Me on my knees? For you? Absolutely.
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Me on my knees? For you? Absolutely.

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S.S.Daley SS25 Womenswear collection "No suffix, prefix or quotes" was inspired by the life, lovers, work and uniform of the British artist Gluck.
Gluck’s own tailored uniform is echoed in a black wool day coat, worn over a high collar shirt and Daley’s signature roomy pants. A silk twill scarf print of a cross-stitched dalmatian appears on a shirt and matching pleat skirt, slit at the front. Meanwhile, florals on a ripstop trench appear blurred, due to the weaving process: it’s trimmed in ecru leather.
Convolvulous by Gluck, 1940
I think we need an Orpheus and Eurydice play in which every night the ending is a different version of the myth and you never know what you'll end up watching this night. Will she stumble? Will he be unable to hear her? Will he get out of the Underworld and then turn back with a smile that turns horrified as he realizes she wasn't out? We know he turns back but maybe not this time.
And maybe sometimes we need them to get out—maybe once in ten years. But you need to get into the theatre thinking "maybe this time" because that's the kind of story that lends itself to hope.
Thursday, September 19.
S.S. Daley & Gluck.
Sublime meets sublime. S.S. Daley (@ssdaley) meets the iconic British artist Gluck for the 2225 Womenswear collection—their first full collection, which debuted with a show at the London Fashion Week.
It's a meeting of two aesthetic icons: tailored and utilitarian, femme and elegance. As with all of Daley’s work, it’s about queering traditions, charm, individuality, detail, and the pleasure of wearing clothes. The results are, well, sublime.
You can find the S.S.DALEY SS25 Womenswear playlist right here. These are songs that reflect the mood of the show, the mood of the studio working towards the show, team favorites, and songs that feel somehow connected to the research narrative. Enjoy.

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Portrait of Gluck (1924) by Douglas
Gluck - Portrait of Miss E.M. Craig (1920)
old married couple vibes