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Not listening to enough Telemann? Change your ways with this wonderful recording. I intend to share as much from brilliant Baroque composers in this new year.
Georg Philipp Telemann. Concerto for Flute, Viola d'amore, Oboe d'amore in E-Major, TWV 53:E1.
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The great Tomaso Albinoni’s Concertos, from Opus 9. Previously, I was only aware of Albinoni’s hauntingly beautiful Adagio in G Minor (adapted into a hearty ballad by Lana Fabian here). Later, I discovered in reading that he had been one of many influences on a certain J. S. Bach. But I have not properly listened to his music until the last 2-3 days. Albinoni’s concertos remind me why I enjoy the light, energetic sound of Italian Baroque.
Handel: As steals the morn (L'Allegro, HWV 55) Amanda Forsythe and Thomas Cooley, Voices of Music
Another favourite composer form childhood, the music of Georg Friedrich Händel has always appealed to me for what Beethoven recognised as drama using simple notes.
Jan Pieterszoon Sweelinck’s Onder een line groen.
Any Dutch people care to translate this?
Heinrich Schütz, Schwanengesang (Swan song). Enjoyable, particularly for the polyphonic texture here!
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Vivaldi sounds as though he composed his works yesterday. Never gets old.
A major big Toi-Toi-Toi to the tonight’s cast of Marie Antoinette performed by the Wiener Staatsballett in Vienna. #marieantoinette #ballet #performance #dance #drama #lastqueenoffrance #royalty #versailles #ancientregime #fashion #tragedy #costumes #agnesletestu #light @angotjames #music @pinoquintanacarlos #baroquecomposers #script #jaimemillas #goodlucktonight ✨✨✨
