seen from South Africa
seen from Germany
seen from China
seen from United States
seen from Colombia
seen from United States
seen from United States
seen from China
seen from India
seen from Germany
seen from Denmark
seen from United Kingdom
seen from United States
seen from Canada
seen from United States
seen from United States
seen from Iraq
seen from United States
seen from Costa Rica
seen from United States
me: *finds out there was a production of Faust directed by Bartlett Sher with Charles Castronovo, Sonya Yoncheva, Erwin Schrott, Jacques Imbrailo, and Angela Brower in the principal roles*
me: OMG WANT
me: *goes and searches for video*
*there is no video*
me: *considers throwing my phone across the room*
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Reminder! The livestream* of Brett Dean’s Hamlet from Glyndebourne is coming up this Thursday, July 6, starting at 6:00 p.m. British time (7:00 p.m. in central Europe; 1:00 p.m. in the Eastern time zone of North America). Cast:
Allan Clayton (Hamlet)
Dame Sarah Connolly (Gertrude)
Barbara Hannigan (Ophelia)
Rod Gilfry (Claudius)
Sir John Tomlinson (Ghost / Player / Gravedigger)
David Butt Philip (Laertes)
Kim Begley (Polonius)
Jacques Imbrailo (Horatio)
Rupert Enticknap and Christopher Lowrey (Rosencrantz and Guildenstern)
The video will remain available for viewing for a week following the livestream.
In addition to streaming on the aforelinked Glyndebourne website, the show will also be viewable on medici.tv, Culturebox, and the Telegraph website. Take your pick!
* Streaming of the first part, which runs almost two hours, will actually be delayed by about an hour so that at-home audiences don’t have to sit through Glyndebourne’s traditional 90-minute “long interval.” After a break of about half an hour, the second part will be streamed live, concluding around 9:30 p.m. British time.
Mostly Mezzo Mondays: Fleming, Crebassa, de Bique, Prina (x2), Imbrailo, Davies; Vivaldi and A. Scarlatti operas
Mostly Mezzo Mondays: a recurring (though not weekly) feature where, on Monday nights, I blog a list of the upcoming broadcasts that have caught my eye on World Concert Hall. My interests: baroque vocal music, art song recitals, and a list of favorite singers.
I’ve got a place in my heart for the Beaune Festival after attending a few performances there last summer. A performance of Alessandro Scarlatti’s Mitridate Eupatore from this year’s festival is scheduled for deferred broadcast. There are a few names I recognize in the cast list—including Blandine Staskiewicz, who made a good impression when I saw her in last year’s festival—but most of my interest in this broadcast is in hearing “one of the finest of Scarlatti's operas” (if you take Wikipedia’s word for it). Wednesday, July 26 on France Musique (should be archived for a while after).
After this astonishing video of Jeanine de Bique made the rounds on Tumblr, I added her to my list of artists I keep an eye out for on World Concert Hall. Personally, I’d rather hear her as Handel’s Semele (please, o casting gods, pleeeeease) than as Mozart’s Annio but I’ll take what I can get. She appears in the Salzburg Clemenza along with Marianne Crebassa (Sesto), Golda Schultz (Vitellia), et al. Live broadcast Thursday, July 27 on Ö1.
Jacques Imbrailo only recently came to my attention in the small role of Horatio in Brett Dean’s Hamlet at Glyndebourne; it wasn’t quite enough for me to really make up my mind about him, but it’s encouraging to see him cast along with a couple of my established faves—Sonia Prina and Iestyn Davies—in a BBC Proms concert. To add to my interest, the programming appears to make an impassioned appeal for European unity: MacMillan’s European Requiem is to be followed by Beethoven’s Ninth. Live broadcast Sunday, July 30 on BBC Radio 3 (should be archived for a while after). This prom is also scheduled for live television broadcast on BBC Four, but only in-country viewers will have access to it.
Fans of Renée Fleming will want to hear her singing Michael Tilson Thomas’s settings of selections from the poems of Emily Dickinson at the Aspen Festival. Live broadcast Sunday, July 30 on Colorado Public Radio.
The day after her Proms appearance in London, the well-traveled Sonia Prina is also scheduled to take the title role in a performance of Vivaldi’s Orlando Furioso in Apulia. Let’s hope the Rai Radio 3 sound engineering is better than it was when I tried to catch an obscure baroque opera broadcast from Turin. Live broadcast Monday, July 31 on Rai Radio 3.
Glyndebourne Hamlet: going, going . . .
Reminder! You have until 11:59 p.m. British time on Thursday the 13th to watch Brett Dean’s Hamlet on the Glyndebourne website.Â
Nun wollen wir ein wenig ernst machen mit dem Britten, weil wir gerade schöne Vorwände zur Hand haben. Billy Budd ist natürlich immer beeindruckend, und ganz offensichtlich Tobis Lieblingsoper. Diesmal wählten wir Michael Grandages 2010er-Inszenierung aus Glydebourne, um die einiges Gewese gemacht wird. Sie haben ein detailfreudiges Bühnenbild im Bauch des Schiffes, was aber irritierenderweise dazu führt, daß das Meer draußen bleibt. Dabei sehen wir das Meer doch so gerne. Und ganz so detailfreudig hätte es gar nicht sein müssen. Phillip Ens als Claggart ist von vornherein arg schurkig, Jacques Imbrailo als Billy stottert dramatisch, bleibt aber ein bisschen farblos, und sieht natürlich auch nicht aus wie Terence Stamp, und Captain John Mark Ainsley wirkt manchmal, grade bei den dramatischen Entscheidungen, etwas lethargisch. Letztlich wissen wir aber, daß wir ungerecht sind, weil uns im Grunde vor allem stört, daß sie nicht Thomas Allen und Philip Langridge sind.
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PAPPANO DIRIGEIX "UNE CANTATE DE NOĂ‹L" DE ARTHUR HONEGGER (vĂdeo)
PAPPANO DIRIGEIX “UNE CANTATE DE NOĂ‹L” DE ARTHUR HONEGGER (vĂdeo)
Avui us porto el vĂdeo d’un concert de la sempre estimulant Accademia Nazionale di Santa Cecilia sota la direcciĂł del seu titular Antonio Pappano, interpretant “Une cantate de NoĂ«l” d’Arthur Honegger, la darrera de les composicions del compositor francès, escrita per a l’Orquestra i el Cor de Basilea.
El text de la cantata es fonamenta en texts litúrgics i de carà cter popular incloent Salms i el…
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