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uh
so iāve read poto and seen the royal albert hall version and i was just listening to the soundtrack and decided to look at the lyrics
i discovered that aPpArEnTlY andrew lloyd webber made the brilliant decision to f*ck with everyone and change moncharminās name to andrĆ©
so
just wanted to let yāall know, armand moncharmin and gilles andrĆ© are the same guy, just oneās from the book and oneās from the musical
iām just gonna call him armandrĆ©
Notes (abridged)
What a way to run a business household,
Spare me these unending trials,
Half the cast food disappears but the crowd family still cheers:
Opera "Make some food!"
Here is the first batch of PotO Character designs! (Theyāre just headshots atm heheh) There are a couple of characters I left out so I might make another batch! (Phillipe, Sorelli, Jammes, Piangi and such) I hope you like them! :D
So the MazM Phantom of the Opera mobile game sure takes some liberties
Here be spoilers. In summary: they are deeply iconic.
The Good
The de Chagny brothers have pink hair.
Little Jammes the ballerina is actually a canonical catgirl who unionizes the dancers and leads the first ever opera house strike.
She eventually grows up to be a womenās rights activist and early suffragette.
The Persian is the one who gave Erik his name. In general, their relationship is approached in a heartwarming, heartwrenching, interesting way.
The game (and Raoul) criticize Philippe more actively, calling out his obsession with maintaining a family image compatible with class and gender norms, his infantilizing treatment of Raoul which is bad as well as tender, and his relationship with Sorelli compared with Raoulās relationship with Christine.
The Persian tells off Raoul for judging the Persian government, pointing out his role as a colonizer.
Interestingly enough, Christineās relationship with her father wasnāt perfect either ā he used to get drunk and depressed and borderline abusive, and it helps to explain why she might be particularly vulnerable to Erikās manipulation.
Thereās a mini-arc where Christine rescues Meg Giry from being trapped in Box 5 by the managers and drugged by Erik.
Meg leads a troop of opera workers to look for Christine after the final kidnapping by Erik, separately from Raoul and the Persian. Theyāre the ones who end up finding Raoul after he almost drowns and taking him back to the opera house.
Thereās basically high-key Megstine vibes overall.
Holy SHIT the ending...itās no longer about Christine (who has been trying to save everyone but herself all along) showing yet more compassion to the Phantom or thinking she can change him. Instead, Christine tells him that he canāt control her anymore and that heās nothing without bullying other people and that she doesnāt think heās a monster for his face, but for his actions. He begs her to love him, if he changes, and she says that even if he does change, she still wonāt owe him her love. She leaves with Melek without kissing him or taking his ring (although she still does promise to bury him after he dies).
When Erik says his final goodbye to the Persian, he calls him his name (Hatim in this game) instead of Daroga for the first and last time and they forgive each other but only when the other is out of earshot and I never thought a mobile game could make me cry but here I am.
There are two possible endings for Christine: either she goes off with Raoul to the beach where they spent their childhood summer together and get to know each other again and Raoul has learned not to pressure her to marry him and they take their time to reconnect, or she goes off alone and travels the world and sings for herself and never marries and ends up visiting her motherās grave in Sweden.
The Bad
Instead of Christine losing Erikās ring when she kisses Raoul like in the book, Raoul makes her give it to him and he chucks it off the roof of the opera house even though she told him quite clearly that taking it off would put her in danger.
Erik as the Angel of Music is so obviously creepy, controlling, and just kinda...mean from the beginning that I donāt really buy Christineās initial loyalty towards him, or that she would believe he was the Angel.
Like, he really does genuinely seem to hate Christine and isnāt weirdly nice to her during the two weeks after the first kidnapping like he is in the book. He doesnāt like it when she expresses any emotions, talks about herself, or reads books.
As awesome as MazM Meg is, she is aged up and much more serious and caring, so we do lose Lerouxās sassy feral preteen Meg whom I love so dearly.
Everyone is so, SO mean to the Persian, and both Raoul and Erik and even you in the future (itās a bit hard to explain) assign him way too much of the blame for how Erik turned out because when he was spending time with him in Persia he focused on making his life slightly less miserable instead of taking it upon himself to teach him right and wrong??
And then yeah the Persian is directly responsible for the Shah trying to have him murdered because he made up a rumor about him intending to get him exiled so he could leave the toxic environment of the Persian court but then the Shah decided to have the Persian execute him instead. But he still did end up saving his life at immense personal risk. And even fragile Erik recognized that. Plus he protected Raoul and Christine just because he thought it was the right thing to do. Why does the narrative keep trying to uncritically frame the Persian as selfish when heās very much not??
The Baffling
The managers are legitimately evil now and try to frame Christine for the murder of Joseph Buquet for...reasons.
So Christine wasnāt Erikās first ālove.ā Oh no. You see, he has a blind Turkish woman named Melek locked up in his basement after she refused to marry him. She used to be his interpreter and servant, and she was nice enough to him, and he thought she might love him because she was blind, but because she knew about the torture devices he built for the sultan, she spurned his advances. So he has imprisoned her for ten years now. Throughout the game, Christine tries to help her escape.
I donāt think the game designers realized that Jammes and Sorelli are last names (Jammesā first name is actually CĆ©cile in the book), and so they renamed them Jammes Petit and Sorelli Dupont.
Yeah Erik really didnāt convincingly change and while what Christine said to him was really important to her arc, Iām not sure if it made him act too differently. For example, he never chose to save Raoul for her sake ā he never found out that he survived the torture chamber flooding and told Christine that he died.
The game even makes a point of having Erik call Christine āthe cruel devilā several times after she makes him set her free (quite the opposite of book Erik calling her an āangelā later). On one hand itās really good for Christine but on the other hand his reasons for giving up the Phantom and the money seem less clear.
This is the character design for the detective/narrator:

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Christine DaaƩ
āŖā§ā¬ christine is a student in a university pretty well known in paris. ms. valerius paid for her tuition, yet christine is pretty average and struggles on her studies since her father died. she sings in between school periods in her room, where no one can hear her. she normally hangs around the campus or the library to read, she has some friends but prefers to have a small friend group. rarely goes out and is known to be the ātimid but kind swedish girlā
āŖā§ā¬ her fashion choice is feminine and modest - she doesnāt follow trends a lot, she wears a lot of flowery patterns and dresses, where the colours white and blue are predominant. she wears glasses for she suffers from myopia and canāt see from afar.
āŖā§ā¬ she isnāt too keen to social media; she has instagram but only uses it to see what her friends are up to and has few followers. Her preferred apps are tumblr (where she follows aesthetic blogs) and soundcloud. she posts covers in soundcloud by the username ālittlelotteā
āŖRaoul De Chagny
āŖā§ā¬ raoul is very well-known in university specially for his status as the ārich boyā. hiss older brother, Philippe, half-forced him to study law. everyone tries to get to know him and invite him to parties but he prefers staying at home. he is handsome and many girl have a crush on him but he still lingers in his childhood friend whom she hasnāt seen for 10 years. until one day he suddenly sees a girl on campus who looks a lot like his old friend.
āŖā§ā¬ his clothing is very dark academia inspired and he wears a lot of long brown coats and white shirts.
āŖā§ā¬ he does have social media, he uses twitter (specially to see the news when he wakes up) and instagram, where he keeps his name simply as āraoul cā so people donāt follow him and lurk on him only because of his financial and social status. he posts mainly pictures of pretty views he comes across with. he dislikes selfies and never posts his face.
Erik
āŖā§ā¬ a part-time worker on the library of the university who only exclusively wears black. no one ever talks to him and heās normally hidden between books of musical theology. once he peeked the sweet christine reading classic novels and got intrigued. everyday he finds her sitting alone in a table in the back of the library between a bunch of books about fairytales and gothic literature and daydreams about who the quiet girl might be.
āŖā§ā¬ one day he catches her scrolling through soundcloud with earphones on and catches a glimpse of her soundcloud username. he became her first follower on soundcloud.
āŖā§ā¬ after that, he messaged her and they started talking via texting, where erik hid behind the āanonphantomā username. they both shared their love for music and erik complimented every cover she made on soundcloud, not revealing he is the myserious guy that works on the library of the university she attends.
Next up on our sneak peek series!
Monsieur Moncharmin, played by Sosole Sole in his SVT debut! As co-manager of the Prima Vista Opera House, M. Moncharmin assures you that theatre attendance is perfectly safe because opera ghosts do not exist!
An underhanded plot brings Erik's murderous rage to the front...
Sorry for the delay! I had SO much trouble writing this chapter. God knows why.