Power group. Jesse Lasky, Will Hays, Thomas Edison, Adolph Zukor, and an unknown stranger photobomb.

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Power group. Jesse Lasky, Will Hays, Thomas Edison, Adolph Zukor, and an unknown stranger photobomb.

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The June 25, 1930 edition of Film Daily noted the industry VIPs who were arriving at and leaving the city. Film Daily was the first daily newspaper devoted to the movie industry. It was published in New York.
Photo: LiveJournal
Screenland magazine, March 1938
The Hollywood Heritage Museum, aka the DeMille Barn, located at Highland Avenue at Camrose.
No, tell us how you really feel, Mr. DeMille!
I was combing through Scott Eyman’s book on Cecil B. DeMille and found the most hilarious story. He saw The Sheik before it went into release and told Jesse Lasky in no uncertain terms that he thought it was an inevitable flop:
“I think it is a very stupid, uninteresting picture, with not a moment of reality, and it bores one throughout. Agnes Ayres is very bad, and with the exception of a few scenes, much of her beauty is gone. Valentino was apparently so made to over-act in his big close-ups that my children screamed with laughter as each close-up of him came on the screen. In this picture, there are some of the most beautiful shots of Arabs riding that I have ever seen, but I saw so many Arabs riding for so long that I would take little naps and wake up to find them still riding.”
He proceeds to call the movie a “lemon” and then advises Lasky not to get his hopes up for box office gold.
I wonder how he reacted to the movie’s success, Valentino’s screamingly funny close-ups be damned!

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RCl. Rochester, N.Y., Nov 19 1955 – From Jesse to Mary, a ‘George’ – Mary Pickford, star of silent movies, is shown as she received “George” Award tonight from Jesse L. Lasky, chairman of Festival of Film Artists, in ceremony at George Eastman House. Look on is Lillian Gish, whose movie career covers 43 years (***in 1955), also won award. Awards went to outstanding personalities of silent movie era. AP Wirephoto.
Grauman’s Rialto advertisement for the opening of “The Sheik”, 1921; the movie which would secure Rudolph Valentino’s legacy and grant him the moniker which he found offensive.
Rudy on set of ‘The Son of the Sheik’ in 1926 with Jesse Lasky to his right - other person depicted unknown.