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Programme notes: Bach the European 3 March 2019, Philippe Herreweghe 31 March 2019, Iain Ledingham 5 May 2019, John Butt 23 June 2019, Laurence Cummings  Bach BWV 106, BWV 19, JC Bach Es erhub sich ein Streit, JC Bach Ach, daß ich Wassers genug hätte Gabrieli Canzoni, Bach BWV 50, BWV 34, Marcello Concerto in D minor, Monteverdi Beatus vir Palestrina Missa sine nominee, Bach BWV 80, Bodenschatz Excerpts from Florilegium Portense Duke’s Hall, Royal Academy of Music.

Publication date 1951 THE CINCINNATI SYMPHONY ORCHESTRA Conductor THOR JOHNSON Johann Christian Bach, a prominent composer of the Baroque era, left a lasting impact on the world of music with his exceptional compositions. Among his notable works, the Sinfonia for Double Orchestra in E Flat Major stands as a testament to Bach's ingenuity and mastery of orchestral writing. Composed in the late 18th century, during the transition from the Baroque to Classical period, Johann Christian Bach's Sinfonia for Double Orchestra in E Flat Major showcases the composer's ability to bridge the musical styles of the time. As the youngest son of Johann Sebastian Bach, Johann Christian Bach developed his own unique musical voice, incorporating elements of both his father's Baroque style and the emerging Classical aesthetics. The Sinfonia for Double Orchestra in E Flat Major is a remarkable work that features two separate orchestras, each with its own set of instruments. This innovative approach allows Bach to explore the possibilities of rich harmonies, contrasting textures, and dynamic interplay between the two orchestras. The composition consists of three movements: 1. Allegro con spirito: The opening movement sets a spirited and lively tone, with energetic melodies and rhythmic drive. Bach skillfully employs the separate orchestras to create a sense of dialogue and counterpoint, showcasing his mastery of orchestration. 2. Andante: The second movement provides a contrast to the lively opening, offering a serene and lyrical atmosphere. Bach's gift for melody is evident in this section, as he crafts beautiful and expressive themes that are shared between the two orchestras, creating a sense of unity and harmony. 3. Presto: The final movement brings a sense of excitement and virtuosity. Bach employs rapid passages, intricate rhythms, and dynamic contrasts to create a thrilling conclusion to the sinfonia. The interaction between the two orchestras adds depth and complexity to the overall sound, leaving a lasting impression on the listener. Johann Christian Bach's Sinfonia for Double Orchestra in E Flat Major demonstrates the composer's ability to create grand and expansive musical landscapes. By utilizing two separate orchestras, Bach achieves a unique sonic richness and complexity. He explores the possibilities of contrasting timbres, harmonies, and textures, resulting in a captivating and immersive musical experience. This composition showcases Bach's mastery of orchestration, as he skillfully balances the voices of the two orchestras, creating moments of dialogue, imitation, and harmonic interplay. The Sinfonia for Double Orchestra in E Flat Major stands as a testament to Bach's ability to blend the traditional Baroque style with the emerging Classical aesthetic, creating a work of timeless beauty and innovation. Conclusion: Johann Christian Bach's Sinfonia for Double Orchestra in E Flat Major is a masterpiece that exemplifies the composer's musical genius and his ability to push the boundaries of orchestral writing. Through its innovative use of two separate orchestras, this sinfonia offers a unique and immersive musical experience. Bach's skillful orchestration, rich harmonies, and expressive melodies contribute to the enduring significance of this composition. As we delve into the grandeur of the Sinfonia for Double Orchestra, we are reminded of Johann Christian Bach's lasting contribution to the musical world. This composition stands as a testament to his ability to bridge musical styles, showcasing his unique voice and his ability to captivate audiences through his remarkable orchestrations.

JC Bach Symphony in G minor, Gluck arias from Paride ed Elena, Vanhal Symphony in D minor, Haydn Stabat mater, Mysliveček Arias from Semiramide, Haydn Symphony No. 39 in G minor. Classical Opera, led by Matthew Truscott, conducted by Ian Page. Soloist: Ida Ränzlöv. Signum Classics.  

Recording: Sturm und Drang II, Signum Classics January 2020   JC Bach Symphony in G minor, Gluck arias from Paride ed Elena, Vanhal Symphony in D minor, Haydn Stabat mater, Mysliveček Arias from Semiramide, Haydn Symphony No. 39 in G minor. Classical Opera, led by Matthew Truscott, conducted by Ian Page. Soloist: Ida Ränzlöv. Signum Classics.

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消しゴムハンコ初めてやってみた。バッハだよ。 棟方志功の凄さを思い知る。 友達のカエル🐸すごいクオリティ #消しゴムはんこ #jcbach #bach #バッハ

#onthisday in 1795 Death of German composer Johann Christoph Friedrich BACH in Bückeburg #jcbach #bach #bachfamily #todayinmusichistory #musicfact #MusicHistory #momentinmusichistory #musicaclasica #musica #music #instamusic #stringwarsproject #classicalmusic #classicalmusician #composers #composerslife #instaclassical

Johann Christian Bach : Symphonie en ré majeur, op. 18 no 6, 1 Allegro con spirito – 2 Andante — Akademie für Alte Musik Berlin