly shocks, / The fault was mine; nor do I seek to screen / My errors with defensive paradox; / I have been cunning in mine overthrow, / The careful pilot of my proper woe."

On to the Scottish doctor James Lind! He's important because he developed the theory that citrus fruits treated scurvy, and in attempting to prove so he conducted the world's first ever official clinical trial. In his tests, he used the survivors from this famous shipwreck. This likely included Byron himself, being one of the few survivors and having reported the healing effects of citrus in restoring men who were on the verge of death. Needless to say, the discoveries and implications of Lind's clinical trial had an unprecedented impact on the fields of nutrition and medicine, and all of history, particularly in the Caribbean. In 1753 he published his Treatise on Scurvy.

Lind's theories on scurvy influenced the famous Captain James Cook, who implemented these ideas and proved their efficiency by how few men he lost to scurvy compared with every other Captain at the time. When Cook circumnavigated the world on his first voyage, no one died of scurvy. This didn't help with malaria and dysentery, which nearly wiped out his whole crew at one point on a journey to Indonesia. Aside from Anson's shipwreck, Cook's voyages were the other major instance of what I would call "social experiments at sea, or, fuck around and find out: scurvy edition" which led to the development of scurvy research.

As an aside, there is a famous town in Australia named Byron Bay. That town was named by Captain Cook in 1770 as a tribute to John Byron. Cook was sailing around on the HMS Endeavour doing even crazier colonial shit, and he likewise died as the result of his sea travels. He was killed in a scuffle on Hawaiʻi Island which transpired after he had casually tried to kidnap King Kalaniʻōpuʻu-a-Kaiamamao in broad daylight, planning to ransom him out of revenge for the theft of one of his boats, although Cook himself had stolen their sacred wood first after they had been so nice to him. This is what I've gathered from reading a bit about the confusing affair, but the main point is that Cook got what was coming to him. The Journals of Captain Cook were published to major success, contributing to the history of English travel narratives. But Cook is a pretty well-known historical figure so I can't go into his chaotic life any more than this, lest I be writing forever.

Lord Byron in an Albanian oufit he bought while traveling for 2 years, & Captain Cook thinking about navigation. The backgrounds make them look part of the same painting, no?

Back to the Linds: interestingly enough, the scurvy-studying physician James Lind had a younger cousin who was also a physician named James Lind, as well as a scientist/philosopher/teacher. While teaching at Eton, this Lind became a tutor and mentor of a young Percy Bysshe Shelley, and had such an impact on him that Shelley refers to Lind in several of his works. Shelley especially enjoyed Lind’s experiments regarding galvanism - the study of bringing things to life with electricity. It is widely believed by scholars that Shelley’s conversations and rememberances about Lind at Lord Byron's Villa Diodati were some of the primary inspiration for Mary Shelley’s novel Frankenstein (1818).

For further reading on Shelley's Lind: The real Doctor Frankenstein? by Christopher Goulding via Journal of the Royal Society of Medicine. Lind's Wikipedia page has a section devoted to Frankenstein.

Percy Shelley described his Lind:

". . . exactly what an old man ought to be. Free, calm-spirited, full of benevolence, and even of youthful ardor: his eye seemed to burn with supernatural spirit beneath his brow, shaded by his venerable white locks, he was tall, vigorous, and healthy in his body; tempered, as it had ever been, by his amiable mind. I owe to that man far, ah! far more than I owe to my father: he loved me, and I shall never forget our long talks, where he breathed the spirit of the kindest tolerance and the purest wisdom . . ."

A tie-in to vampire literature: Lind is also thought to be an influence on Bram Stoker’s Dracula (1897), which was influenced by (Lord Byron’s doctor) John Polidori’s novel The Vampyre, the first ever vampire novel, which was inspired by Lord Byron’s short vampire story Augustus Darvell, which was written at the same time as Frankenstein during their infamous ghost story competition at Villa Diodati. Augustus Darvell was inspired by Byron's travels through Eastern Europe, and was likely in part inspired by (another famous Romantic poet) Samuel Taylor Coleridge’s gothic poem Christabel, which Byron terrified Percy Shelley with after reading it aloud at the Villa Diodati, and which Byron loved so much that he helped Coleridge publish it through his own publisher. Christabel began in 1797 but wasn't published until 1816 for this reason.

To continue on vampires: Byron's enemy, the famous poet Robert Southey (who Byron roasted in Don Juan, among other works, and basically cancelled him as a result) also wrote a poem called Thalaba the Destroyer (1801) which is sometimes considered to be the first true depiction of a vampire in English literature. He also wrote it while traveling. Shelley (and Keats) both loved this poem, and so it also *could have* inspired some of the conversation at the Villa Diodati if Shelley had related the vampire theme to Christabel or Darvell. Southey is also the first English writer to write on Haitian zombi folklore, which would later become the zombie of modern horror. Southey was also reportedly in love with Mary Wollstonecraft Godwin, the mother of Mary Shelley and philosopher who wrote A Vindication of the Rights of Woman (1792), one of the most influential proto-feminist texts.

I relate these connections to demonstrate how small the literary world was at the time; so small that all the writers pretty much knew each other. In 1801, the English population was about 11 million, and in 1899 had grown to around 37 million due to industrialization (source: Black, Joseph, et al. "British Literature: A Historical Overview." The Broadview Anthology of British Literature, Broadview Press, vol. B, 2010, p. 70).

That's nearly the current population of London alone, but around 75% of that 11 million English population in 1801 was rural, whereas at the end of the century the national population was about 75% urban (source: same as prior), again due to industrialization. London in the early 19c was much less populated than today, and the amount of people who were educated or even merely literate was also much smaller than today. So really, it makes sense that all of the artists/writers/scientists/aristocrats knew each other. But it's still insane to see examples of how small the world really is and always has been.

The front-facing portrait is of Scurvy Lind, the shadow portrait is of Galvanism Lind.

The Shelleys: the King and Queen of Romanticism.

William Dobson  - Portrait of John Byron, 1st Baron Byron - 

oil on canvas, 142 cm x 120 cm

University of Manchester, UK

William Dobson (4 March 1611 (baptised); 28 October 1646 (buried)) was a portraitist and one of the first significant English painters, praised by his contemporary John Aubrey as “the most excellent painter that England has yet bred”. He died relatively young and his final years were disrupted by the English Civil War.

Captain the Honourable John Byron, 1723-86 by Joshua Reynolds 1759

Later Vice-Admiral John Byron (8 November 1723 – 10 April 1786) was a British Royal Navy officer and politician. Byron was a midshipman in the ‘Wager’, 24 guns, on Commodore Anson’s circumnavigation of the world of 1740-44, during which she was wrecked on the coast of Chile. In June 1764, he took command of the copper-sheathed frigate 'Dolphin’ and the sloop 'Tamar’ to locate a reported 'Pepys Island’ in the south Atlantic and then attempt to find a Pacific entrance to the long-fabled North-West Passage. Arriving at the Falkland Islands, he correctly identified them with 'Pepys Island’ and annexed them for Britain. After sailing through the Straits of Magellan he considered his ships 'too much disabled’ to pursue his North-West Passage mission, crossed the Pacific and returned to England in May 1766. Three years later Byron was appointed governor of Newfoundland, going out in command of the Antelope (54 guns) in 1769 and the Panther (60 guns) in 1770 and 1771. Appointed to the North American command in 1775 he remained there until 1779, when he was beaten by the French fleet under the Comte d'Estaing in an action off Grenada. In that time he was 1775 promoted to rear-admiral of the blue and by January 1778 had risen to the rank of vice-admiral of the blue. In September 1780 he was promoted vice-admiral of the white and came back to England in October, but he had no further employment before his death which was on 10 April 1786 at home in London.