#isolationgames

Hello there and welcome to a surprise reprise of my Wednesday Weirdness feature, returning to mark the first of an equally surprising two weeks of furlough from work. Having being experimenting with a synth/sampler/mixing/sequencing app I downloaded during the first lockdown, (and never managed to work out how to play) I have finally learned how to compose real, structured music. Here is my…

With another unplanned week off work as corona-furlough strikes again, I’ve been sitting in my garden studio (oh, alright, in a comfortable chair with my phone) adding to my rapidly expanding music catalogue. First there’s this chilled out cinematic epic, once again produced from scratch with two completely separate, bespoke pieces of music, which I then mixed together on my DJ app… …and here is…

Continuing my mission to squish together unlikely combinations of bands with stolen cinematic footage, may I present my latest mashup of musical madness. This particular peculiar pairing features The Fun Lovin’Criminals and Leftfield, combined with some predictably blood-soaked clips from movie maestro Quentin Tarantino. Here is the dc57 Dusted Mix of Korean Bodega, enjoy.

Yes, it’s true. ISOLATION RADIO, the album, is a reality! I have just released my first ever collection of original musical material for public consumption on Bandcamp and here exclusively and first anywhere in the world, I present it to you, my lovely readers. You have already had a chance to sample many of the delights contained within, via the audio visual noodling I have engaged in of late,…

As I’m still furloughed, Wednesday Weirdness returns for a second week, with yet another eye-melting, potentially seizure-inducing, multimedia mindbender. Because there is a cinematically psychedelic video to go with my latest burst of electro-frenetic musical mayhem, with additional footage pilfered from a crowdfunded sci-fi movie called Blood Machines, this is Core Breach. #1linerWeds Pingback…

Over the weekend I created another multimedia project, to showcase the further evolution of my attempts at musical composition. This piece, entitled Deadlights, is accompanied by a video constructed from clips of a Japanese science fiction movie called Space Battleship Yamato, along with the usual array of peculiar swirly patterns, expertly synched with the music. I am also testing out my…

The main reason I wanted to produce my own original music was so I could use it to make truly original remixes. It’s all very well to use the digital equivalent of a crowbar and sledgehammer to mash two existing tracks together, to create something larger and more unlikely than the sum of its component parts, but I wanted to be able to take an existing piece of music and be responsible for ALL…