So the MazM Phantom of the Opera mobile game sure takes some liberties
Here be spoilers. In summary: they are deeply iconic.
The de Chagny brothers have pink hair.
Little Jammes the ballerina is actually a canonical catgirl who unionizes the dancers and leads the first ever opera house strike.
She eventually grows up to be a womenâs rights activist and early suffragette.
The Persian is the one who gave Erik his name. In general, their relationship is approached in a heartwarming, heartwrenching, interesting way.
The game (and Raoul) criticize Philippe more actively, calling out his obsession with maintaining a family image compatible with class and gender norms, his infantilizing treatment of Raoul which is bad as well as tender, and his relationship with Sorelli compared with Raoulâs relationship with Christine.
The Persian tells off Raoul for judging the Persian government, pointing out his role as a colonizer.
Interestingly enough, Christineâs relationship with her father wasnât perfect either â he used to get drunk and depressed and borderline abusive, and it helps to explain why she might be particularly vulnerable to Erikâs manipulation.
Thereâs a mini-arc where Christine rescues Meg Giry from being trapped in Box 5 by the managers and drugged by Erik.
Meg leads a troop of opera workers to look for Christine after the final kidnapping by Erik, separately from Raoul and the Persian. Theyâre the ones who end up finding Raoul after he almost drowns and taking him back to the opera house.
Thereâs basically high-key Megstine vibes overall.
Holy SHIT the ending...itâs no longer about Christine (who has been trying to save everyone but herself all along) showing yet more compassion to the Phantom or thinking she can change him. Instead, Christine tells him that he canât control her anymore and that heâs nothing without bullying other people and that she doesnât think heâs a monster for his face, but for his actions. He begs her to love him, if he changes, and she says that even if he does change, she still wonât owe him her love. She leaves with Melek without kissing him or taking his ring (although she still does promise to bury him after he dies).
When Erik says his final goodbye to the Persian, he calls him his name (Hatim in this game) instead of Daroga for the first and last time and they forgive each other but only when the other is out of earshot and I never thought a mobile game could make me cry but here I am.
There are two possible endings for Christine: either she goes off with Raoul to the beach where they spent their childhood summer together and get to know each other again and Raoul has learned not to pressure her to marry him and they take their time to reconnect, or she goes off alone and travels the world and sings for herself and never marries and ends up visiting her motherâs grave in Sweden.
Instead of Christine losing Erikâs ring when she kisses Raoul like in the book, Raoul makes her give it to him and he chucks it off the roof of the opera house even though she told him quite clearly that taking it off would put her in danger.
Erik as the Angel of Music is so obviously creepy, controlling, and just kinda...mean from the beginning that I donât really buy Christineâs initial loyalty towards him, or that she would believe he was the Angel.
Like, he really does genuinely seem to hate Christine and isnât weirdly nice to her during the two weeks after the first kidnapping like he is in the book. He doesnât like it when she expresses any emotions, talks about herself, or reads books.
As awesome as MazM Meg is, she is aged up and much more serious and caring, so we do lose Lerouxâs sassy feral preteen Meg whom I love so dearly.
Everyone is so, SO mean to the Persian, and both Raoul and Erik and even you in the future (itâs a bit hard to explain) assign him way too much of the blame for how Erik turned out because when he was spending time with him in Persia he focused on making his life slightly less miserable instead of taking it upon himself to teach him right and wrong??
And then yeah the Persian is directly responsible for the Shah trying to have him murdered because he made up a rumor about him intending to get him exiled so he could leave the toxic environment of the Persian court but then the Shah decided to have the Persian execute him instead. But he still did end up saving his life at immense personal risk. And even fragile Erik recognized that. Plus he protected Raoul and Christine just because he thought it was the right thing to do. Why does the narrative keep trying to uncritically frame the Persian as selfish when heâs very much not??
The managers are legitimately evil now and try to frame Christine for the murder of Joseph Buquet for...reasons.
So Christine wasnât Erikâs first âlove.â Oh no. You see, he has a blind Turkish woman named Melek locked up in his basement after she refused to marry him. She used to be his interpreter and servant, and she was nice enough to him, and he thought she might love him because she was blind, but because she knew about the torture devices he built for the sultan, she spurned his advances. So he has imprisoned her for ten years now. Throughout the game, Christine tries to help her escape.
I donât think the game designers realized that Jammes and Sorelli are last names (Jammesâ first name is actually CĂŠcile in the book), and so they renamed them Jammes Petit and Sorelli Dupont.
Yeah Erik really didnât convincingly change and while what Christine said to him was really important to her arc, Iâm not sure if it made him act too differently. For example, he never chose to save Raoul for her sake â he never found out that he survived the torture chamber flooding and told Christine that he died.
The game even makes a point of having Erik call Christine âthe cruel devilâ several times after she makes him set her free (quite the opposite of book Erik calling her an âangelâ later). On one hand itâs really good for Christine but on the other hand his reasons for giving up the Phantom and the money seem less clear.
This is the character design for the detective/narrator: